|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:television_series
gptkb:radio_station
gptkb:graphic_novel
gptkb:stage_adaptation
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1999
|
|
gptkbp:adaptations
|
gptkb:theater
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:radio_station
gptkb:graphic_novel
gptkb:film
gptkb:stage_play
|
|
gptkbp:author
|
gptkb:Patricia_Highsmith
|
|
gptkbp:award
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Adapted_Screenplay
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:1
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:Screen_Actors_Guild_Award_for_Outstanding_Performance
gptkb:Golden_Globe_Award_for_Best_Actor
|
|
gptkbp:based_on
|
gptkb:novel
The Talented Mr. Ripley (novel)
|
|
gptkbp:box_office
|
$128 million
128000000
$128,000,000
$128.8 million
|
|
gptkbp:broadcast_network
|
gptkb:Showtime
|
|
gptkbp:budget
|
$40 million
40000000
|
|
gptkbp:cast
|
gptkb:Jude_Law
gptkb:Matt_Damon
gptkb:Philip_Seymour_Hoffman
gptkb:Gwyneth_Paltrow
|
|
gptkbp:character
|
gptkb:Mr._Ripley
gptkb:Marge_Sherwood
gptkb:Mr._Greenleaf
gptkb:Detective_R._D.
gptkb:Alfred
gptkb:Mimi
gptkb:Giovanni
gptkb:Tom_Ripley
gptkb:Dickie_Greenleaf
gptkb:Margo
gptkb:Dr._Greenleaf
gptkb:Freddie_Miles
gptkb:Countess
gptkb:Inspector_Rinaldi
gptkb:Mrs._Greenleaf
Rinaldi
Meredith Logue
|
|
gptkbp:character_arc
|
gptkb:moral_ambiguity
gptkb:transformation
moral decline
psychological complexity
Tom Ripley's transformation
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
gptkb:envy
ambition
desire for acceptance
|
|
gptkbp:cinematography
|
gptkb:John_Seale
|
|
gptkbp:cinematography_by
|
gptkb:John_Seale
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:conflict
|
gptkb:murder
gptkb:crime
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
Doris Z. Smith
|
|
gptkbp:creator
|
gptkb:Steven_Zaillian
|
|
gptkbp:critical_reception
|
Positive
Positive reviews
acclaimed
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
Cult classic
inspired adaptations
inspired other works
influenced crime fiction
|
|
gptkbp:cultural_references
|
gptkb:popular_culture
|
|
gptkbp:directed_by
|
gptkb:Anthony_Minghella
|
|
gptkbp:director
|
gptkb:Anthony_Minghella
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
gptkb:Miramax_Films
|
|
gptkbp:edited_by
|
gptkb:Walter_Murch
|
|
gptkbp:editing
|
gptkb:Walter_Murch
|
|
gptkbp:features
|
gptkb:Deception
gptkb:Wealth
gptkb:Murder
Social status
Identity theft
|
|
gptkbp:film
|
gptkb:Jude_Law
gptkb:Matt_Damon
gptkb:Philip_Seymour_Hoffman
gptkb:Gwyneth_Paltrow
|
|
gptkbp:film_awards
|
gptkb:Best_Actor
gptkb:Best_Director
gptkb:Academy_Award_nomination
BAFTA Award nomination
|
|
gptkbp:film_editing
|
gptkb:Walter_Murch
The Talented Mr. Ripley (1999)
|
|
gptkbp:film_festival
|
gptkb:Venice_Film_Festival
|
|
gptkbp:film_series
|
gptkb:Ripley_(film_series)
|
|
gptkbp:filming_location
|
gptkb:Venice
gptkb:France
gptkb:Italy
gptkb:Naples
gptkb:New_York_City
gptkb:Paris
gptkb:Rome
|
|
gptkbp:followed_by
|
gptkb:Ripley_Under_Ground
|
|
gptkbp:follows
|
gptkb:Tom_Ripley
|
|
gptkbp:genre
|
Psychological thriller
Crime film
psychological thriller
crime film
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Talented Mr. Ripley
|
|
gptkbp:influence
|
gptkb:detective_fiction
noir fiction
modern thrillers
|
|
gptkbp:influenced
|
gptkb:literature
film noir
psychological thrillers
Subsequent films about identity
antihero narratives
Subsequent films about identity theft.
