Statements (13)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:theatre
|
| gptkbp:activePeriod |
1960s
|
| gptkbp:associatedWith |
gptkb:Richard_Foreman
|
| gptkbp:characteristic |
use of film, slides, music, and live action
|
| gptkbp:countryOfOrigin |
gptkb:United_States
|
| gptkbp:influenced |
gptkb:experimental_theatre
|
| gptkbp:influencedBy |
avant-garde theatre
|
| gptkbp:notableFor |
integration of multiple media in performance
|
| gptkbp:notableWork |
Ontological-Hysteric Theater productions
|
| gptkbp:relatedTo |
gptkb:multimedia_performance
|
| gptkbp:bfsParent |
gptkb:Madrigals_of_the_Rose_Angel
|
| gptkbp:bfsLayer |
8
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Theatre of Mixed Means
|