|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
|
|
gptkbp:adaptations
|
gptkb:film_adaptations
gptkb:theatrical_performances
gptkb:theater_productions
radio plays
radio adaptations
|
|
gptkbp:adapted_into
|
gptkb:radio_station
gptkb:theater
gptkb:film
|
|
gptkbp:author
|
gptkb:Virginia_Woolf
|
|
gptkbp:available_in
|
gptkb:print
digital format
|
|
gptkbp:characters
|
gptkb:Susan
gptkb:Neville
gptkb:Bernard
gptkb:Winnie
gptkb:Louis
gptkb:Jinny
gptkb:Rhoda
|
|
gptkbp:commissioned
|
gptkb:City_of_Miami_Beach
|
|
gptkbp:critical_reception
|
acclaimed
mixed reviews
widely acclaimed
considered a classic
|
|
gptkbp:cultural_impact
|
inspired art
influenced feminist literature
adapted into films
inspired art and music
influenced writers
studied in literature courses
inspired performances
adapted into art
|
|
gptkbp:dimensions
|
gptkb:Varies
|
|
gptkbp:discusses
|
gptkb:existentialism
gptkb:loss
gptkb:friendship
gptkb:memory
love
gender roles
|
|
gptkbp:explores
|
the passage of time
the nature of reality
the concept of self
|
|
gptkbp:features
|
poetic language
symbolism
imagery
philosophical reflections
|
|
gptkbp:first_published
|
1931
|
|
gptkbp:followed_by
|
gptkb:Between_the_Acts
|
|
gptkbp:genre
|
gptkb:novel
stream of consciousness
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Waves
|
|
gptkbp:influenced
|
gptkb:literature
gptkb:philosophy
gptkb:psychology
|
|
gptkbp:influenced_by
|
gptkb:modernism
|
|
gptkbp:influences
|
modernist literature
Virginia Woolf's other works
|
|
gptkbp:inspiration
|
philosophical ideas
literary influences
Woolf's own experiences
Woolf's own life experiences
|
|
gptkbp:inspired
|
contemporary writers
|
|
gptkbp:installation_type
|
Outdoor
|
|
gptkbp:is_a
|
gptkb:sculpture
|
|
gptkbp:is_available_on
|
gptkb:audiobook
|
|
gptkbp:is_considered
|
a classic
a significant work of modernist literature
|
|
gptkbp:is_located_in
|
gptkb:Miami_Beach
|
|
gptkbp:is_reviewed_by
|
gptkb:scholars
gptkb:students
literary critics
|
|
gptkbp:is_studied_in
|
literature courses
psychology courses
women's studies courses
|
|
gptkbp:isbn
|
978-0-15-690739-2
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
approximately 300 pages
|
|
gptkbp:literary_devices
|
gptkb:metaphor
gptkb:personification
symbolism
imagery
alliteration
repetition
|
|
gptkbp:main_character
|
gptkb:Susan
gptkb:Neville
gptkb:Bernard
gptkb:Winnie
gptkb:Louis
gptkb:Jinny
gptkb:Rhoda
|
|
gptkbp:main_theme
|
gptkb:identity
|
|
gptkbp:material
|
gptkb:Bronze
|
|
gptkbp:narrative
|
first-person
six soliloquies
|
|
gptkbp:narrative_style
|
stream of consciousness
experimental
|
|
gptkbp:notable_quote
|
“ I am made and remade continually.”
“ The waves crash on the shore.”
“ We are all different.”
“ I am what I am.”
“ I am alone.”
“ The sea is all.”
“ The waves broke on the shore.”
“ For now she is a woman.”
“ I am made of the sea and the sky.”
“ Life is a series of waves.”
“ The waves are all that I have.”
“ For there is no other life than this.”
“ The world is full of people.”
“ Time passes, but we remain.”
|
|
gptkbp:page_count
|
256
320
|
|
gptkbp:part_of
|
Virginia Woolf's oeuvre
|
|
gptkbp:preceded_by
|
gptkb:To_the_Lighthouse
|
|
gptkbp:publication_year
|
1931
|
|
gptkbp:published
|
1931
|
|
gptkbp:published_by
|
gptkb:Hogarth_Press
|
|
gptkbp:publisher
|
gptkb:Hogarth_Press
|
|
gptkbp:setting
|
gptkb:England
|
|
gptkbp:structure
|
six sections
six soliloquies
|
|
gptkbp:style
|
lyrical
poetic
philosophical
|
|
gptkbp:symbolism
|
gptkb:light
gptkb:water
gptkb:death
growth
sunset
childhood
waves
|
|
gptkbp:theme
|
gptkb:ocean
|
|
gptkbp:themes
|
gptkb:friendship
gptkb:identity
gptkb:memory
gptkb:time
nature
individuality
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:unveiled_on
|
gptkb:2018
|
|
gptkbp:viewpoint
|
first-person
|
|
gptkbp:written_by
|
gptkb:Virginia_Woolf
|
|
gptkbp:bfsParent
|
gptkb:The_Bloomsbury_Group
gptkb:Bloomsbury_Group
gptkb:Virginia_Woolf
gptkb:Michele_Oka_Doner
gptkb:Chatto_&_Windus
gptkb:Angela_Carter
gptkb:The_Hours
|
|
gptkbp:bfsLayer
|
4
|