|
gptkbp:instance_of
|
gptkb:novel
gptkb:song
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Audie_Murphy
gptkb:spell
gptkb:Metallica
gptkb:event
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:album
|
gptkb:Metallica
gptkb:Nothing_Else_Matters
gptkb:The_Unforgiven_II
|
|
gptkbp:artist
|
gptkb:Metallica
|
|
gptkbp:associated_act
|
gptkb:Metallica
|
|
gptkbp:author
|
Elizabeth A. Lynn
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Best_Original_Score
gptkb:Best_Supporting_Actor
gptkb:none
Grammy nomination
Best Film Editing
|
|
gptkbp:box_office
|
$159 million
|
|
gptkbp:budget
|
$35 million
|
|
gptkbp:character
|
gptkb:Ned_Logan
gptkb:Little_Bill_Daggett
gptkb:The_Schofield_Kid
gptkb:William_Munny
gptkb:superhero
gptkb:character
personal growth
family ties
moral dilemmas
love themes
friendship dynamics
friendship themes
mentor figure
redemption arcs
identity themes
betrayal themes
courage themes
loyalty themes
redemption themes
sacrifice themes
trust themes
self-discovery themes
transformation themes
hope themes
conflict resolution themes
forgiveness themes
life lessons themes
journey themes
Delilah Fitzgerald
growth themes
Kellen's journey
self-identity themes
Tirsa's struggles
change themes
moral choices themes
personal sacrifice themes
struggle themes
|
|
gptkbp:character_arc
|
redemptive
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:chart_position
|
#1 on Billboard Hot Mainstream Rock Tracks
|
|
gptkbp:cinematography
|
gptkb:Jack_N._Green
|
|
gptkbp:conflict
|
external
internal
ambiguous ending
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:Apocalyptica
gptkb:Halsey
|
|
gptkbp:covered_by
|
gptkb:battle
|
|
gptkbp:critical_reception
|
positive
Certified Fresh on Rotten Tomatoes
|
|
gptkbp:cultural_impact
|
widely regarded as a classic
influenced other works
considered a classic.
|
|
gptkbp:debut_year
|
gptkb:1991
|
|
gptkbp:director
|
gptkb:Clint_Eastwood
|
|
gptkbp:distributor
|
gptkb:Warner_Bros.
|
|
gptkbp:edited_by
|
gptkb:Joel_Cox
|
|
gptkbp:editor
|
gptkb:Joel_Cox
|
|
gptkbp:features
|
a bounty on two cowboys.
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Alberta
|
|
gptkbp:follows
|
gptkb:William_Munny
|
|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
Western
heavy metal
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Unforgiven
|
|
gptkbp:influenced
|
modern western films.
|
|
gptkbp:influenced_artists
|
gptkb:Avenged_Sevenfold
gptkb:Trivium
|
|
gptkbp:influenced_by
|
film noir.
anti-hero archetype.
American frontier history.
classic westerns.
revisionist westerns.
spaghetti westerns.
|
|
gptkbp:influences
|
gptkb:mythological_figure
progressive rock
|
|
gptkbp:inspiration
|
personal experiences
personal experiences of the band members
real-life events.
|
|
gptkbp:instrument
|
gptkb:musician
drums
|
|
gptkbp:is_featured_in
|
gptkb:Guitar_Hero:_Metallica
gptkb:Rock_Band_4
|
|
gptkbp:isbn
|
978-0886772003
|
|
gptkbp:key
|
B minor
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
analyzed in film studies.
influenced filmmakers.
inspired discussions on gun violence.
remains relevant in popular culture.
subject of retrospectives.
|
|
gptkbp:length
|
387
6:27
|
|
gptkbp:live_performance
|
gptkb:battle
|
|
gptkbp:main_character
|
Kellen
Tirsa
|
|
gptkbp:motif
|
gptkb:loyalty
gptkb:Saint
|
|
gptkbp:music_by
|
gptkb:Lennie_Niehaus
|
|
gptkbp:music_style
|
gptkb:choir
orchestral arrangement
verse-chorus form
|
|
gptkbp:music_video
|
gptkb:battle
|
|
gptkbp:music_video_director
|
gptkb:Bill_Pope
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:narrative_theme
|
morality
redemption
violence
|
|
gptkbp:notable_quote
|
“ It’s a hell of a thing, killing a man.”
|
|
gptkbp:notable_song
|
' What I've felt, what I've known'
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
gptkb:spacecraft
gptkb:betrayal
self-discovery
A retired gunslinger seeks revenge.
|
|
gptkbp:producer
|
gptkb:Bob_Rock
|
|
gptkbp:production_company
|
gptkb:Malpaso_Productions
|
|
gptkbp:published_year
|
gptkb:1977
|
|
gptkbp:publisher
|
gptkb:DAW_Books
|
|
gptkbp:rating
|
96%
|
|
gptkbp:record_label
|
gptkb:Elektra_Records
|
|
gptkbp:recording_location
|
gptkb:One_on_One_Recording_Studios
|
|
gptkbp:release_date
|
gptkb:August
gptkb:1991
gptkb:1992
August 7, 1992
|
|
gptkbp:release_year
|
gptkb:1991
gptkb:1992
|
|
gptkbp:runtime
|
131 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Webb_Peoples
|
|
gptkbp:series
|
The Chronicles of the Unforgiven
|
|
gptkbp:set_in
|
gptkb:Wyoming
|
|
gptkbp:setting
|
a fictional world
fantastical elements
|
|
gptkbp:signature_move
|
guitar solo
|
|
gptkbp:speed
|
moderate
|
|
gptkbp:starring
|
gptkb:Clint_Eastwood
gptkb:Richard_Harris
gptkb:Morgan_Freeman
gptkb:Gene_Hackman
|
|
gptkbp:style
|
lyrical
character-driven
|
|
gptkbp:symbolism
|
the journey
the past
the Unforgiven title
|
|
gptkbp:target_audience
|
young adult
|
|
gptkbp:theme
|
redemption
forgiveness
|
|
gptkbp:themes
|
narrative storytelling
isolation
morality
redemption
struggle
violence
|
|
gptkbp:viewpoint
|
multiple viewpoints
|
|
gptkbp:writer
|
gptkb:James_Hetfield
gptkb:Lars_Ulrich
gptkb:Kirk_Hammett
|