|
gptkbp:instance_of
|
gptkb:opera
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:stage_play
|
|
gptkbp:adapted_into
|
gptkb:theater
gptkb:fairy_tales
|
|
gptkbp:art_style
|
stark contrasts
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
Best Director nomination
Best Actress nomination
Best Cinematography nomination
Best Editing nomination
Best Original Score nomination
|
|
gptkbp:based_on
|
The Virgin Spring (play)
The Virgin Spring (1960) by Ingmar Bergman
The Virgin Spring (film)
a Swedish folk tale
a medieval ballad
|
|
gptkbp:box_office
|
$1.5 million
$1 million
|
|
gptkbp:cast
|
gptkb:Johan_Widerberg
gptkb:Sofia_Helin
gptkb:Peter_Stormare
gptkb:Lena_Endre
gptkb:Mikael_Persbrandt
gptkb:Gustaf_Skarsgård
gptkb:Hanna_Alström
Johan H:son
|
|
gptkbp:character_arc
|
transformation through trauma
Karin's transformation
|
|
gptkbp:character_development
|
Karin's innocence
|
|
gptkbp:character_motivation
|
gptkb:justice
|
|
gptkbp:character_relationships
|
moral dilemmas
family dynamics
parent-child relationships
|
|
gptkbp:characters
|
gptkb:Karin
the parents
Ingrid
Mäster
the rapists
|
|
gptkbp:cinematography
|
gptkb:Sven_Nykvist
poetic imagery
|
|
gptkbp:cinematography_by
|
gptkb:Sven_Nykvist
gptkb:Jörgen_Persson
|
|
gptkbp:color
|
Black and white
black and white
black-and-white
|
|
gptkbp:composer
|
gptkb:Toru_Takemitsu
|
|
gptkbp:country
|
gptkb:Sweden
|
|
gptkbp:critical_reception
|
Highly acclaimed
positive
mixed reviews
highly acclaimed
Highly acclaimed.
|
|
gptkbp:criticism
|
praised for direction
|
|
gptkbp:cultural_impact
|
Considered a classic
inspired discussions on morality
inspired adaptations
influenced literature
influenced filmmakers
influenced playwrights
considered a classic of world cinema
influential in film studies
Influenced later films about revenge.
|
|
gptkbp:cultural_significance
|
Explores themes of morality.
explores human nature
Depicts the struggle between good and evil.
Examines the nature of evil.
Questions the role of God.
Reflects on human suffering.
|
|
gptkbp:directed_by
|
gptkb:Ingmar_Bergman
|
|
gptkbp:director
|
gptkb:Ingmar_Bergman
gptkb:Kjell_Sundvall
|
|
gptkbp:distributor
|
gptkb:United_Artists
gptkb:Nordisk_Film
gptkb:Janus_Films
gptkb:AB_Svensk_Filmindustri
|
|
gptkbp:edited_by
|
Mikael Ekman
|
|
gptkbp:editing
|
non-linear
|
|
gptkbp:film_awards
|
gptkb:Golden_Globe_for_Best_Foreign_Language_Film
|
|
gptkbp:film_editing
|
gptkb:Ulla_Rygner
gptkb:Ursula_Lindström
The Virgin Spring (film)
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
atmospheric
|
|
gptkbp:film_technique
|
gptkb:Quentin_Tarantino
long takes
neorealism
inspired many directors.
