|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:miniseries
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1994
gptkb:2020
|
|
gptkbp:author
|
gptkb:Stephen_King
|
|
gptkbp:character_arc
|
Randall Flagg's manipulation
Frannie Goldsmith's growth
Stu Redman's journey
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:conflict
|
survivors vs. Flagg's followers
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_impact
|
inspired music
inspired television series
influenced video games
inspired other media
inspired comic adaptations
|
|
gptkbp:genre
|
gptkb:horror
|
|
gptkbp:influenced_by
|
The Stand by Stephen King
|
|
gptkbp:influences
|
post-apocalyptic fiction
|
|
gptkbp:inspiration
|
The Plague by Albert Camus
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Stu_Redman
gptkb:Frannie_Goldsmith
gptkb:Randall_Flagg
|
|
gptkbp:motif
|
gptkb:survival
gptkb:dreams
gptkb:sacrifice
gptkb:community
faith
isolation
morality
redemption
power dynamics
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_quote
|
The man in black fled across the desert.
I’ll be your friend.
The world has moved on.
|
|
gptkbp:page_count
|
823
|
|
gptkbp:plot
|
the battle between good and evil
a deadly virus outbreak
survivors rebuilding society
the rise of a new society
|
|
gptkbp:published
|
gptkb:1978
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:sequel
|
gptkb:The_Dark_Tower_series
|
|
gptkbp:setting
|
post-apocalyptic America
|
|
gptkbp:symbolism
|
gptkb:the_Dark_Tower
the superflu
|
|
gptkbp:theme
|
good vs evil
|
|
gptkbp:bfsParent
|
gptkb:The_Stand
|
|
gptkbp:bfsLayer
|
5
|