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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:television_adaptation
gptkb:film
|
|
gptkbp:author
|
gptkb:Alberto_Moravia
|
|
gptkbp:cast
|
gptkb:Anna_Karina
gptkb:Gian_Maria_Volonté
Franco Rossi
|
|
gptkbp:character_arc
|
Michele's journey
Giulia's struggles
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:conflict
|
personal vs societal
|
|
gptkbp:critical_analysis
|
reflects societal changes
explores human condition
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
influenced Italian literature
|
|
gptkbp:cultural_references
|
referenced in literature
referenced in art
referenced in film
|
|
gptkbp:film_editing
|
The Indifferent Ones
|
|
gptkbp:followed_by
|
gptkb:The_Conformist
|
|
gptkbp:genre
|
gptkb:Fiction
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Time of Indifference
|
|
gptkbp:influenced
|
gptkb:Italian_neorealism
|
|
gptkbp:influenced_artists
|
gptkb:Dario_Fo
gptkb:Umberto_Eco
gptkb:Italo_Calvino
|
|
gptkbp:influences
|
gptkb:Modernism
Existentialism
|
|
gptkbp:isbn
|
978-88-17-00001-0
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:literary_significance
|
important work in Italian literature
|
|
gptkbp:main_character
|
gptkb:Giulia
gptkb:Michele
|
|
gptkbp:motif
|
gptkb:moral_ambiguity
disillusionment
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:page_count
|
gptkb:200
|
|
gptkbp:precedes
|
gptkb:The_Woman_of_Rome
|
|
gptkbp:published
|
gptkb:1929
|
|
gptkbp:publisher
|
gptkb:Bompiani
|
|
gptkbp:release_year
|
gptkb:1964
|
|
gptkbp:setting
|
gptkb:Rome
|
|
gptkbp:setting_time
|
1920s
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
indifference
decay
|
|
gptkbp:theme
|
alienation
social issues
moral indifference
|
|
gptkbp:translated_into
|
gptkb:William_Weaver
|
|
gptkbp:won_award
|
gptkb:N/_A
|
|
gptkbp:bfsParent
|
gptkb:Alberto_Moravia
|
|
gptkbp:bfsLayer
|
4
|