Statements (215)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:The_Trojan_Women_(2004_film)
gptkb:films gptkb:opera |
| gptkbp:adapted_into |
gptkb:theatre
gptkb:opera gptkb:film various films various performances films and operas the myth of the Trojan War |
| gptkbp:author |
gptkb:Euripides
|
| gptkbp:based_on |
gptkb:The_Iliad
|
| gptkbp:character |
gptkb:Talthybius
gptkb:Polyxena gptkb:Cassandra gptkb:Hecuba gptkb:Andromache gptkb:Helen |
| gptkbp:contains |
choral odes
|
| gptkbp:critical_reception |
widely studied
widely regarded as a classic performed in various adaptations analyzed for its themes of despair |
| gptkbp:cultural_impact |
inspired feminist interpretations
studied in literature courses influenced modern playwrights |
| gptkbp:cultural_significance |
depicts the aftermath of war
|
| gptkbp:depicts |
the plight of Trojan women
the fate of captured women |
| gptkbp:directed_by |
gptkb:Michael_Cacoyannis
|
| gptkbp:discusses |
the fate of war captives
the fate of captured women |
| gptkbp:explores |
themes of loss and grief
themes of war and loss themes of loss and despair |
| gptkbp:famous_quote |
' Women of Troy'
|
| gptkbp:features |
gptkb:Cassandra
gptkb:Hecuba gptkb:Andromache gptkb:Helen_of_Troy a chorus of women |
| gptkbp:features_character |
gptkb:Talthybius
gptkb:Cassandra gptkb:Hecuba gptkb:Andromache gptkb:Helen_of_Troy gptkb:Menelaus |
| gptkbp:first_performance |
1st century AD
|
| gptkbp:follows |
the aftermath of the Trojan War
|
| gptkbp:genre |
gptkb:earthquake
|
| gptkbp:has |
adapted into various media
analyzed in academic studies adapted for television the subject of scholarly articles translated by many playwrights |
| gptkbp:has_influence_on |
numerous adaptations
modern feminist literature subsequent playwrights |
| gptkbp:historical_context |
set during the Trojan War
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Trojan Women
|
| gptkbp:influence |
Western literature
|
| gptkbp:influenced |
modern feminist literature
|
| gptkbp:influences |
gptkb:mythological_figure
Roman literature |
| gptkbp:inspiration |
modern adaptations
feminist interpretations |
| gptkbp:is_a_document_that |
has stood the test of time
|
| gptkbp:is_a_source_of |
inspiration for playwrights
inspiration for feminist movements |
| gptkbp:is_analyzed_in |
literary scholars
its historical context |
| gptkbp:is_associated_with |
the themes of fate and free will
|
| gptkbp:is_available_in |
public domain
published editions |
| gptkbp:is_available_on |
various streaming platforms
|
| gptkbp:is_characterized_by |
its emotional depth
emotional depth |
| gptkbp:is_cited_in |
academic studies
historical analyses of ancient Greece |
| gptkbp:is_considered |
a classic of Western literature
a significant work in feminist literature a reflection of societal views on women a classic of ancient Greek theater a classic of ancient Greek theatre a commentary on the consequences of war |
| gptkbp:is_considered_as |
a powerful anti-war statement
|
| gptkbp:is_criticized_for |
patriarchal society
the consequences of war |
| gptkbp:is_discussed_in |
gptkb:academic_circles
the context of war literature |
| gptkbp:is_influenced_by |
the historical context of the Peloponnesian War
|
| gptkbp:is_influential_in |
the development of tragedy
|
| gptkbp:is_known_for |
its tragic ending
its anti-war message its powerful female characters |
| gptkbp:is_noted_for |
its emotional depth
|
| gptkbp:is_often_associated_with |
theatrical anthologies
anthologies of Greek drama |
| gptkbp:is_often_compared_to |
performed in universities
other Greek tragedies other works by Euripides |
| gptkbp:is_often_used_in |
theatre festivals
