The Tragedy of The Fair Penitent
GPTKB entity
Properties (54)
Predicate | Object |
---|---|
gptkbp:instanceOf |
play
|
gptkbp:adaptation |
The Fair Penitent (film)
|
gptkbp:audience |
popular among audiences
performed frequently |
gptkbp:author |
gptkb:Nicholas_Rowe
|
gptkbp:basedOn |
The_Fair_Penitent_by_John_Dryden
|
gptkbp:characterDevelopment |
Bellmour's_loyalty
Calista's_tragic_arc Don_Felix's_redemption_arc Lothario's_moral_conflict |
gptkbp:criticalReception |
mixed reviews
|
gptkbp:culturalImpact |
influenced romantic literature
|
gptkbp:famousQuote |
“I am a woman, and I will be a woman.”
|
gptkbp:filmingLocation |
gptkb:Drury_Lane_Theatre
|
gptkbp:genre |
tragedy
|
gptkbp:hasPerformance |
1703
|
gptkbp:historical_analysis |
examined in literary studies
studied for its historical significance analyzed for its emotional impact debated for its moral implications interpreted through feminist lens analyzed for its use of dramatic irony analyzed for themes of morality compared to other tragedies of the era contextualized within Restoration drama discussed in the context of gender roles discussed in theatre history examined for its character dynamics explored for its cultural relevance explored for its narrative structure reviewed for its impact on later works reviewed for its stylistic choices studied for character motivations |
gptkbp:historicalContext |
early 18th century England
|
https://www.w3.org/2000/01/rdf-schema#label |
The Tragedy of The Fair Penitent
|
gptkbp:influence |
18th-century drama
|
gptkbp:inspiration |
later adaptations
|
gptkbp:language |
English
|
gptkbp:notableEvent |
gptkb:National_Theatre
gptkb:The_Globe_Theatre gptkb:Royal_Shakespeare_Company The Old Vic |
gptkbp:notableFeature |
gptkb:Don_Felix
gptkb:Lothario Bellmour Calista |
gptkbp:performances |
tragic
romantic melodramatic |
gptkbp:publishedBy |
1703
|
gptkbp:setting |
gptkb:London
|
gptkbp:theme |
love
betrayal redemption |