|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
Cult following developed over time.
Not rated.
|
|
gptkbp:based_on
|
play by David H. Lawrence
Play by David Merrick
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:budget
|
$500,000.
|
|
gptkbp:censorship
|
Faced challenges in some regions.
|
|
gptkbp:character_arc
|
Transformation from innocence to experience.
|
|
gptkbp:character_development
|
Focuses on the protagonist's struggles.
|
|
gptkbp:character_motivation
|
Desire for financial independence.
|
|
gptkbp:character_relationships
|
Internal and external struggles.
Explores complex dynamics.
|
|
gptkbp:character_traits
|
Strong-willed and determined.
|
|
gptkbp:cinematography
|
gptkb:Joseph_F._Biroc
Joseph Mangine
|
|
gptkbp:color
|
Black and white.
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
Examined in film studies.
|
|
gptkbp:critical_reception
|
Mixed reviews.
|
|
gptkbp:cultural_impact
|
Considered a cult classic.
Influenced perceptions of strippers in media.
|
|
gptkbp:cultural_references
|
Referenced in various media.
|
|
gptkbp:cultural_significance
|
Reflects changing attitudes towards sexuality.
|
|
gptkbp:demographics
|
Targeted towards adult viewers.
|
|
gptkbp:director
|
gptkb:Lloyd_Kaufman
gptkb:László_Benedek
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:Columbia_Pictures
|
|
gptkbp:editing
|
gptkb:George_Boemler
gptkb:Richard_C._Meyer
|
|
gptkbp:film_awards
|
Nominated for several awards.
|
|
gptkbp:film_festival
|
Cannes Film Festival.
|
|
gptkbp:film_length
|
90 minutes.
|
|
gptkbp:film_technique
|
Melodramatic.
Use of dramatic lighting.
|
|
gptkbp:filming_location
|
Los Angeles.
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_backstory
|
Protagonist's troubled past.
|
|
gptkbp:has_cameo
|
Several famous actors.
|
|
gptkbp:historical_context
|
Set during the early 1960s.
|
|
gptkbp:home_media_release
|
Released on DVD.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Stripper
|
|
gptkbp:influenced_by
|
The play ' The Stripper'.
|
|
gptkbp:influences
|
The sexual revolution.
|
|
gptkbp:inspiration
|
Based on real-life experiences.
|
|
gptkbp:is_influential_in
|
Joan Collins as a leading actress.
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
Witty and sharp.
|
|
gptkbp:legacy
|
Considered a significant film in its genre.
Influenced later films about strippers.
|
|
gptkbp:main_character
|
gptkb:Maggie
|
|
gptkbp:music
|
gptkb:Miklos_Rozsa
Murray Schiller
|
|
gptkbp:narrative_style
|
Linear storytelling.
|
|
gptkbp:notable_appearance
|
Joan Collins as the lead character.
|
|
gptkbp:notable_quote
|
" I am not what I seem."
|
|
gptkbp:plot
|
A story about a woman who becomes a stripper to support her family.
|
|
gptkbp:premiered_on
|
gptkb:1967
|
|
gptkbp:production_company
|
gptkb:Troma_Entertainment
|
|
gptkbp:production_years
|
1963.
|
|
gptkbp:release_date
|
April 1963
|
|
gptkbp:release_format
|
Theatrical.
|
|
gptkbp:release_year
|
gptkb:1963
|
|
gptkbp:remake
|
2000.
The Stripper (2000).
|
|
gptkbp:runtime
|
100 minutes
90 minutes
|
|
gptkbp:screenings
|
Premiered at the Fox Theatre.
|
|
gptkbp:screenplay
|
gptkb:Robert_Hill
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:soundtrack
|
Released as an album.
|
|
gptkbp:starring
|
gptkb:Robert_Webber
gptkb:Joan_Collins
|
|
gptkbp:symbolism
|
Represents societal views on women.
|
|
gptkbp:theme
|
gptkb:identity
|
|
gptkbp:themes
|
Feminism and empowerment.
|
|
gptkbp:viewing_format
|
Theatrical release.
|
|
gptkbp:written_by
|
gptkb:David_Mamet
|
|
gptkbp:bfsParent
|
gptkb:The_Killing_of_a_Chinese_Bookie
gptkb:Gypsy_(1962_film)
gptkb:Old_School
gptkb:Jack_the_Stripper
|
|
gptkbp:bfsLayer
|
5
|