Statements (164)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Realism
gptkb:The_Fisherman gptkb:Gustave_Courbet gptkb:French_Realism gptkb:Salon_of_1848 gptkb:Salon_of_1846 gptkb:Salon_de_1831 gptkb:The_Lady's_Death gptkb:Salon_of_1840 |
| gptkbp:art_movement |
gptkb:Realism
Realist movement 19th-century art 19th-century realism |
| gptkbp:art_style |
use of light and shadow
naturalism social commentary 19th-century art everyday life emotional depth reflects societal changes social realism chiaroscuro 19th century France layering of paint dynamic composition realistic portrayal direct observation considered a masterpiece social issues of the time truth in representation varied interpretations by critics textural contrast realistic detail dynamic and balanced value of labor recognized as a pivotal work depiction of laborers' plight real-life subjects art should reflect reality realistic depiction of hardship truthful representation of life expresses the plight of workers |
| gptkbp:artist |
gptkb:Gustave_Courbet
|
| gptkbp:artistic_influence |
modern art movements
inspired future generations of artists remains relevant in contemporary discussions highly valued in art history challenged traditional art norms still relevant today. raised awareness of labor issues inspired social realism pioneering realism in art shift in art towards realism inspired social commentary in art |
| gptkbp:artistic_legacy |
influential in art history
remains a significant work in art history. influenced later depictions of labor influenced future realism |
| gptkbp:collection |
Musée d' Orsay collection
N/ A (destroyed) |
| gptkbp:color |
earth tones
|
| gptkbp:composed_of |
horizontal format
two figures working |
| gptkbp:created_by |
gptkb:Gustave_Courbet
|
| gptkbp:cultural_impact |
gptkb:hospital
critique of industrialization reflected social issues symbol of realism in art |
| gptkbp:cultural_significance |
depicts working class
representation of labor in art reflection of working class struggles |
| gptkbp:depicted_in |
art history books
permanent collections political statement |
| gptkbp:depicts |
manual labor
two men breaking stones stone breaking process |
| gptkbp:dimensions |
165 cm × 257 cm
|
| gptkbp:exhibited_at |
gptkb:Salon_of_1850-1851
major art museums |
| gptkbp:exhibition |
gptkb:Salon_of_1850
gptkb:Salon_of_1850-1851 gptkb:Salon_1850-1851 exhibited in major galleries |
| gptkbp:famous_for |
its bold realism
|
| gptkbp:has |
analyzed in art criticism
|
| gptkbp:has_influence_on |
modern art movements
|
| gptkbp:historical_context |
19th century France
post-revolutionary France |
| gptkbp:historical_significance |
pioneering work in realism
early example of realism |
| https://www.w3.org/2000/01/rdf-schema#label |
The Stone Breakers
|
| gptkbp:influence |
social realism
|
| gptkbp:influenced |
future artists
later artists later social realist artists |
| gptkbp:influenced_artists |
gptkb:Jean-François_Millet
|
| gptkbp:influenced_by |
gptkb:the_Industrial_Revolution
gptkb:award social realism Realism movement |
| gptkbp:innovation |
new techniques in painting
new approach to subject matter new approach to realism |
| gptkbp:inspiration |
highlighting social issues
|
| gptkbp:inspired_by |
social realism
the plight of the working class French social conditions |
| gptkbp:is_analyzed_in |
its technique
|
| gptkbp:is_cited_in |
art critiques
|
| gptkbp:is_considered |
a masterpiece
a political statement |
| gptkbp:is_considered_as |
a reflection of society
a pivotal work in art history |
| gptkbp:is_criticized_for |
analyzed by art historians
|
| gptkbp:is_discussed_in |
art theory
|
| gptkbp:is_influenced_by |
gptkb:Barbizon_School
|
| gptkbp:is_part_of |
gptkb:archaeological_site
art education curriculum the Realism genre |
| gptkbp:is_recognized_by |
gptkb:art_historians
|
| gptkbp:is_referenced_in |
literature about art
|
| gptkbp:is_used_in |
art education
|
| gptkbp:legacy |
considered a masterpiece
|
| gptkbp:location |
gptkb:Musée_d'_Orsay
gptkb:Museum_of_Modern_Art,_New_York gptkb:Paris,_France destroyed |
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:movement |
gptkb:Realism
|
| gptkbp:narrative_style |
story of the working class
tells a story of everyday life. |
| gptkbp:notable_features |
realistic portrayal of laborers
|
| gptkbp:notable_for |
its large scale
its social commentary its realism its realistic portrayal of labor |
| gptkbp:part_of |
Courbet's oeuvre
|
| gptkbp:represents |
social issues
|
| gptkbp:significance |
social commentary
critique of industrialization depicts the harsh realities of labor depicts the working class |
| gptkbp:stations |
controversial at the time
|
| gptkbp:style |
gptkb:Realism
naturalism Realist style |
| gptkbp:subject |
gptkb:physicist
two laborers breaking stones two laborers |
| gptkbp:symbolism |
labor and hardship
struggle and labor symbol of labor and hardship |
| gptkbp:symbolizes |
working class struggle
labor and toil |
| gptkbp:technique |
impasto
|
| gptkbp:themes |
gptkb:political_movement
human struggle manual labor working class struggles labor and class struggle |
| gptkbp:year_created |
1849
|