Statements (159)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:art_movement |
gptkb:Realism
Realist movement 19th-century art 19th-century realism |
| gptkbp:art_style |
naturalism
19th-century art dynamic composition realistic portrayal |
| gptkbp:artist |
gptkb:Gustave_Courbet
|
| gptkbp:artistic_contribution |
pioneering realism in art
shift in art towards realism |
| gptkbp:artistic_expression |
emotional depth
reflects societal changes social realism 19th century France social issues of the time varied interpretations by critics value of labor depiction of laborers' plight realistic depiction of hardship expresses the plight of workers |
| gptkbp:artistic_focus |
everyday life
real-life subjects |
| gptkbp:artistic_influence |
modern art movements
inspired future generations of artists remains relevant in contemporary discussions highly valued in art history challenged traditional art norms still relevant today. raised awareness of labor issues inspired social realism inspired social commentary in art |
| gptkbp:artistic_innovation |
new techniques in painting
new approach to subject matter new approach to realism |
| gptkbp:artistic_legacy |
influential in art history
remains a significant work in art history. influenced later depictions of labor influenced future realism |
| gptkbp:artistic_philosophy |
art should reflect reality
|
| gptkbp:artistic_technique |
use of light and shadow
naturalism chiaroscuro layering of paint direct observation textural contrast realistic detail |
| gptkbp:artistic_vision |
social commentary
considered a masterpiece truth in representation dynamic and balanced recognized as a pivotal work real-life subjects truthful representation of life |
| gptkbp:collection |
Musée d' Orsay collection
N/ A (destroyed) |
| gptkbp:color_palette |
earth tones
|
| gptkbp:composed_by |
horizontal format
two figures working |
| gptkbp:created_by |
gptkb:Gustave_Courbet
|
| gptkbp:criticism |
analyzed by art historians
|
| gptkbp:cultural_aspect |
gptkb:Industrial_Revolution
|
| gptkbp:cultural_impact |
critique of industrialization
reflected social issues symbol of realism in art |
| gptkbp:cultural_significance |
depicts working class
representation of labor in art reflection of working class struggles |
| gptkbp:depicted_in |
art history books
political statement |
| gptkbp:depicts |
manual labor
two men breaking stones stone breaking process |
| gptkbp:dimensions |
165 cm × 257 cm
|
| gptkbp:exhibited_at |
gptkb:Salon_of_1850-1851
major art museums |
| gptkbp:exhibition |
gptkb:Salon_of_1850
gptkb:Salon_of_1850-1851 |
| gptkbp:has_been |
analyzed in art criticism
|
| gptkbp:has_influenced |
modern art movements
|
| gptkbp:has_reception |
controversial at the time
|
| gptkbp:historical_context |
19th century France
post-revolutionary France |
| gptkbp:historical_significance |
pioneering work in realism
early example of realism |
| https://www.w3.org/2000/01/rdf-schema#label |
The Stone Breakers
|
| gptkbp:iconography |
labor and toil
|
| gptkbp:influence |
social realism
|
| gptkbp:influenced |
future artists
later artists later social realist artists |
| gptkbp:influenced_artists |
gptkb:Jean-François_Millet
|
| gptkbp:influenced_by |
gptkb:the_Industrial_Revolution
gptkb:Romanticism social realism Realism movement |
| gptkbp:inspiration |
highlighting social issues
|
| gptkbp:inspired_by |
social realism
the plight of the working class French social conditions |
| gptkbp:is_analyzed_in |
its technique
|
| gptkbp:is_cited_in |
art critiques
|
| gptkbp:is_considered |
a masterpiece
|
| gptkbp:is_considered_as |
a reflection of society
|
| gptkbp:is_considered_to_be |
a political statement
|
| gptkbp:is_discussed_in |
art theory
|
| gptkbp:is_displayed_in |
permanent collections
|
| gptkbp:is_famous_for |
its bold realism
|
| gptkbp:is_influenced_by |
gptkb:Barbizon_School
|
| gptkbp:is_notable_for |
its social commentary
|
| gptkbp:is_part_of |
gptkb:cultural_heritage
art education curriculum the Realism genre |
| gptkbp:is_recognized_by |
gptkb:art_historians
|
| gptkbp:is_referenced_in |
literature about art
|
| gptkbp:is_regarded_as |
a pivotal work in art history
|
| gptkbp:is_used_in |
art education
|
| gptkbp:legacy |
considered a masterpiece
|
| gptkbp:location |
gptkb:Musée_d'_Orsay
gptkb:Museum_of_Modern_Art,_New_York gptkb:Paris,_France destroyed |
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:movement |
gptkb:Realism
|
| gptkbp:narrative |
story of the working class
tells a story of everyday life. |
| gptkbp:notable_exhibition |
gptkb:Salon_1850-1851
|
| gptkbp:notable_exhibitions |
exhibited in major galleries
|
| gptkbp:notable_features |
realistic portrayal of laborers
|
| gptkbp:notable_for |
its large scale
its realism its realistic portrayal of labor |
| gptkbp:part_of |
Courbet's oeuvre
|
| gptkbp:represents |
social issues
|
| gptkbp:significance |
social commentary
critique of industrialization depicts the harsh realities of labor depicts the working class |
| gptkbp:style |
gptkb:Realism
naturalism Realist style |
| gptkbp:subject |
two laborers breaking stones
two laborers |
| gptkbp:subject_matter |
gptkb:workers
|
| gptkbp:symbolism |
labor and hardship
struggle and labor symbol of labor and hardship |
| gptkbp:symbolizes |
working class struggle
|
| gptkbp:technique |
impasto
|
| gptkbp:themes |
gptkb:social_justice
human struggle manual labor working class struggles labor and class struggle |
| gptkbp:year_created |
1849
|
| gptkbp:bfsParent |
gptkb:Realism
gptkb:Gustave_Courbet |
| gptkbp:bfsLayer |
4
|