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gptkbp:instance_of
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gptkb:play
|
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gptkbp:adaptations
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gptkb:ballet
gptkb:opera
gptkb:film
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gptkbp:characters
|
gptkb:Kent
gptkb:Oswald
gptkb:Albany
gptkb:France
gptkb:Cornwall
gptkb:Gloucester
gptkb:Edgar
gptkb:Trolls
gptkb:Burgundy
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gptkbp:cultural_impact
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inspired various artworks
referenced in popular culture
influenced modern storytelling
studied in academic settings
adapted into modern films
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gptkbp:first_performance
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1606
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gptkbp:genre
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gptkb:tragedy
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Tragedy of King Lear
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gptkbp:influences
|
gptkb:theater
gptkb:literature
gptkb:philosophy
gptkb:psychology
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gptkbp:language
|
English
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gptkbp:main_character
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gptkb:Cordelia
gptkb:Edmund
gptkb:Goneril
gptkb:Regan
gptkb:King_Lear
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gptkbp:notable_quote
|
Nothing will come of nothing.
The wheel is come full circle.
How sharper than a serpent's tooth it is to have a thankless child!
As flies to wanton boys are we to the gods.
I am a man more sinned against than sinning.
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gptkbp:performance
|
frequently performed
adapted into various languages
considered one of Shakespeare's greatest works
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|
gptkbp:published_in
|
1623
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gptkbp:setting
|
gptkb:Britain
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gptkbp:themes
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gptkb:power
gptkb:betrayal
gptkb:family
madness
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gptkbp:written_by
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gptkb:William_Shakespeare
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gptkbp:bfsParent
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gptkb:Peter_Brook
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gptkbp:bfsLayer
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4
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