|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:art_style
|
gptkb:Post-Impressionism
|
|
gptkbp:attendance
|
gptkb:Public
critics
art collectors
|
|
gptkbp:exhibited_at
|
portraits
landscapes
still lifes
|
|
gptkbp:exhibition
|
gptkb:museums
galleries
private collections
published
included artist biographies
included artwork descriptions
included critical essays
included photographs
|
|
gptkbp:exhibition_duration
|
several weeks
|
|
gptkbp:followed_by
|
gptkb:The_Thirty-Ninth_Impressionist_Exhibition
|
|
gptkbp:historical_context
|
gptkb:World_War_I
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Thirty-Eighth Impressionist Exhibition
|
|
gptkbp:impact
|
cultural dialogue
|
|
gptkbp:influenced
|
gptkb:art_critics
art education
art theory
future art movements
|
|
gptkbp:is_critiqued_by
|
mixed reviews
positive reception
negative reception
|
|
gptkbp:legacy
|
influenced artists
influenced exhibitions
|
|
gptkbp:location
|
gptkb:Paris
|
|
gptkbp:notable_artist
|
gptkb:Gustave_Caillebotte
gptkb:Claude_Monet
gptkb:Edgar_Degas
gptkb:Berthe_Morisot
gptkb:Pierre-Auguste_Renoir
|
|
gptkbp:notable_feature
|
use of color
light effects
outdoor painting
|
|
gptkbp:notable_participants
|
gptkb:artists
gptkb:intellectuals
socialites
|
|
gptkbp:organizer
|
gptkb:Société_Anonyme_des_Artistes
|
|
gptkbp:preceded_by
|
gptkb:The_Thirty-Seventh_Impressionist_Exhibition
|
|
gptkbp:significance
|
showcased modern art
|
|
gptkbp:theme
|
gptkb:Impressionism
|
|
gptkbp:year
|
gptkb:1914
|
|
gptkbp:bfsParent
|
gptkb:Paul_Cézanne
gptkb:Pierre-Auguste_Renoir
|
|
gptkbp:bfsLayer
|
4
|