|
|
gptkbp:filming_location
|
gptkb:Sweden
|
|
gptkbp:filmography
|
themes of faith and doubt
|
|
gptkbp:first_performance
|
gptkb:Teatro_Real
|
|
gptkbp:genre
|
gptkb:opera
gptkb:drama
|
|
gptkbp:has_backstory
|
Karin's upbringing
|
|
gptkbp:historical_context
|
post-war Sweden
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Virgin Spring
|
|
gptkbp:influenced
|
gptkb:The_Virgin_Suicides
gptkb:I_Spit_on_Your_Grave
gptkb:The_Last_House_on_the_Left
gptkb:horror_genre
gptkb:Funny_Games_(1997)
gptkb:Revenge_(2017)
gptkb:The_Bridge_(2011)
gptkb:The_Hunt_(2012)
theatre and film
The Girl with the Dragon Tattoo (2009)
|
|
gptkbp:influenced_by
|
gptkb:Ingmar_Bergman
gptkb:historical_context
Christian themes
Swedish folklore
Nordic cinema
Swedish film industry
The Virgin Spring (play)
The Virgin Spring (1960) by Ingmar Bergman
The Virgin Spring (1960) themes
The Virgin Spring (film)
the works of August Strindberg
|
|
gptkbp:influences
|
gptkb:The_Last_House_on_the_Left
|
|
gptkbp:inspiration
|
The medieval ballad ' Töre's Daughter in Vänge'
|
|
gptkbp:inspired
|
gptkb:The_Last_House_on_the_Left
The Virgin Spring (2010)
The Virgin Spring (opera)
|
|
gptkbp:inspired_by
|
Swedish folklore
|
|
gptkbp:language
|
gptkb:Swedish
English
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:librettist
|
gptkb:Jean-Claude_Carrière
|
|
gptkbp:main_character
|
gptkb:Karin
|
|
gptkbp:motif
|
innocence lost
|
|
gptkbp:music
|
Erik Nordgren
|
|
gptkbp:music_by
|
gptkb:Johan_Söderqvist
Erik Nordgren
|
|
gptkbp:music_composer
|
Erik Nordgren
|
|
gptkbp:narrative
|
linear
explores vengeance
|
|
gptkbp:notable_aria
|
' The Virgin's Lament'
|
|
gptkbp:notable_awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:none
gptkb:Golden_Globe_Award_for_Best_Foreign_Language_Film
Cannes Film Festival -Palme d' Or
|
|
gptkbp:notable_performances
|
international festivals
local theatres
high school productions
community theatres
academic productions
|
|
gptkbp:notable_production
|
gptkb:Royal_Dramatic_Theatre
|
|
gptkbp:notable_quote
|
" Revenge is a dish best served cold."
|
|
gptkbp:notable_scene
|
The baptism scene
the final confrontation
The final confrontation
The final confrontation.
The opening scene.
The baptism scene.
The death of the daughter
The mother's grief
The villagers' reaction
|
|
gptkbp:notable_themes
|
gptkb:justice
faith
morality
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:original_language
|
gptkb:Swedish
|
|
gptkbp:performed_by
|
various theatre companies
|
|
gptkbp:performed_in
|
gptkb:various_countries
|
|
gptkbp:plot
|
A tale of revenge and justice.
A tale of revenge and redemption.
|
|
gptkbp:premiere
|
gptkb:1996
gptkb:Cannes_Film_Festival
gptkb:Göteborg_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:1960
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Ingmar_Bergman
|
|
gptkbp:production_company
|
gptkb:Nordisk_Film
gptkb:Svensk_Filmindustri
|
|
gptkbp:published_in
|
gptkb:1960
|
|
gptkbp:release_country
|
gptkb:Sweden
|
|
gptkbp:release_date
|
gptkb:1960
February 1960
|
|
gptkbp:release_year
|
gptkb:1960
gptkb:2010
|
|
gptkbp:released_in
|
gptkb:1960
|
|
gptkbp:remake
|
The Virgin Spring (2010)
|
|
gptkbp:runtime
|
90 minutes
83 minutes
|
|
gptkbp:screenplay
|
gptkb:Ingmar_Bergman
gptkb:Ulla_Isaksson
|
|
gptkbp:screenplay_by
|
gptkb:Ingmar_Bergman
gptkb:Ulla_Isaksson
gptkb:Ulf_Ryde
|
|
gptkbp:set_in
|
medieval Sweden
|
|
gptkbp:setting
|
gptkb:Sweden
Medieval Sweden
medieval Sweden
|
|
gptkbp:starring
|
gptkb:Gunnel_Lindblom
gptkb:Max_von_Sydow
gptkb:Birgitta_Pettersson
gptkb:Gunnar_Björnstrand
gptkb:Birgitta_Valberg
gptkb:Ulla_Jacobsson
|
|
gptkbp:style
|
naturalism
|
|
gptkbp:symbolism
|
gptkb:sacrifice
nature
light and darkness
purity
Karin as purity
|
|
gptkbp:theme
|
gptkb:revenge
|
|
gptkbp:themes
|
gptkb:Faith
gptkb:Loss
gptkb:justice
gptkb:moral_ambiguity
gptkb:revenge
gptkb:Revenge
gptkb:Justice
gptkb:sacrifice
gptkb:family
faith
innocence
morality
violence
suffering and redemption
|
|
gptkbp:visitors
|
thought-provoking
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:written_by
|
gptkb:Ingmar_Bergman
|
|
gptkbp:bfsParent
|
gptkb:Ingmar_Bergman
|
|
gptkbp:bfsLayer
|
4
|