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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:Kazuo_Ishiguro
|
|
gptkbp:awards
|
shortlisted for the Booker Prize
|
|
gptkbp:character_development
|
non-linear
|
|
gptkbp:character_motivation
|
ambiguous
|
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gptkbp:character_relationships
|
gptkb:complex
|
|
gptkbp:critical_reception
|
mixed reviews
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gptkbp:cultural_references
|
gptkb:Japanese_culture
British culture
European culture
|
|
gptkbp:ended
|
open-ended
|
|
gptkbp:followed_by
|
gptkb:When_We_Were_Orphans
|
|
gptkbp:genre
|
literary fiction
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Unconsoled
|
|
gptkbp:influences
|
gptkb:Franz_Kafka
gptkb:James_Joyce
gptkb:Virginia_Woolf
|
|
gptkbp:inspiration
|
Ishiguro's experiences
|
|
gptkbp:isbn
|
978-0571178680
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|
gptkbp:kazuo_ishiguro's_narrative
|
non-traditional
|
|
gptkbp:kazuo_ishiguro's_style
|
introspective
|
|
gptkbp:kazuo_ishiguro's_themes
|
gptkb:existentialism
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
explores human condition
challenges narrative conventions
reflects postmodernism
|
|
gptkbp:main_character
|
gptkb:Ryder
|
|
gptkbp:motif
|
gptkb:performance
gptkb:displacement
failure
|
|
gptkbp:narrative
|
third-person
|
|
gptkbp:narrative_style
|
surreal
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
dream-like
|
|
gptkbp:preceded_by
|
gptkb:The_Remains_of_the_Day
|
|
gptkbp:published
|
gptkb:1995
|
|
gptkbp:publisher
|
gptkb:Faber_and_Faber
|
|
gptkbp:reader_demographic
|
immersive
subjective
challenging
thought-provoking
|
|
gptkbp:setting
|
vague
unnamed European city
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:symbolism
|
gptkb:theater
gptkb:dreams
gptkb:music
|
|
gptkbp:themes
|
gptkb:identity
gptkb:memory
alienation
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Kazuo_Ishiguro
|
|
gptkbp:bfsLayer
|
4
|