|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:Tessa_Ross
gptkb:film
The Two Faces of January (film)
|
|
gptkbp:author
|
gptkb:Patricia_Highsmith
|
|
gptkbp:awards
|
nominated for awards
nominated for Best Cinematography
nominated for Best Adapted Screenplay
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
$2.5 million
|
|
gptkbp:cast
|
gptkb:Viggo_Mortensen
gptkb:Hossein_Amini
gptkb:Oscar_Isaac
gptkb:Kirsten_Dunst
|
|
gptkbp:character
|
gptkb:Chester_Mac_Farland
Colette Mac Farland
Rydal Keener
|
|
gptkbp:cinematography
|
Marcel Zyskind
|
|
gptkbp:composer
|
gptkb:Alexandre_Desplat
|
|
gptkbp:conflict
|
gptkb:legal_case
identity crisis
escape
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired adaptations
influenced other works
discussed in literary circles
featured in book clubs
analyzed in academic studies
|
|
gptkbp:directed_by
|
gptkb:Hossein_Amini
|
|
gptkbp:director
|
gptkb:Hossein_Amini
|
|
gptkbp:distributor
|
gptkb:Magnolia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Matthew_Newman
|
|
gptkbp:editor
|
gptkb:Louise_Ford
|
|
gptkbp:film_festival
|
gptkb:2014_Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:horse_race
gptkb:Greece
gptkb:Crete
gptkb:Athens
gptkb:Santorini
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
psychological thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Two Faces of January
|
|
gptkbp:influenced_by
|
gptkb:The_Cry_of_the_Owl
gptkb:The_Talented_Mr._Ripley
gptkb:The_Price_of_Salt
gptkb:The_American_Friend
gptkb:Strangers_on_a_Train
The Two Faces of January (novel)
|
|
gptkbp:influences
|
European literature
noir fiction
|
|
gptkbp:isbn
|
978-0-394-49012-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Chester_Mac_Farland
Colette Mac Farland
Rydal Keener
|
|
gptkbp:music_by
|
gptkb:Alexandre_Desplat
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:next_edition
|
gptkb:1964
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
A con artist and his wife become embroiled in a murder.
|
|
gptkbp:premiere
|
gptkb:2014_Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Studio_Canal
|
|
gptkbp:published_by
|
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Coward-Mc_Cann
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:release_date
|
September 19, 2014
2014-05-16
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
theatrical
|
|
gptkbp:release_year
|
gptkb:2014
|
|
gptkbp:released_in
|
gptkb:2014
|
|
gptkbp:runtime
|
96 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Hossein_Amini
|
|
gptkbp:set_in
|
gptkb:1962
gptkb:Greece
|
|
gptkbp:setting
|
gptkb:Greece
|
|
gptkbp:starring
|
gptkb:Viggo_Mortensen
gptkb:Oscar_Isaac
gptkb:Kirsten_Dunst
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:moral_ambiguity
gptkb:military_operation
|
|
gptkbp:writer
|
gptkb:Hossein_Amini
|
|
gptkbp:written_by
|
gptkb:Patricia_Highsmith
|
|
gptkbp:bfsParent
|
gptkb:Patricia_Highsmith
|
|
gptkbp:bfsLayer
|
3
|