gptkbp:instance_of
|
gptkb:painting
|
gptkbp:artist
|
gptkb:John_William_Waterhouse
|
gptkbp:associated_with
|
Victorian ideals
|
gptkbp:collection
|
gptkb:Tate_collection
|
gptkbp:color_palette
|
rich colors
|
gptkbp:depicts
|
Mary holding Jesus
|
gptkbp:dimensions
|
91.4 cm × 61 cm
|
gptkbp:exhibited_at
|
Exhibition of the Royal Academy
|
gptkbp:exhibition
|
gptkb:Royal_Academy_of_Arts
|
gptkbp:features
|
emotional expression
naturalistic details
soft lighting
flowing garments
|
gptkbp:has_been_restored
|
yes
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Virgin and Child by Waterhouse
|
gptkbp:influence
|
Renaissance art
|
gptkbp:influenced
|
modern religious art
|
gptkbp:influenced_by
|
gptkb:Dante_Gabriel_Rossetti
gptkb:John_Everett_Millais
|
gptkbp:inspired_by
|
gptkb:Christian_iconography
|
gptkbp:is_analyzed_in
|
art critiques
|
gptkbp:is_considered
|
masterpiece
|
gptkbp:is_displayed_in
|
gptkb:art_galleries
|
gptkbp:is_famous_for
|
its historical significance
its emotional depth
its composition
its cultural impact
its visual storytelling
its use of color
its artistic technique
its narrative quality
its influence on later artists
its representation of motherhood
|
gptkbp:is_part_of
|
Tate Britain collection
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
gptkbp:is_represented_in
|
art history textbooks
|
gptkbp:is_sought_after_by
|
art collectors
|
gptkbp:is_studied_in
|
gptkb:art_historians
|
gptkbp:location
|
gptkb:Tate_Britain
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
gptkbp:notable_for
|
depiction of maternal love
|
gptkbp:part_of
|
gptkb:Victorian_art_movement
|
gptkbp:represents
|
gptkb:spirituality
|
gptkbp:style
|
gptkb:Pre-Raphaelite
|
gptkbp:subject
|
gptkb:Jesus_Christ
gptkb:Virgin_Mary
|
gptkbp:symbolizes
|
innocence
divine motherhood
|
gptkbp:technique
|
glazing
|
gptkbp:year_created
|
gptkb:1896
|
gptkbp:bfsParent
|
gptkb:Museo_Thyssen-Bornemisza
|
gptkbp:bfsLayer
|
5
|