|
|
gptkbp:influenced_artists
|
gptkb:Daphne_du_Maurier
gptkb:Henry_James
gptkb:Alfred_Hitchcock
gptkb:mystery
gptkb:drama
gptkb:thriller
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
gptkb:French_New_Wave
gptkb:Patricia_Highsmith
gptkb:French_literature
gptkb:detective_fiction
American literature
psychological horror
European cinema
noir fiction
film noir
psychological thriller genre
|
|
gptkbp:inspiration
|
gptkb:Patricia_Highsmith
Highsmith's own experiences
|
|
gptkbp:inspired_by
|
real-life criminals
|
|
gptkbp:isbn
|
978-0-394-71080-5
978-0-394-74024-9
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
considered a classic
explores themes of ambition
explores themes of morality
explores themes of class
|
|
gptkbp:main_character
|
gptkb:Tom_Ripley
|
|
gptkbp:motif
|
gptkb:class
gptkb:wealth
ambition
|
|
gptkbp:music_by
|
gptkb:Gabriel_Yared
|
|
gptkbp:narrative
|
omniscient
|
|
gptkbp:narrative_style
|
third-person
Non-linear
|
|
gptkbp:notable_character
|
gptkb:Marge_Sherwood
gptkb:Mr._Greenleaf
gptkb:Dickie_Greenleaf
|
|
gptkbp:page_count
|
253
256
|
|
gptkbp:part_of_series
|
gptkb:Ripley_series
|
|
gptkbp:plot
|
Tom Ripley's impersonation of Dickie Greenleaf
Tom Ripley's obsession with wealth
Tom's life in Italy
murder of Dickie Greenleaf
|
|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Mirage_Enterprises
gptkb:Miramax_Films
gptkb:Miramax
The Bedford Falls Company
|
|
gptkbp:protagonist
|
gptkb:Tom_Ripley
gptkb:Antihero
|
|
gptkbp:published
|
gptkb:1955
|
|
gptkbp:published_by
|
gptkb:Coward-Mc_Cann
|
|
gptkbp:published_in
|
gptkb:1955
|
|
gptkbp:published_year
|
gptkb:1955
|
|
gptkbp:publisher
|
gptkb:Coward-Mc_Cann
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
critical acclaim
positive
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1999
1999-12-25
February 18, 2000
December 25, 1999
|
|
gptkbp:release_format
|
Theatrical
Theatrical release
|
|
gptkbp:release_year
|
gptkb:1999
gptkb:2019
|
|
gptkbp:runtime
|
139 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Anthony_Minghella
|
|
gptkbp:sequel
|
gptkb:Ripley_Under_Ground
|
|
gptkbp:series
|
gptkb:Ripley_series
|
|
gptkbp:set_in
|
gptkb:Italy
1950s
|
|
gptkbp:setting
|
gptkb:Italy
1950s
|
|
gptkbp:soundtrack
|
gptkb:The_Talented_Mr._Ripley_(soundtrack)
|
|
gptkbp:starring
|
gptkb:Cate_Blanchett
gptkb:Jude_Law
gptkb:Matt_Damon
gptkb:Philip_Seymour_Hoffman
gptkb:Gwyneth_Paltrow
|
|
gptkbp:start_location
|
gptkb:Venice
gptkb:Rome
gptkb:Milan
|
|
gptkbp:style
|
dark
psychological
suspenseful
|
|
gptkbp:symbolism
|
gptkb:art
social status
identity theft
|
|
gptkbp:theme
|
gptkb:class
gptkb:Isolation
gptkb:murder
gptkb:Ambition
gptkb:Deception
gptkb:deception
gptkb:identity
Moral ambiguity
Class disparity
|
|
gptkbp:themes
|
gptkb:class
gptkb:Isolation
gptkb:moral_ambiguity
gptkb:murder
gptkb:Ambition
gptkb:deception
gptkb:identity
Morality
Class disparity
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:won_award
|
gptkb:Cannes_Film_Festival_Best_Costume_Design
gptkb:5
gptkb:Academy_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:written_by
|
gptkb:Patricia_Highsmith
|
|
gptkbp:bfsParent
|
gptkb:Armani
gptkb:Swept_Away
gptkb:Cate_Blanchett
gptkb:Boston_Marriage_(film)
gptkb:Venice_Film_Festival
gptkb:Focus_Features
gptkb:Jude_Law
gptkb:MGM
gptkb:Metro-Goldwyn-Mayer
gptkb:The_Color_of_Money
gptkb:The_Last_of_Sheila
gptkb:Gabriel_Yared
gptkb:Matt_Damon
gptkb:Patricia_Highsmith
gptkb:Gwyneth_Paltrow
gptkb:Nino_Rota
gptkb:The_Shape_of_Things
gptkb:Desperately_Seeking_Susan
gptkb:To_Catch_a_Thief
gptkb:To_Die_For
|
|
gptkbp:bfsLayer
|
4
|