|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:adapted_into
|
gptkb:none
|
|
gptkbp:author
|
gptkb:J._G._Ballard
|
|
gptkbp:character_development
|
psychological depth
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:cover_art
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired discussions on technology
inspired discussions on human nature
inspired discussions on dystopia
|
|
gptkbp:followed_by
|
gptkb:The_Drowned_World
|
|
gptkbp:genre
|
gptkb:Author
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Terminal Beach
|
|
gptkbp:influenced_artists
|
gptkb:David_Mitchell
gptkb:Dame_Margaret_Atwood
gptkb:Haruki_Murakami
|
|
gptkbp:influenced_by
|
gptkb:modernism
surrealism
|
|
gptkbp:influences
|
nuclear war
psychological trauma
|
|
gptkbp:is_available_in
|
gptkb:printer
digital format
|
|
gptkbp:isbn
|
978-0-00-654202-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
a man named Edward
|
|
gptkbp:motif
|
the passage of time
memory loss
desolation
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:next_edition
|
1964 edition
|
|
gptkbp:notable_quote
|
" The past is a foreign country."
" The beach was a place of dreams."
" We are all prisoners of our memories."
|
|
gptkbp:page_count
|
192
|
|
gptkbp:published_by
|
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Gollancz
|
|
gptkbp:setting
|
post-apocalyptic
a deserted island
|
|
gptkbp:style
|
experimental
|
|
gptkbp:symbolism
|
the ocean
the beach
the ruins
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
isolation
|
|
gptkbp:bfsParent
|
gptkb:J._G._Ballard
|
|
gptkbp:bfsLayer
|
4
|