gptkbp:instance_of
|
gptkb:theatre
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:The_Time_Machine_(2010_film)
|
gptkbp:adaptation
|
gptkb:film
|
gptkbp:adapted_into
|
gptkb:David_Greig
|
gptkbp:audience
|
engaged with philosophical questions
provoked discussions on morality
received standing ovations at some performances
|
gptkbp:awards
|
Best New Play nomination
|
gptkbp:based_on
|
The Time Machine by H. G. Wells
|
gptkbp:character_development
|
The Time Traveler's journey
Eloi and Morlock dynamics
Weena's relationship with The Time Traveler
|
gptkbp:choreography
|
gptkb:Scott_Ambler
|
gptkbp:critical_reception
|
discussed in academic circles
analyzed for its themes
|
gptkbp:directed_by
|
gptkb:John_Tiffany
|
gptkbp:features
|
time travel
|
gptkbp:genre
|
gptkb:Author
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Time Machine (2002 stage play)
|
gptkbp:influenced
|
future adaptations of H. G. Wells' works
modern science fiction plays
subsequent adaptations of The Time Machine
theatrical storytelling techniques
|
gptkbp:influenced_by
|
gptkb:Victorian_literature
science fiction genre
|
gptkbp:inspired_by
|
H. G. Wells' novel
|
gptkbp:is_a_venue_for
|
gptkb:Royal_Lyceum_Theatre
|
gptkbp:is_characterized_by
|
explores human nature
examines the consequences of technology
depicts societal issues
|
gptkbp:language
|
English
|
gptkbp:music_by
|
Gareth Owen
|
gptkbp:notable_character
|
gptkb:The_Eloi
gptkb:The_Morlocks
gptkb:The_Time_Traveler
gptkb:Weena
|
gptkbp:notable_production
|
gptkb:2002_Edinburgh_Festival_Fringe
|
gptkbp:number_of_stages
|
gptkb:Miriam_Buether
|
gptkbp:official_language
|
English
|
gptkbp:premiered_on
|
gptkb:2002
|
gptkbp:produced_by
|
gptkb:The_Royal_Lyceum_Theatre
|
gptkbp:received
|
mixed reviews
|
gptkbp:runtime
|
approximately 2 hours
|
gptkbp:set_in
|
future
|
gptkbp:themes
|
gptkb:physicist
gptkb:technology
class struggle
the dangers of technological advancement
the role of class in society
the impact of time on humanity
|
gptkbp:written_by
|
gptkb:H._G._Wells
|