|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Albert_De_Salvo
gptkb:The_Night_Strangler
gptkb:Santo
gptkb:William_Landay
gptkb:The_Boston_Strangler
|
|
gptkbp:adaptation
|
gptkb:1964
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:television_series
|
|
gptkbp:allows
|
controversial themes
|
|
gptkbp:antagonist
|
gptkb:political_movement
|
|
gptkbp:art_style
|
dark and moody
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:author
|
gptkb:Robert_Bloch
|
|
gptkbp:based_on
|
true story
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:superhero
|
|
gptkbp:character_arc
|
redemption arc
downward spiral
|
|
gptkbp:character_development
|
gptkb:launch_complex
complex characters
|
|
gptkbp:character_relationships
|
obsession
man vs. society
dysfunctional
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:climax
|
confrontation with the police
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:conflict
|
internal conflict
man vs. self
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired discussions on morality
influenced crime films
|
|
gptkbp:director
|
gptkb:Gordon_Hessler
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:George_Tomasini
|
|
gptkbp:features
|
gptkb:Detective
|
|
gptkbp:film_festival
|
gptkb:none
|
|
gptkbp:film_score
|
gptkb:Leslie_Bricusse
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
gptkb:George_Tomasini
gptkb:Santo_vs._the_Strangler
|
|
gptkbp:follows
|
gptkb:The_Boston_Strangler
|
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:High_School
gptkb:film
|
|
gptkbp:has_backstory
|
traumatic past
|
|
gptkbp:has_gameplay_element
|
the strangler's tool
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:historical_context
|
1960s America
post-war America
|
|
gptkbp:home_media_release
|
gptkb:DJ
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Strangler
|
|
gptkbp:impact
|
high
|
|
gptkbp:influenced
|
gptkb:film
|
|
gptkbp:influenced_artists
|
gptkb:Stephen_King
gptkb:H._P._Lovecraft
true crime novels
|
|
gptkbp:influenced_by
|
gptkb:Ed_Gein
film noir
|
|
gptkbp:influences
|
American horror literature
|
|
gptkbp:inspired_by
|
gptkb:Albert_De_Salvo
gptkb:legal_case
|
|
gptkbp:is_characterized_by
|
detailed
|
|
gptkbp:is_critical_for
|
psychological themes
|
|
gptkbp:is_criticized_for
|
analyzed for themes
|
|
gptkbp:is_motivated_by
|
fear and guilt
fear of exposure
|
|
gptkbp:isbn
|
978-1-59307-001-0
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential crime drama.
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:main_character
|
a serial killer
the killer
|
|
gptkbp:mood
|
tense
|
|
gptkbp:moral
|
justification of actions
|
|
gptkbp:motif
|
gptkb:legal_case
|
|
gptkbp:music_by
|
gptkb:Leslie_Bricusse
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
non-linear
|
|
gptkbp:nationality
|
gptkb:unknown
|
|
gptkbp:notable_quote
|
" I am not a monster!"
|
|
gptkbp:notable_story_arc
|
gptkb:earthquake
|
|
gptkbp:notable_work
|
gptkb:Robert_Bloch
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
linear
|
|
gptkbp:plot_twist
|
unexpected ending
|
|
gptkbp:portrayed_by
|
psychological thriller
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:published_year
|
1951
|
|
gptkbp:publisher
|
Greenberg
|
|
gptkbp:reader_demographic
|
adult readers
provocative
|
|
gptkbp:release_date
|
April 1964
|
|
gptkbp:release_year
|
gptkb:1964
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:resolution
|
capture of the killer
|
|
gptkbp:role
|
gptkb:superhero
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Bloch
|
|
gptkbp:set_in
|
gptkb:Boston
|
|
gptkbp:setting
|
gptkb:United_States
mid-20th century
|
|
gptkbp:sound
|
gptkb:Mono
dark
|
|
gptkbp:starring
|
gptkb:Henry_Fonda
gptkb:John_Marley
gptkb:Patricia_Owens
|
|
gptkbp:style
|
gothic
|
|
gptkbp:symbolism
|
gptkb:cemetery
|
|
gptkbp:target_audience
|
adults
|
|
gptkbp:theme
|
psychological horror
|
|
gptkbp:themes
|
gptkb:existentialism
crime and punishment
|
|
gptkbp:viewing_platform
|
theatrical release
|
|
gptkbp:viewpoint
|
unreliable narrator
|