|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:audience
|
Cult following.
|
|
gptkbp:awards
|
gptkb:César_Award_for_Best_Foreign_Film
|
|
gptkbp:box_office
|
$5.5 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:character_arc
|
Karol's journey to self-acceptance.
Redemption and resilience.
|
|
gptkbp:character_development
|
Karol's transformation.
|
|
gptkbp:character_motivation
|
Desire for revenge.
|
|
gptkbp:character_relationships
|
Insecurity.
Complex relationships.
From victim to victor.
Karol and Dominique.
Karol and his lawyer.
Karol vs. Dominique.
|
|
gptkbp:character_traits
|
Determination.
Resilient and resourceful.
|
|
gptkbp:cinematography
|
gptkb:Sławomir_Idziak
|
|
gptkbp:color_scheme
|
gptkb:white
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_analysis
|
Examines themes of equality.
|
|
gptkbp:critical_reception
|
Positive reviews
|
|
gptkbp:criticism
|
Explored social issues.
|
|
gptkbp:cultural_impact
|
Influenced European cinema.
|
|
gptkbp:cultural_impact_on_film
|
Influenced future filmmakers.
|
|
gptkbp:cultural_references
|
French culture.
|
|
gptkbp:cultural_significance
|
Explores post-communist identity.
|
|
gptkbp:design
|
Minimalist.
|
|
gptkbp:director
|
gptkb:Krzysztof_Kieślowski
Wes Anderson.
|
|
gptkbp:distributor
|
gptkb:Miramax_Films
|
|
gptkbp:editing
|
Rhythmic pacing.
|
|
gptkbp:film_awards
|
Nominated for Academy Awards.
|
|
gptkbp:film_editing
|
Jacques Witta
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_series
|
gptkb:Three_Colors
|
|
gptkbp:film_technique
|
Cinematic storytelling.
Realism.
Use of color.
Symbolic imagery.
|
|
gptkbp:filming_location
|
Paris, France.
|
|
gptkbp:follows
|
gptkb:Three_Colors:_Blue
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_backstory
|
Karol's life in Poland.
|
|
gptkbp:home_media_release
|
DVD and Blu-ray.
|
|
gptkbp:influenced_artists
|
Surrealism.
Dostoevsky's themes.
|
|
gptkbp:influenced_by
|
Polish cinema.
|
|
gptkbp:influences
|
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
Kieślowski's own experiences.
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:language_spoken
|
Naturalistic.
|
|
gptkbp:legacy
|
Part of Kieślowski's acclaimed works.
|
|
gptkbp:main_character
|
Karol Karol
|
|
gptkbp:motif
|
Revenge and justice.
|
|
gptkbp:music_composer
|
gptkb:Zbigniew_Preisner
|
|
gptkbp:narrative_style
|
Non-linear storytelling.
|
|
gptkbp:narrative_theme
|
Freedom and independence.
|
|
gptkbp:notable_scene
|
Karol's courtroom scene.
|
|
gptkbp:part_of
|
gptkb:Three_Colors_trilogy
|
|
gptkbp:plot
|
A Polish immigrant in France seeks revenge on his ex-wife.
|
|
gptkbp:precedes
|
gptkb:Three_Colors:_Red
|
|
gptkbp:production_company
|
gptkb:Cinéa
|
|
gptkbp:release_country
|
gptkb:France
|
|
gptkbp:release_date
|
February 24, 1994
|
|
gptkbp:release_year
|
gptkb:1994
|
|
gptkbp:remake
|
None.
|
|
gptkbp:resolution
|
Karol's acceptance.
|
|
gptkbp:runtime
|
91 minutes
|
|
gptkbp:screenplay
|
gptkb:Krzysztof_Kieślowski
|
|
gptkbp:soundtrack
|
Zbigniew Preisner's compositions.
|
|
gptkbp:symbolism
|
The color white.
Karol as a symbol of resilience.
|
|
gptkbp:themes
|
Love and betrayal.
|
|
gptkbp:viewing_format
|
gptkb:Color
|
|
gptkbp:bfsParent
|
gptkb:Zbigniew_Preisner
|
|
gptkbp:bfsLayer
|
5
|