The Unholy Three

GPTKB entity

Statements (137)
Predicate Object
gptkbp:instance_of gptkb:play
gptkb:film
gptkb:film_series
gptkbp:bfsLayer 4
gptkbp:bfsParent gptkb:Lon_Chaney_Jr.
gptkb:Irving_Thalberg
gptkbp:adaptation gptkb:The_Unholy_Three_(film)
Adapted into a talkie.
gptkbp:adapted_into gptkb:film
various directors
gptkbp:audience Cult following.
Rediscovered by film historians.
gptkbp:awards gptkb:none
No major awards.
gptkbp:based_on play by Tod Browning
play by Edward Sheldon
gptkbp:character The Midget.
The Strongman.
The Ventriloquist.
gptkbp:character_development gptkb:moral_ambiguity
complex characters
psychological depth
Complex characters.
Moral ambiguity.
gptkbp:cinematography gptkb:John_Arnold
gptkbp:country gptkb:United_States
gptkbp:created_by gptkb:Tod_Browning
gptkbp:critical_reception mixed
mixed reviews
Received positive reviews.
gptkbp:cultural_impact inspired other playwrights
inspired later horror films
Influenced later horror films.
gptkbp:cultural_significance Represents silent film era.
gptkbp:directed_by gptkb:Tod_Browning
gptkbp:distributor gptkb:MGM
gptkbp:famous_quote " I can see you, but you can't see me!"
gptkbp:film_festival Screened at various classic film festivals.
gptkbp:film_score No original score.
original score by Edward Ward
gptkbp:filmography George Hively
Theatrical.
Use of shadows.
Analyzed for its themes.
use of shadows
Melodramatic.
Studied for its cinematography.
Close-ups.
Examined for its cultural impact.
Expressionist.
Expressive lighting.
gptkbp:first_performance gptkb:1917
gptkbp:format gptkb:Actor
gptkbp:genre gptkb:Actor
gptkb:High_School
gptkb:film
gptkbp:historical_context post-World War I
Silent film era.
social issues of the time
1920s America.
American theater evolution
gptkbp:home_media_release Released on DVD.
https://www.w3.org/2000/01/rdf-schema#label The Unholy Three
gptkbp:influenced Horror genre.
later works of drama
Ventriloquism in media.
gptkbp:influenced_artists gptkb:mythological_figure
gptkb:film
gptkbp:influenced_by gptkb:German_Expressionism
gptkb:Expressionism
French theater
British theater
German theater
German Expressionism.
Vaudeville.
Circus culture.
gptkbp:inspiration Tod Browning's experiences.
gptkbp:inspired_by real-life events
gptkbp:is_available_on gptkb:streaming_platforms
gptkb:DJ
gptkb:film
gptkbp:language English
symbolic
poetic
metaphorical
gptkbp:legacy Considered a classic of silent horror.
gptkbp:notable_appearance The heist.
The reveal.
The ventriloquist act.
gptkbp:notable_character gptkb:Harry_Earles
gptkb:Lon_Chaney
gptkb:The_Woman
gptkb:The_Ventriloquist
gptkb:Mae_Busch
The Strongman
gptkbp:notable_for Lon Chaney's performance
gptkbp:notable_production 1930 film adaptation
1925 Broadway revival
1960 television adaptation
gptkbp:official_language English
gptkbp:performed_by various theaters
professional theater companies
amateur theater groups
gptkbp:plot multiple perspectives
non-linear
twists and turns
A ventriloquist, a midget, and a strongman form a criminal gang.
A trio of criminals disguise themselves as a ventriloquist act.
gptkbp:premiered_on gptkb:The_New_Theatre
gptkbp:produced_by gptkb:Metro-Goldwyn-Mayer
gptkbp:production_company Metro-Goldwyn-Mayer.
gptkbp:published_by gptkb:1917
gptkb:Faber_and_Faber
gptkbp:release_date December 1925
gptkbp:release_year 1925
gptkbp:released_in 1925
gptkbp:remake gptkb:1930
gptkb:The_Unholy_Three_(1930)
The Unholy Three (1930) directed by Browning.
gptkbp:restoration Restored for modern audiences.
gptkbp:runtime 70 minutes
80 minutes
gptkbp:screenplay_by Charles Belden.
gptkbp:sequel gptkb:The_Unholy_Three_(1930)
gptkbp:setting gptkb:Borough
gptkb:carnival
Circus.
gptkbp:starring gptkb:Harry_Earles
gptkb:Lon_Chaney
gptkb:Mae_Busch
gptkbp:themes gptkb:betrayal
gptkb:Police_Department
gptkb:military_operation
Identity.
Crime.
Deception.
gptkbp:written_by gptkb:T._S._Eliot