Statements (47)
Predicate | Object |
---|---|
gptkbp:instanceOf |
play
|
gptkbp:adaptedInto |
films
operas historical_accounts_of_Jane_Shore |
gptkbp:basedOn |
gptkb:Jane_Shore
|
gptkbp:characterTraits |
gptkb:Lord_Hastings
gptkb:Lord_Mayor_of_London gptkb:King_Edward_IV gptkb:Duke_of_Gloucester gptkb:Queen_Elizabeth gptkb:Bishop_of_London Servants Lady Anne Citizens_of_London Jane's_lover |
gptkbp:criticalReception |
mixed reviews
appreciated for its historical context noted for its emotional depth |
gptkbp:culturalSignificance |
influenced later works
historical representation of women reflects on power dynamics explores themes of female agency |
gptkbp:genre |
tragedy
|
gptkbp:hasPerformance |
1714
|
https://www.w3.org/2000/01/rdf-schema#label |
The Tragedy of Jane Shore
|
gptkbp:influencedBy |
historical events
|
gptkbp:inspiredBy |
gptkb:the_Wars_of_the_Roses
the_life_of_Jane_Shore the_reign_of_Edward_IV |
gptkbp:language |
English
|
gptkbp:mainCharacter |
gptkb:Jane_Shore
|
gptkbp:notableFeature |
modern adaptations
scholarly discussions revivals in the 20th century theatrical interpretations |
gptkbp:notableQuote |
"I am a woman, and I have suffered."
|
gptkbp:performedBy |
gptkb:Drury_Lane_Theatre
the 19th century the 20th century the 18th century |
gptkbp:publishedIn |
1714
|
gptkbp:setIn |
gptkb:England
|
gptkbp:theme |
love
betrayal suffering redemption |
gptkbp:wrote |
gptkb:Nicholas_Rowe
|