|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film
1946
|
|
gptkbp:author
|
gptkb:Ben_Ames_Williams
|
|
gptkbp:cast
|
gptkb:John_Litel
gptkb:Mona_Freeman
gptkb:William_Frawley
gptkb:Hedy_Lamarr
gptkb:Ruth_Donnelly
gptkb:John_Qualen
gptkb:Cecil_Kellaway
gptkb:Louis_Hayward
gptkb:Evelyn_Ankers
gptkb:Frieda_Inescort
gptkb:Mildred_Natwick
gptkb:George_Sanders
gptkb:Edwin_Max
Richard Hale
Paul Cavanagh
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:director
|
Louis King
|
|
gptkbp:filmography
|
The Strange Woman (1946 film)
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Strange Woman (novel)
|
|
gptkbp:influences
|
gptkb:Southern_Gothic
American literature
|
|
gptkbp:isbn
|
978-1-61219-123-4
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Lydia
|
|
gptkbp:motif
|
gptkb:class
family dynamics
feminine strength
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
320
|
|
gptkbp:published_by
|
1941
|
|
gptkbp:publisher
|
gptkb:Little,_Brown_and_Company
|
|
gptkbp:setting
|
gptkb:Maine
|
|
gptkbp:theme
|
gptkb:betrayal
love
redemption
|
|
gptkbp:writer
|
gptkb:Ben_Ames_Williams
|
|
gptkbp:bfsParent
|
gptkb:The_Strange_Woman
|
|
gptkbp:bfsLayer
|
5
|