Statements (72)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Aristophanes
|
| gptkbp:adaptation |
adapted into modern plays
|
| gptkbp:audience |
well-received in its time.
provoked thought on gender issues. reflects audience's views on gender. |
| gptkbp:author |
gptkb:Aristophanes
|
| gptkbp:character_arc |
Euripides learns about women's perspectives.
|
| gptkbp:character_development |
Euripides' character evolves.
|
| gptkbp:character_relationships |
complex relationships between characters.
Euripides interacts with women. Euripides vs. the women. |
| gptkbp:conflict |
Euripides vs. women
conflict between playwright and audience. |
| gptkbp:critical_reception |
studied by literary critics.
|
| gptkbp:cultural_impact |
influenced modern feminist thought.
reflected societal views on women. |
| gptkbp:cultural_references |
references to Athenian festivals.
|
| gptkbp:cultural_significance |
important in feminist discourse.
satire of Athenian society |
| gptkbp:debut_year |
391 BC
|
| gptkbp:focus |
focus on societal expectations.
|
| gptkbp:genre |
gptkb:musical
|
| gptkbp:historical_analysis |
analyzed for its historical context.
|
| gptkbp:historical_context |
gptkb:Classical_Athens
reflects gender dynamics of the time. |
| gptkbp:historical_impact |
significant in the study of Greek theater.
|
| gptkbp:historical_significance |
important work in Greek literature.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Thesmophoriazusae
|
| gptkbp:influence |
inspired later comedic works
|
| gptkbp:influenced_artists |
influenced later comedies.
|
| gptkbp:is_a_venue_for |
gptkb:Theater_of_Dionysus
|
| gptkbp:is_characterized_by |
strong female characters.
|
| gptkbp:is_criticized_for |
critiques male dominance.
|
| gptkbp:is_motivated_by |
Euripides seeks to defend himself.
Mysia's loyalty to women. |
| gptkbp:language |
gptkb:City
reflects Athenian values. |
| gptkbp:legacy |
influenced feminist literature.
|
| gptkbp:literary_devices |
gptkb:comic_book
|
| gptkbp:main_character |
gptkb:Euripides
|
| gptkbp:motif |
Euripides as a misunderstood artist.
|
| gptkbp:music_style |
three-act structure.
audience knows Euripides' disguise. comedy and tragedy blend. tension between genders. |
| gptkbp:narrative_style |
use of humor.
narrative on women's rights. |
| gptkbp:narrative_theme |
identity and disguise.
|
| gptkbp:notable_character |
gptkb:Mysia
|
| gptkbp:notable_performance |
performed in festivals.
|
| gptkbp:notable_quote |
" Women are not to be trusted."
|
| gptkbp:official_language |
Greek
|
| gptkbp:performance |
gptkb:theatre
|
| gptkbp:plot |
disguise.
|
| gptkbp:plot_summary |
Euripides is put on trial by women.
|
| gptkbp:plot_twist |
Euripides disguises himself.
|
| gptkbp:portrayed_by |
Euripides' perspective on women.
|
| gptkbp:role |
female characters
Euripides as a protagonist. Mysia as a comedic foil. Mysia as a servant. |
| gptkbp:scholarly_analysis |
analyzed for feminist themes.
|
| gptkbp:setting |
gptkb:Athens
|
| gptkbp:style |
character-driven comedy.
|
| gptkbp:symbolism |
women's empowerment.
symbol of women's voices. |
| gptkbp:thematic_element |
explores societal norms.
message about equality. mockery of male playwrights. |
| gptkbp:theme |
gender roles
|