theater festivals focusing on classics |
| gptkbp:is_part_of |
the Western literary canon
Euripides' works the Greek tragedy tradition Euripides' trilogy of plays about the Trojan War Euripides' anti-war plays the canon of Greek tragedies |
| gptkbp:is_played_by |
examines the consequences of conflict
evokes empathy for its characters has been critically acclaimed. |
| gptkbp:is_recognized_by |
a significant anti-war play
|
| gptkbp:is_recognized_for |
its poetic language
|
| gptkbp:is_referenced_in |
gptkb:organization
modern literature various cultural works |
| gptkbp:is_reflected_in |
the human condition
Euripides' views on gender the societal views of its time the societal views of women in ancient Greece |
| gptkbp:is_represented_in |
the consequences of conflict on civilians
|
| gptkbp:is_studied_in |
literature courses
drama courses its dramatic structure |
| gptkbp:key |
the study of Greek mythology
|
| gptkbp:language |
gptkb:City
gptkb:Latin |
| gptkbp:literary_devices |
gptkb:choir
|
| gptkbp:narrative_style |
the aftermath of war
the resilience of women in adversity |
| gptkbp:notable_character |
gptkb:Cassandra
gptkb:Hecuba gptkb:Andromache gptkb:Helen_of_Troy |
| gptkbp:notable_for |
its strong female characters
its portrayal of female suffering |
| gptkbp:notable_performers |
the consequences of war
the nature of war the nature of heroism |
| gptkbp:notable_production |
gptkb:The_Trojan_Women_(2019_adaptation)
Royal National Theatre (1995) Theater for a New Audience (2016) |
| gptkbp:notable_quote |
“ The greatest griefs are those we cause ourselves.”
“ We are all victims of fate.” “ What is life but a series of misfortunes?” |
| gptkbp:official_language |
Greek
|
| gptkbp:performance |
frequently performed
performed in modern theaters performed in ancient Rome |
| gptkbp:performed_by |
gptkb:theater_festivals
gptkb:ancient_Greece worldwide schools and universities in theatres worldwide professional theater companies theater companies worldwide the original Greek language the original Ancient Greek theatrical companies globally the original Greek theater |
| gptkbp:portrayed_by |
the plight of women in war
|
| gptkbp:premiere |
415 BC
|
| gptkbp:premiered_on |
415 BC
|
| gptkbp:published_by |
various collections of Seneca's works
|
| gptkbp:related_works |
gptkb:The_Aeneid
gptkb:The_Iliad |
| gptkbp:released_in |
gptkb:1971
|
| gptkbp:scholarly_analysis |
explores gender roles
analyzes character motivations discusses historical accuracy analyzes dialogue style analyzes emotional resonance analyzes use of irony compares to other works by Euripides contextualizes within Greek tragedy discusses cultural reflections discusses legacy in theater discusses symbolism discusses themes of power examines audience reception examines moral questions examines narrative structure examines war's impact on women explores character arcs explores emotional impact interprets the role of the gods |
| gptkbp:set_in |
the fall of Troy
the ruins of Troy |
| gptkbp:setting |
gptkb:Troy
|
| gptkbp:significance |
feminist studies
the history of theatre the study of ancient drama |
| gptkbp:subject |
theatrical criticism
|
| gptkbp:thematic_element |
gptkb:betrayal
gptkb:loss gptkb:survival gptkb:Order grief |
| gptkbp:theme |
suffering of women
|
| gptkbp:themes |
gptkb:Order
gptkb:war suffering grief and despair |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:work |
continues to resonate today
challenges traditional narratives questions the morality of war challenges traditional gender roles. |
| gptkbp:written_by |
gptkb:Native_American_tribe
gptkb:Euripides |
| gptkbp:bfsParent |
gptkb:Anne_Carson
gptkb:Native_American_tribe |
| gptkbp:bfsLayer |
3
|