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gptkbp:instance_of
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gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film
The Tailor of Panama (film)
|
|
gptkbp:adaptation_year
|
gptkb:2001
|
|
gptkbp:antagonist
|
gptkb:Mickey_Rourke
|
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gptkbp:author
|
gptkb:John_le_Carré
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gptkbp:awards
|
nominated for literary awards
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gptkbp:based_on
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gptkb:novel_by_John_le_Carré
The Tailor of Panama (novel)
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|
gptkbp:box_office
|
$11.5 million
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|
gptkbp:budget
|
$30 million
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|
gptkbp:character
|
gptkb:Mickey_Rourke
gptkb:General_Manuel_Noriega
gptkb:Harry_Pendel
gptkb:diplomat
gptkb:Agent
The Tailor
Mrs. Pendel
Mr. M.
J. D. M.
Louisa Pendel
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|
gptkbp:character_development
|
gptkb:moral_ambiguity
complex characters
growth arc
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|
gptkbp:character_relationships
|
gptkb:marriage
gptkb:betrayal
gptkb:greed
gptkb:friendship
naivety
deceitfulness
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|
gptkbp:cinematography_by
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gptkb:Philippe_Rousselot
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|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
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|
gptkbp:cover_artist
|
gptkb:Unknown
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|
gptkbp:critical_reception
|
generally positive
mixed reviews
|
|
gptkbp:cultural_impact
|
discussed in literary circles
influenced spy genre
adapted into other media
explored themes of loyalty
inspired discussions on espionage
highlighted the role of intelligence agencies
depicted Panama's political climate
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gptkbp:directed_by
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gptkb:John_Boorman
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gptkbp:director
|
gptkb:John_Boorman
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:edited_by
|
gptkb:John_Boorman
|
|
gptkbp:film_editing
|
gptkb:John_Boorman
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:John_Williams
|
|
gptkbp:film_technique
|
spy thrillers
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|
gptkbp:filming_location
|
gptkb:Panama_City
gptkb:London
gptkb:Panama
|
|
gptkbp:followed_by
|
gptkb:The_Constant_Gardener
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|
gptkbp:genre
|
gptkb:Thriller
gptkb:comedy
gptkb:drama
gptkb:thriller
spy fiction
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|
gptkbp:home_media_release
|
2001-09-25
2001-10-02
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Tailor of Panama
|
|
gptkbp:influenced
|
espionage series
|
|
gptkbp:influenced_artists
|
other spy fiction writers
|
|
gptkbp:influenced_by
|
gptkb:The_Spy_Who_Came_in_from_the_Cold
gptkb:Tinker_Tailor_Soldier_Spy
|
|
gptkbp:influences
|
Cold War politics
|
|
gptkbp:inspired_by
|
real-life events
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|
gptkbp:isbn
|
978-0-340-68880-0
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|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
exploration of identity
commentary on colonialism
satire of espionage
|
|
gptkbp:main_actor
|
gptkb:Geoffrey_Rush
gptkb:Pierce_Brosnan
|
|
gptkbp:main_character
|
gptkb:Harry_Pendel
|
|
gptkbp:music_by
|
gptkb:John_Williams
gptkb:Luis_Bacalov
|
|
gptkbp:narrative_style
|
third-person
satirical
|
|
gptkbp:nationality
|
gptkb:British
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot_element
|
gptkb:political_intrigue
espionage
personal conflict
|
|
gptkbp:premiere
|
gptkb:2001_Cannes_Film_Festival
2001-04-01
|
|
gptkbp:produced_by
|
gptkb:John_Boorman
|
|
gptkbp:production_company
|
gptkb:The_Ink_Factory
gptkb:MGM
Boorman's Company
|
|
gptkbp:protagonist
|
gptkb:Harry_Pendel
tailor
|
|
gptkbp:published
|
gptkb:1996
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
widely read
analyzed in academic settings
discussed in book clubs
|
|
gptkbp:release_date
|
April 18, 2001
2001-04-04
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:release_type
|
theatrical
|
|
gptkbp:released_in
|
gptkb:2001
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay
|
gptkb:John_le_Carré
|
|
gptkbp:screenplay_by
|
gptkb:Andrew_Davies
gptkb:John_le_Carré
|
|
gptkbp:set_in
|
gptkb:Panama
|
|
gptkbp:setting
|
gptkb:Panama
|
|
gptkbp:starring
|
gptkb:Jamie_Lee_Curtis
gptkb:Geoffrey_Rush
gptkb:Pierce_Brosnan
|
|
gptkbp:theme
|
gptkb:politics
gptkb:deception
gptkb:identity
espionage
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:politics
gptkb:deception
|
|
gptkbp:year
|
late 20th century
|
|
gptkbp:bfsParent
|
gptkb:Daniel_Radcliffe
|
|
gptkbp:bfsLayer
|
4
|