|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Andrzej_Żuławski
|
|
gptkbp:art_style
|
expressionistic
|
|
gptkbp:awards
|
Best Director at Cannes
|
|
gptkbp:based_on
|
gptkb:novel
novel by Jerzy Andrzejewski
|
|
gptkbp:box_office
|
limited
|
|
gptkbp:character
|
gptkb:the_child
the soldier
the doctor
the German officer
Marek's father
Marek's lover
Marek's mother
Marek's wife
the Jewish woman
|
|
gptkbp:cinematography
|
Zygmunt Samosiuk
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Politician
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influential in Polish film history
|
|
gptkbp:director
|
gptkb:Wojciech_Has
|
|
gptkbp:distributor
|
gptkb:Zespół_Filmowy_"_Kadr"
|
|
gptkbp:editor
|
experimental
|
|
gptkbp:filmography
|
gptkb:Halina_Prugar-Ketling
artistic
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Third Part of the Night
|
|
gptkbp:influenced_by
|
gptkb:Andrei_Tarkovsky
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
gptkb:Francois_Truffaut
gptkb:Ingmar_Bergman
|
|
gptkbp:influences
|
gptkb:Monarch
Existentialism
Polish cinema
|
|
gptkbp:inspiration
|
gptkb:historical_event
gptkb:literary_work
personal experiences of the director
|
|
gptkbp:language
|
gptkb:Polish
|
|
gptkbp:legacy
|
cult classic
|
|
gptkbp:main_character
|
gptkb:Marek
|
|
gptkbp:music
|
gptkb:Wojciech_Kilar
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:1971_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Zespół_Filmowy_"_Kadr"
|
|
gptkbp:release_date
|
gptkb:1971
|
|
gptkbp:release_year
|
gptkb:1971
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Wojciech_Has
|
|
gptkbp:setting
|
gptkb:World_War_II
|
|
gptkbp:sound
|
minimalist
|
|
gptkbp:symbolism
|
gptkb:TV_series
gptkb:festival
gptkb:Magic:_The_Gathering_set
|
|
gptkbp:theme
|
gptkb:survival
|