|
gptkbp:instance_of
|
gptkb:documentary
gptkb:film
|
|
gptkbp:awards
|
gptkb:Los_Angeles_Film_Critics_Association_Award_for_Best_Documentary
gptkb:National_Board_of_Review_Award_for_Best_Documentary
gptkb:Academy_Award_nomination
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
|
|
gptkbp:character_voice
|
gptkb:Errol_Morris
|
|
gptkbp:cinematography
|
gptkb:Errol_Morris
|
|
gptkbp:cinematography_by
|
gptkb:Errol_Morris
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
|
|
gptkbp:criticism
|
Roger Ebert praised it
Vincent Canby praised it
|
|
gptkbp:cultural_impact
|
considered a landmark film
influenced true crime genre
|
|
gptkbp:cultural_significance
|
considered a landmark film in documentary filmmaking
|
|
gptkbp:directed_by
|
gptkb:Errol_Morris
|
|
gptkbp:director
|
gptkb:Errol_Morris
|
|
gptkbp:distributor
|
gptkb:MGM
|
|
gptkbp:explores_themes
|
gptkb:justice
innocence
truth
police misconduct
media influence
|
|
gptkbp:features
|
interviews with legal experts
interviews with witnesses
interviews with law enforcement
|
|
gptkbp:features_interviews_with
|
gptkb:family
police officers
witnesses
|
|
gptkbp:film
|
gptkb:true
|
|
gptkbp:film_editing
|
gptkb:Kenji_Yamamoto
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_technique
|
gptkb:interviews
non-linear storytelling
re-enactments
voice-over narration
|
|
gptkbp:genre
|
gptkb:documentary
|
|
gptkbp:has_editing_by
|
gptkb:Kevin_Tent
|
|
gptkbp:has_influenced
|
law enforcement practices
public perception of criminal justice system
|
|
gptkbp:has_sequel
|
gptkb:The_Thin_Blue_Line:_The_Case_of_Randall_Dale_Adams
|
|
gptkbp:has_soundtrack
|
gptkb:Philip_Glass
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Thin Blue Line
|
|
gptkbp:impact
|
influenced the genre of true crime documentaries
|
|
gptkbp:influenced
|
gptkb:American_Murder:_The_Family_Next_Door
gptkb:The_Fog_of_War
gptkb:Evil_Genius
gptkb:The_Confession_Tapes
gptkb:The_Disappearance_of_Madeleine_Mc_Cann
gptkb:The_Great_Hack
gptkb:The_Staircase
gptkb:Wild_Wild_Country
gptkb:The_Vow
gptkb:The_Trial_of_the_Chicago_7
gptkb:Icarus
gptkb:The_Act_of_Killing
gptkb:The_Keepers
gptkb:Making_a_Murderer
gptkb:Serial
gptkb:The_Jinx
gptkb:The_Inventor:_Out_for_Blood_in_Silicon_Valley
gptkb:The_Last_Dance
gptkb:13th
gptkb:Serial_podcast
gptkb:Won't_You_Be_My_Neighbor?
gptkb:The_Social_Dilemma
gptkb:The_Edge_of_Democracy
documentary filmmaking techniques
public perception of wrongful convictions
documentary ethics discussions
filmmaking techniques in documentaries
legal reforms regarding wrongful convictions
|
|
gptkbp:inspiration
|
the case of Randall Dale Adams
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:is_considered
|
a landmark documentary
a classic of the genre
|
|
gptkbp:is_referenced_in
|
gptkb:The_Office
gptkb:The_Simpsons
gptkb:South_Park
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
|
|
gptkbp:music_composer
|
gptkb:Philip_Glass
|
|
gptkbp:narrative_style
|
gptkb:Reconstruction_era
|
|
gptkbp:notable_for
|
exonerating Randall Dale Adams
re-examination of a wrongful conviction
|
|
gptkbp:notable_quote
|
“ The truth is not always the same as the facts.”
“ It’s not what you see, it’s what you think you see.”
“ The camera can lie.”
“ The truth is a slippery thing.”
“ You can’t trust your memory.”
|
|
gptkbp:notable_technique
|
non-linear storytelling
use of archival footage
use of interviews
use of sound design
|
|
gptkbp:premiere
|
gptkb:New_York_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
|
gptkbp:production_company
|
gptkb:American_Film_Institute
gptkb:MGM
gptkb:Morris_Productions
|
|
gptkbp:release_year
|
gptkb:1988
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:score_composed_by
|
gptkb:Philip_Glass
|
|
gptkbp:screenplay_by
|
gptkb:Errol_Morris
|
|
gptkbp:style
|
docudrama
re-enactments
|
|
gptkbp:subject
|
gptkb:murder
|
|
gptkbp:themes
|
gptkb:justice
gptkb:memory
perception
truth
justice and truth
|
|
gptkbp:uses_voice_over
|
gptkb:true
|
|
gptkbp:bfsParent
|
gptkb:Philip_Glass
|
|
gptkbp:bfsLayer
|
3
|