|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:television_series
gptkb:stage_adaptation
gptkb:television_adaptation
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
|
gptkb:none
1950
|
|
gptkbp:author
|
gptkb:William_Faulkner
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character
|
gptkb:Drusilla
gptkb:General_Sartoris
gptkb:Ringo
Miss Rosa
Granny Sartoris
|
|
gptkbp:character_development
|
gptkb:Bayard_Sartoris
gptkb:General_Sartoris
gptkb:Ringo
Miss Rosa
|
|
gptkbp:character_relationships
|
Bayard and Ringo
Bayard and his father
Bayard and his grandfather
Bayard and his mother
Bayard and the Confederate soldiers
Bayard and the Union soldiers
|
|
gptkbp:conflict
|
gptkb:Civil_War
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced literature
influenced American literature
influenced Southern literature
influenced film
studied in universities
studied in literature courses
adapted into various media
adapted into other media
reference in popular culture
influenced television
inspired academic analysis
|
|
gptkbp:followed_by
|
gptkb:The_Reivers
gptkb:Requiem_for_a_Nun
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
gptkbp:historical_context
|
gptkb:Reconstruction_era
gptkb:American_Civil_War
gptkb:American_South
gptkb:Reconstruction_Era
Civil War aftermath
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Unvanquished
|
|
gptkbp:influences
|
gptkb:Southern_Gothic
gptkb:Gothic_literature
gptkb:Modernism
|
|
gptkbp:inspiration
|
personal experiences
regional history
Southern heritage
Faulkner's family history
Faulkner's own family history
|
|
gptkbp:isbn
|
978-0679734030
978-0-679-72466-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
depiction of race relations
exploration of Southern identity
depiction of honor codes
examination of masculinity
|
|
gptkbp:main_character
|
gptkb:Bayard_Sartoris
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:loss
gptkb:loyalty
gptkb:identity
gptkb:memory
gptkb:time
|
|
gptkbp:narrative
|
first-person
limited omniscient
|
|
gptkbp:narrative_style
|
gptkb:dialogue
first-person
stream of consciousness
symbolism
flashbacks
|
|
gptkbp:notable_quote
|
“ The past is never dead. It's not even past.”
|
|
gptkbp:page_count
|
256
320
|
|
gptkbp:part_of
|
gptkb:Yoknapatawpha_County
|
|
gptkbp:part_of_series
|
gptkb:Yoknapatawpha_County
|
|
gptkbp:preceded_by
|
gptkb:The_Sound_and_the_Fury
|
|
gptkbp:protagonist
|
gptkb:Bayard_Sartoris
|
|
gptkbp:published
|
gptkb:1956
1938
|
|
gptkbp:published_in
|
1938
|
|
gptkbp:publisher
|
gptkb:Random_House
|
|
gptkbp:series
|
gptkb:Yoknapatawpha_County
|
|
gptkbp:set_in
|
gptkb:American_Civil_War
gptkb:American_South
|
|
gptkbp:setting
|
gptkb:Civil_War
gptkb:Mississippi
gptkb:American_South
|
|
gptkbp:style
|
stream of consciousness
|
|
gptkbp:symbolism
|
gptkb:horse_race
the river
the horse
the house
the South
the family home
the home
|
|
gptkbp:themes
|
gptkb:loss
gptkb:honor
gptkb:family
gptkb:war
race relations
|
|
gptkbp:bfsParent
|
gptkb:Dmitry_Shostakovich
gptkb:William_Faulkner
|
|
gptkbp:bfsLayer
|
4
|