|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television_adaptation
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
thought-provoking
|
|
gptkbp:based_on
|
The Strange One (play)
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character_arc
|
gptkb:transformation
|
|
gptkbp:character_development
|
gptkb:complex
moral dilemmas
complex characters
psychological depth
interpersonal conflicts
|
|
gptkbp:character_motivation
|
search for identity
desire for acceptance
struggle against conformity
|
|
gptkbp:character_relationships
|
gptkb:betrayal
gptkb:loyalty
gptkb:power_struggles
gptkb:complex
external
internal
conflicted
interpersonal
|
|
gptkbp:cinematography_by
|
gptkb:Joseph_C._Brun
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
inspired discussions on youth culture
inspired discussions on authority
inspired discussions on rebellion
discussions on military life
examination of authority figures
exploration of youth rebellion
|
|
gptkbp:directed_by
|
gptkb:Jack_Garfein
|
|
gptkbp:edited_by
|
gptkb:Carl_Lerner
|
|
gptkbp:film_editing
|
The Strange One (1957 film)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:focus
|
moral dilemmas
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:historical_context
|
Cold War era
post-World War II
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Strange One
|
|
gptkbp:influenced
|
modern drama
youth culture discussions
subsequent playwrights
later works of drama
later military-themed plays
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:American_theater
gptkb:Theatre_of_the_Absurd
gptkb:theatre_of_the_absurd
American realism
post-war American society
social issues of the time
The Strange One (play) by John Mc Gaffey
|
|
gptkbp:inspired_by
|
real-life military experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic of American theater
|
|
gptkbp:music_by
|
gptkb:David_Raksin
|
|
gptkbp:notable_aspect
|
controversial themes
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_character
|
gptkb:Cadet
gptkb:The_Strange_One
gptkb:Colonel
the protagonist
the antagonist
Cadet Mc Gowan
Cadet Mc Gowan's friends
|
|
gptkbp:notable_performance
|
cast performances
John Mc Gaffey's direction
|
|
gptkbp:notable_production
|
gptkb:Off-Broadway
international productions
revivals in the 21st century
1960 Off-Broadway production
|
|
gptkbp:notable_quote
|
" What is normal?"
" We are all strange in our own way."
" You can't escape who you are."
" The strange one is always the one who sees the truth."
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:loyalty
gptkb:moral_ambiguity
self-discovery
identity crisis
peer pressure
individual vs society
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performed_at
|
various theaters
|
|
gptkbp:performed_in
|
gptkb:college
high schools
community theaters
|
|
gptkbp:premiered_on
|
gptkb:1954
gptkb:1958
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:published_by
|
gptkb:Samuel_French
|
|
gptkbp:published_in
|
gptkb:1954
|
|
gptkbp:release_date
|
April 1957
|
|
gptkbp:release_year
|
gptkb:1957
|
|
gptkbp:released_in
|
gptkb:1957
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jack_Garfein
|
|
gptkbp:set_in
|
gptkb:United_States_Military_Academy
|
|
gptkbp:setting
|
gptkb:United_States_Military_Academy
|
|
gptkbp:starring
|
gptkb:Pat_Hingle
gptkb:Virginia_Leith
gptkb:Robert_Walker_Jr.
gptkb:Ben_Gazzara
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
gptkb:youth
authority figures
military life
|
|
gptkbp:themes
|
gptkb:friendship
gptkb:rebellion
authority
|
|
gptkbp:written_by
|
gptkb:Theodore_J._Flicker
John Mc Gaffey
|
|
gptkbp:bfsParent
|
gptkb:Ben_Gazzara
gptkb:Calder_Willingham
|
|
gptkbp:bfsLayer
|
5
|