|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:artworks
|
over 200
|
|
gptkbp:attendance
|
high
|
|
gptkbp:criticism
|
mixed reviews
|
|
gptkbp:exhibition
|
gptkb:exhibition
|
|
gptkbp:exhibition_duration
|
several weeks
|
|
gptkbp:featured_in
|
gptkb:oil_painting
pastel
watercolor
|
|
gptkbp:historical_context
|
gptkb:World_War_I
|
|
gptkbp:historical_significance
|
reflected societal changes
contributed to art history
challenged traditional art norms
promoted artistic freedom
showcased artistic innovation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Thirty-Second Impressionist Exhibition
|
|
gptkbp:impact
|
increased popularity of Impressionism
|
|
gptkbp:influenced
|
future art movements
|
|
gptkbp:legacy
|
influenced contemporary artists
established annual exhibitions
|
|
gptkbp:location
|
gptkb:Paris
|
|
gptkbp:movement
|
gptkb:Expressionism
gptkb:Fauvism
gptkb:Post-Impressionism
gptkb:Cubism
gptkb:Modernism
|
|
gptkbp:notable_artists
|
gptkb:Gustave_Caillebotte
gptkb:Camille_Pissarro
gptkb:Alfred_Sisley
gptkb:Claude_Monet
gptkb:Edgar_Degas
gptkb:Berthe_Morisot
gptkb:Pierre-Auguste_Renoir
|
|
gptkbp:notable_participants
|
gptkb:artists
critics
art collectors
public figures
socialites
|
|
gptkbp:notable_works
|
gptkb:Water_Lilies_by_Claude_Monet
Dance at Bougival by Pierre-Auguste Renoir
The Ballet Class by Edgar Degas
The Bridge at Argenteuil by Gustave Caillebotte
The Harvest by Camille Pissarro
|
|
gptkbp:organizer
|
gptkb:Société_des_Artistes_Indépendants
|
|
gptkbp:predecessor
|
gptkb:The_Thirty-First_Impressionist_Exhibition
|
|
gptkbp:significance
|
showcased modern art
|
|
gptkbp:successor
|
gptkb:The_Thirty-Third_Impressionist_Exhibition
|
|
gptkbp:theme
|
gptkb:Impressionism
|
|
gptkbp:year
|
gptkb:1917
|
|
gptkbp:bfsParent
|
gptkb:Paul_Cézanne
gptkb:Pierre-Auguste_Renoir
|
|
gptkbp:bfsLayer
|
4
|