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gptkbp:instance_of
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gptkb:novel
gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
|
gptkb:Greta_Garbo
gptkb:Nana
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
1926
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|
gptkbp:author
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gptkb:Pierre_Louÿs
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gptkbp:available_formats
|
gptkb:printer
digital
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gptkbp:based_on
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The novel ' The Temptress' by Pierre Louÿs
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|
gptkbp:box_office
|
$1 million
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|
gptkbp:character
|
gptkb:Pablo
gptkb:Artist
gptkb:Don_Carlos
Zita
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|
gptkbp:character_arc
|
tragic
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
romantic
familial
antagonistic
|
|
gptkbp:cinematography
|
gptkb:Karl_Struss
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|
gptkbp:color
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black and white
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|
gptkbp:conflict
|
external
internal
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
controversial
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired fashion trends
influenced modern erotic literature
|
|
gptkbp:cultural_references
|
referenced in literature
referenced in art
referenced in modern films
|
|
gptkbp:directed_by
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gptkb:Joseph_von_Sternberg
|
|
gptkbp:director
|
gptkb:Georges_Pallu
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gptkbp:edited_by
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gptkb:Hugh_Wynn
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|
gptkbp:filmography
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gptkb:French
35mm
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|
gptkbp:genre
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gptkb:High_School
romance
erotic fiction
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|
gptkbp:historical_context
|
gptkb:late_19th_century
French literary scene
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Temptress
|
|
gptkbp:influenced
|
Hollywood glamour
femme fatale archetype
Marlene Dietrich's career
future film noir
|
|
gptkbp:influenced_by
|
gptkb:Decadent_movement
silent film era
Symbolist movement
|
|
gptkbp:influences
|
gptkb:Symbolism
|
|
gptkbp:inspiration
|
gptkb:mythological_figure
feminine archetypes
|
|
gptkbp:is_criticized_for
|
discussed in feminist literature
analyzed for its eroticism
|
|
gptkbp:isbn
|
978-1-60381-123-4
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gptkbp:language
|
gptkb:French
English
|
|
gptkbp:main_character
|
Léonide
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|
gptkbp:motif
|
gptkb:Saint
redemption
temptation
|
|
gptkbp:music_by
|
gptkb:Rudolf_Friml
|
|
gptkbp:narrative_style
|
first-person
lyrical
poetic
subjective
|
|
gptkbp:notable_appearance
|
gptkb:ballet
romantic scenes
climactic confrontation
betrayal scene
|
|
gptkbp:notable_for
|
Marlene Dietrich's performance
|
|
gptkbp:notable_quote
|
" Love is a game that two can play."
" The heart is a treacherous thing."
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|
gptkbp:official_language
|
gptkb:French
|
|
gptkbp:page_count
|
gptkb:television_series
|
|
gptkbp:plot
|
linear
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:produced_by
|
gptkb:Paramount_Pictures
|
|
gptkbp:published_year
|
gptkb:1896
|
|
gptkbp:publisher
|
gptkb:Les_Éditions_de_la_Nouvelle_Revue_Française
|
|
gptkbp:reader_demographic
|
polarizing
|
|
gptkbp:release_date
|
November 1926
|
|
gptkbp:released_in
|
1926
|
|
gptkbp:remake
|
gptkb:The_Temptress_(1936)
gptkb:The_Temptress_(1956)
|
|
gptkbp:runtime
|
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:H._M._Harwood
|
|
gptkbp:set_in
|
gptkb:Mexico
|
|
gptkbp:setting
|
gptkb:ancient_Greece
|
|
gptkbp:starring
|
gptkb:Lilyan_Tashman
gptkb:Marlene_Dietrich
gptkb:Antonio_Moreno
|
|
gptkbp:symbolism
|
the apple
the serpent
|
|
gptkbp:themes
|
gptkb:betrayal
seduction
desire
|
|
gptkbp:translated_into
|
gptkb:Robert_Baldick
|
|
gptkbp:video_output
|
gptkb:Actor
|