gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:Italian
gptkb:1967
gptkb:High_School
gptkb:film
|
gptkbp:author
|
gptkb:Albert_Camus
|
gptkbp:awards
|
gptkb:none
|
gptkbp:cast
|
gptkb:Luchino_Visconti
|
gptkbp:character_development
|
Meursault's transformation
|
gptkbp:conflict
|
internal conflict
societal conflict
|
gptkbp:critical_reception
|
widely studied
|
gptkbp:cultural_impact
|
gptkb:significant
|
gptkbp:cultural_references
|
often referenced in popular culture
influenced films and literature
analyzed in literary criticism
discussed in philosophy courses
|
gptkbp:ends_at
|
gptkb:Meursault's_trial
Meursault's acceptance of absurdity
|
gptkbp:followed_by
|
gptkb:The_Plague
|
gptkbp:genre
|
gptkb:philosopher
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Stranger (novel)
|
gptkbp:influenced
|
gptkb:literary_work
|
gptkbp:influenced_by
|
gptkb:The_Myth_of_Sisyphus
Nausea by Jean-Paul Sartre
The Fall by Albert Camus
|
gptkbp:influences
|
postmodern literature
|
gptkbp:inspiration
|
Camus' philosophy
|
gptkbp:main_character
|
gptkb:Meursault
|
gptkbp:motif
|
alienation
indifference
absurdity
|
gptkbp:narrative_style
|
first-person
|
gptkbp:notable_quote
|
“ Mother died today. Or maybe yesterday, I don’t know.”
|
gptkbp:official_language
|
gptkb:French
|
gptkbp:page_count
|
123
|
gptkbp:published_year
|
gptkb:1942
|
gptkbp:publisher
|
gptkb:Gallimard
|
gptkbp:setting
|
gptkb:Politician
|
gptkbp:style
|
minimalist
|
gptkbp:symbolism
|
gptkb:cemetery
the sea
the sun
|
gptkbp:themes
|
gptkb:existentialism
gptkb:absurdism
the meaning of life
the concept of freedom
the nature of existence
the role of society
the idea of truth
|
gptkbp:translated_into
|
English
|
gptkbp:bfsParent
|
gptkb:The_Zero_Theorem
|
gptkbp:bfsLayer
|
4
|