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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
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gptkbp:bfsParent
|
gptkb:Max_Van_Peebles
gptkb:Melvin_Van_Peebles
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Moses
gptkb:Marie
the soldier
Moses's friend
|
|
gptkbp:character_development
|
Moses's experiences in Paris
|
|
gptkbp:cinematography
|
gptkb:Arthur_Jafa
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
influential in independent cinema
|
|
gptkbp:cultural_significance
|
first feature film by a Black director to be released by a major studio
|
|
gptkbp:director
|
gptkb:Melvin_Van_Peebles
|
|
gptkbp:distributor
|
gptkb:Cinemation_Industries
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:Melvin_Van_Peebles
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Story of a Three-Day Pass
|
|
gptkbp:influenced
|
romantic dramas
social commentary films
films about military life
films addressing race issues
later Black filmmakers
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:influences
|
independent filmmakers
African American cinema
|
|
gptkbp:inspiration
|
personal experiences of Melvin Van Peebles
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Moses
|
|
gptkbp:music
|
gptkb:Herbie_Hancock
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_for
|
exploring race relations
|
|
gptkbp:producer
|
gptkb:Melvin_Van_Peebles
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1967
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Melvin_Van_Peebles
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:themes
|
gptkb:TV_series
love
freedom
discrimination
|