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gptkbp:instance_of
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gptkb:play
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
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gptkb:Lord_Chamberlain's_Men
gptkb:the_King's_Men
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gptkbp:adaptation
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gptkb:ballet
gptkb:opera
gptkb:film
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gptkbp:character
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gptkb:Kent
gptkb:Oswald
gptkb:Albany
gptkb:Monarch
gptkb:Community_Center
gptkb:Cornwall
gptkb:Gloucester
gptkb:Edgar
gptkb:Burgundy
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gptkbp:cultural_impact
|
inspired various artworks
referenced in popular culture
influenced modern storytelling
studied in academic settings
adapted into modern films
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gptkbp:first_performance
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1606
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gptkbp:genre
|
gptkb:earthquake
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Tragedy of King Lear
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gptkbp:influences
|
gptkb:philosopher
gptkb:theatre
gptkb:psychologist
gptkb:literary_work
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gptkbp:language
|
English
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gptkbp:main_character
|
gptkb:Cordelia
gptkb:Edmund
gptkb:Goneril
gptkb:Regan
gptkb:King_Lear
|
|
gptkbp:notable_quote
|
Nothing will come of nothing.
The wheel is come full circle.
How sharper than a serpent's tooth it is to have a thankless child!
As flies to wanton boys are we to the gods.
I am a man more sinned against than sinning.
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gptkbp:performance
|
frequently performed
adapted into various languages
considered one of Shakespeare's greatest works
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|
gptkbp:published_by
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1623
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gptkbp:setting
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gptkb:Britain
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:superhero
gptkb:family
madness
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|
gptkbp:written_by
|
gptkb:Educational_Institution
|