|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptations
|
gptkb:radio_station
gptkb:television_adaptation
gptkb:audiobook
gptkb:stage_play
|
|
gptkbp:author
|
gptkb:Dorothy_L._Sayers
|
|
gptkbp:character
|
gptkb:Sir_Julian_Freke
gptkb:Mr._D'_Arcy
Inspector Parker
Mr. Mervyn
Miss Agatha
|
|
gptkbp:conflict
|
gptkb:murder_mystery
social tensions
|
|
gptkbp:critical_reception
|
generally positive
|
|
gptkbp:cultural_impact
|
influenced later detective fiction
|
|
gptkbp:followed_by
|
gptkb:Strong_Poison
|
|
gptkbp:genre
|
gptkb:mystery
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Unpleasantness at the Bellona Club
|
|
gptkbp:influences
|
gptkb:Golden_Age_of_Detective_Fiction
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Harriet_Vane
gptkb:Lord_Peter_Wimsey
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_quote
|
" The truth is rarely pure and never simple."
" There is no such thing as a perfect crime."
" The game is afoot!"
" It is a truth universally acknowledged..."
" Murder is always a mistake."
|
|
gptkbp:plot
|
A murder mystery involving a death at a gentlemen's club.
|
|
gptkbp:preceded_by
|
gptkb:Whose_Body?
|
|
gptkbp:published
|
1928
|
|
gptkbp:publisher
|
gptkb:Victor_Gollancz_Ltd.
|
|
gptkbp:resolution
|
solving the murder
|
|
gptkbp:series
|
gptkb:Lord_Peter_Wimsey
|
|
gptkbp:setting
|
gptkb:Bellona_Club
gptkb:London
1930s England
|
|
gptkbp:style
|
witty dialogue
detailed character development
|
|
gptkbp:themes
|
gptkb:moral_ambiguity
class distinction
|
|
gptkbp:bfsParent
|
gptkb:George_Bernard_Shaw
|
|
gptkbp:bfsLayer
|
4
|