|
gptkbp:instance_of
|
gptkb:novel
gptkb:song
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:album
|
gptkb:Metallica
|
|
gptkbp:artist
|
gptkb:Metallica
|
|
gptkbp:associated_act
|
gptkb:Metallica
|
|
gptkbp:author
|
Elizabeth A. Lynn
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Best_Original_Score
gptkb:Best_Supporting_Actor
gptkb:none
Grammy nomination
Best Film Editing
|
|
gptkbp:box_office
|
$159 million
|
|
gptkbp:budget
|
$35 million
|
|
gptkbp:character
|
gptkb:Ned_Logan
gptkb:Little_Bill_Daggett
gptkb:The_Schofield_Kid
gptkb:William_Munny
gptkb:antagonist
gptkb:supporting_character
personal growth
family ties
moral dilemmas
love themes
friendship dynamics
friendship themes
mentor figure
redemption arcs
identity themes
betrayal themes
courage themes
loyalty themes
redemption themes
sacrifice themes
trust themes
self-discovery themes
transformation themes
hope themes
conflict resolution themes
forgiveness themes
life lessons themes
journey themes
Delilah Fitzgerald
growth themes
Kellen's journey
self-identity themes
Tirsa's struggles
change themes
moral choices themes
personal sacrifice themes
struggle themes
|
|
gptkbp:character_arc
|
redemptive
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:chart_position
|
#1 on Billboard Hot Mainstream Rock Tracks
|
|
gptkbp:cinematography_by
|
gptkb:Jack_N._Green
|
|
gptkbp:conflict
|
external
internal
ambiguous ending
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
gptkb:Apocalyptica
gptkb:Halsey
|
|
gptkbp:cover_version
|
gptkb:Yes
|
|
gptkbp:critical_reception
|
positive
Certified Fresh on Rotten Tomatoes
|
|
gptkbp:cultural_impact
|
widely regarded as a classic
influenced other works
considered a classic.
|
|
gptkbp:debut
|
gptkb:1991
|
|
gptkbp:director
|
gptkb:Clint_Eastwood
|
|
gptkbp:distributor
|
gptkb:Warner_Bros.
|
|
gptkbp:edited_by
|
gptkb:Joel_Cox
|
|
gptkbp:editing
|
gptkb:Joel_Cox
|
|
gptkbp:featured_in
|
gptkb:Guitar_Hero:_Metallica
gptkb:Rock_Band_4
|
|
gptkbp:features
|
a bounty on two cowboys.
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Alberta
|
|
gptkbp:follows
|
gptkb:William_Munny
|
|
gptkbp:genre
|
gptkb:fantasy
Western
heavy metal
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Unforgiven
|
|
gptkbp:influenced
|
modern western films.
|
|
gptkbp:influenced_artists
|
gptkb:Avenged_Sevenfold
gptkb:Trivium
|
|
gptkbp:influenced_by
|
film noir.
anti-hero archetype.
American frontier history.
classic westerns.
revisionist westerns.
spaghetti westerns.
|
|
gptkbp:influences
|
gptkb:folklore
gptkb:mythology
progressive rock
|
|
gptkbp:inspiration
|
personal experiences
personal experiences of the band members
real-life events.
|
|
gptkbp:instruments
|
gptkb:piano
gptkb:bass_guitar
gptkb:guitar
drums
|
|
gptkbp:isbn
|
978-0886772003
|
|
gptkbp:key
|
B minor
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
analyzed in film studies.
influenced filmmakers.
inspired discussions on gun violence.
remains relevant in popular culture.
subject of retrospectives.
|
|
gptkbp:length
|
387
6:27
|
|
gptkbp:live_performance
|
gptkb:Yes
|
|
gptkbp:lyrical_themes
|
narrative storytelling
|
|
gptkbp:main_character
|
Kellen
Tirsa
|
|
gptkbp:metacritic_score
|
96%
|
|
gptkbp:motif
|
gptkb:loyalty
gptkb:sacrifice
|
|
gptkbp:music_by
|
gptkb:Lennie_Niehaus
|
|
gptkbp:music_style
|
gptkb:choir
verse-chorus form
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:music_video_director
|
gptkb:Bill_Pope
|
|
gptkbp:musical_elements
|
orchestral arrangement
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:narrative_theme
|
morality
redemption
violence
|
|
gptkbp:next_album
|
gptkb:The_Unforgiven_II
|
|
gptkbp:notable_quote
|
“ It’s a hell of a thing, killing a man.”
|
|
gptkbp:notable_song
|
' What I've felt, what I've known'
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
gptkb:betrayal
gptkb:quest
self-discovery
A retired gunslinger seeks revenge.
|
|
gptkbp:previous_album
|
gptkb:Nothing_Else_Matters
|
|
gptkbp:producer
|
gptkb:Bob_Rock
|
|
gptkbp:production_company
|
gptkb:Malpaso_Productions
|
|
gptkbp:published_year
|
gptkb:1977
|
|
gptkbp:publisher
|
gptkb:DAW_Books
|
|
gptkbp:record_label
|
gptkb:Elektra_Records
|
|
gptkbp:recording_location
|
gptkb:One_on_One_Recording_Studios
|
|
gptkbp:release_date
|
gptkb:August
gptkb:1991
gptkb:1992
August 7, 1992
|
|
gptkbp:release_year
|
gptkb:1991
gptkb:1992
|
|
gptkbp:runtime
|
131 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Webb_Peoples
|
|
gptkbp:series
|
The Chronicles of the Unforgiven
|
|
gptkbp:set_in
|
gptkb:Wyoming
|
|
gptkbp:setting
|
a fictional world
fantastical elements
|
|
gptkbp:signature
|
guitar solo
|
|
gptkbp:starring
|
gptkb:Clint_Eastwood
gptkb:Richard_Harris
gptkb:Morgan_Freeman
gptkb:Gene_Hackman
|
|
gptkbp:style
|
character-driven
|
|
gptkbp:symbolism
|
the journey
the past
the Unforgiven title
|
|
gptkbp:target_audience
|
young adult
|
|
gptkbp:tempo
|
moderate
|
|
gptkbp:theme
|
redemption
forgiveness
|
|
gptkbp:themes
|
isolation
morality
redemption
struggle
violence
|
|
gptkbp:viewpoint
|
multiple viewpoints
|
|
gptkbp:writer
|
gptkb:James_Hetfield
gptkb:Lars_Ulrich
gptkb:Kirk_Hammett
|
|
gptkbp:writing_style
|
lyrical
|
|
gptkbp:bfsParent
|
gptkb:cross
gptkb:Audie_Murphy
gptkb:The_Black_Album_(Bonus_Track)
gptkb:The_Black_Album
gptkb:Audrey_Hepburn
gptkb:Josh_Brolin
|
|
gptkbp:bfsLayer
|
4
|