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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
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gptkb:Best_Documentary_Feature
gptkb:Philip_Glass
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gptkbp:awards
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gptkb:Los_Angeles_Film_Critics_Association_Award_for_Best_Documentary
gptkb:National_Board_of_Review_Award_for_Best_Documentary
gptkb:award
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gptkbp:box_office
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$1.2 million
$1.5 million
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|
gptkbp:cinematography
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gptkb:Errol_Morris
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gptkbp:composer
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gptkb:Philip_Glass
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
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gptkbp:cultural_impact
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considered a landmark film
influenced true crime genre
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gptkbp:cultural_significance
|
considered a landmark film in documentary filmmaking
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gptkbp:directed_by
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gptkb:Errol_Morris
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gptkbp:director
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gptkb:Errol_Morris
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gptkbp:distributor
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gptkb:MGM
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gptkbp:edited_by
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gptkb:Kevin_Tent
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|
gptkbp:exhibition
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gptkb:family
police officers
witnesses
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|
gptkbp:features
|
interviews with legal experts
interviews with witnesses
interviews with law enforcement
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|
gptkbp:film_festival
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gptkb:film_festival
gptkb:Toronto_International_Film_Festival
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|
gptkbp:film_score
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gptkb:Philip_Glass
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gptkbp:filmography
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gptkb:Kenji_Yamamoto
gptkb:book_series
gptkb:theorem
non-linear storytelling
re-enactments
voice-over narration
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gptkbp:genre
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gptkb:film
|
|
gptkbp:has_influence_on
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law enforcement practices
public perception of criminal justice system
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gptkbp:has_sequel
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gptkb:The_Thin_Blue_Line:_The_Case_of_Randall_Dale_Adams
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gptkbp:has_song
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gptkb:Philip_Glass
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gptkbp:has_voice_line
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gptkb:theorem
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Thin Blue Line
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gptkbp:impact
|
influenced the genre of true crime documentaries
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gptkbp:influenced
|
gptkb:American_Murder:_The_Family_Next_Door
gptkb:The_Fog_of_War
gptkb:Evil_Genius
gptkb:The_Confession_Tapes
gptkb:The_Disappearance_of_Madeleine_Mc_Cann
gptkb:The_Great_Hack
gptkb:The_Staircase
gptkb:Wild_Wild_Country
gptkb:The_Vow
gptkb:The_Trial_of_the_Chicago_7
gptkb:Icarus
gptkb:The_Act_of_Killing
gptkb:The_Keepers
gptkb:Making_a_Murderer
gptkb:Serial
gptkb:The_Jinx
gptkb:The_Inventor:_Out_for_Blood_in_Silicon_Valley
gptkb:The_Last_Dance
gptkb:13th
gptkb:Serial_podcast
gptkb:Won't_You_Be_My_Neighbor?
gptkb:The_Social_Dilemma
gptkb:The_Edge_of_Democracy
documentary filmmaking techniques
public perception of wrongful convictions
documentary ethics discussions
filmmaking techniques in documentaries
legal reforms regarding wrongful convictions
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|
gptkbp:inspiration
|
the case of Randall Dale Adams
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|
gptkbp:is_available_on
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gptkb:streaming_platforms
gptkb:DJ
gptkb:film
|
|
gptkbp:is_considered
|
a landmark documentary
a classic of the genre
|
|
gptkbp:is_criticized_for
|
Roger Ebert praised it
Vincent Canby praised it
|
|
gptkbp:is_referenced_in
|
gptkb:television_series
gptkb:The_Office
gptkb:South_Park
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
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gptkbp:narrative_style
|
gptkb:political_movement
|
|
gptkbp:notable_for
|
exonerating Randall Dale Adams
re-examination of a wrongful conviction
|
|
gptkbp:notable_quote
|
“ The truth is not always the same as the facts.”
“ It’s not what you see, it’s what you think you see.”
“ The camera can lie.”
“ The truth is a slippery thing.”
“ You can’t trust your memory.”
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gptkbp:premiere
|
gptkb:New_York_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
|
gptkbp:production_company
|
gptkb:American_Film_Institute
gptkb:MGM
gptkb:Morris_Productions
|
|
gptkbp:release_year
|
gptkb:1988
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Errol_Morris
|
|
gptkbp:style
|
docudrama
re-enactments
|
|
gptkbp:subject
|
gptkb:legal_case
|
|
gptkbp:technique
|
non-linear storytelling
use of archival footage
use of interviews
use of sound design
|
|
gptkbp:themes
|
gptkb:Magic:_The_Gathering_set
gptkb:justice
innocence
perception
truth
police misconduct
media influence
justice and truth
|
|
gptkbp:voice_actor
|
gptkb:Errol_Morris
|