|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:Stalker:_Shadow_of_Chernobyl
a novel
|
|
gptkbp:awards
|
gptkb:award
|
|
gptkbp:based_on
|
gptkb:Roadside_Picnic
|
|
gptkbp:character
|
gptkb:The_Professor
gptkb:The_Stalker
The Writer
|
|
gptkbp:cinematography
|
Symbolic imagery
Use of color
Long takes
Slow pacing
Atmospheric lighting
Alexander Knyazhinsky
|
|
gptkbp:cinematography_by
|
Alexander Knyazhinsky
|
|
gptkbp:color
|
Black and white
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:critical_reception
|
Cult classic
|
|
gptkbp:cultural_impact
|
Influence on literature
Influence on music
Influence on art
Influence on video games
Influence on filmmakers
|
|
gptkbp:directed_by
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:director
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:features
|
three main characters
|
|
gptkbp:film_editing
|
gptkb:Marina_Zudina
|
|
gptkbp:follows
|
a guide
|
|
gptkbp:genre
|
gptkb:science_fiction
|
|
gptkbp:has_awards
|
gptkb:award
Golden Lion nomination
|
|
gptkbp:has_cultural_impact
|
inspired literature
cult following
inspired video games
influenced filmmakers
|
|
gptkbp:has_themes
|
gptkb:existentialism
faith
human nature
desire
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Stalker
|
|
gptkbp:influenced
|
gptkb:Video_games
|
|
gptkbp:influenced_by
|
gptkb:Surrealism
gptkb:philosophy
Russian literature
Existentialism
Dystopian fiction
Science fiction films
Philosophical films
|
|
gptkbp:inspiration
|
gptkb:philosophy
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:is_cited_in
|
gptkb:documentaries
academic papers
philosophical discussions
film studies
cultural critiques
|
|
gptkbp:is_considered
|
a classic
|
|
gptkbp:is_influenced_by
|
gptkb:Soviet_cinema
Russian literature
|
|
gptkbp:is_notable_for
|
gptkb:dialogue
long takes
ambiguous narrative
|
|
gptkbp:is_part_of
|
science fiction genre
world cinema
Tarkovsky's filmography
|
|
gptkbp:is_recognized_by
|
critics
film festivals
|
|
gptkbp:is_set_in
|
a post-apocalyptic world
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:main_character
|
gptkb:The_Stalker
|
|
gptkbp:music
|
gptkb:Eduard_Artemyev
|
|
gptkbp:music_by
|
gptkb:Eduard_Artemyev
|
|
gptkbp:notable_awards
|
gptkb:Best_Cinematography
gptkb:Best_Director
gptkb:Best_Foreign_Language_Film
gptkb:Best_Screenplay
|
|
gptkbp:notable_for
|
its visual style
|
|
gptkbp:notable_quote
|
' The Zone is a place where wishes come true.'
|
|
gptkbp:notable_scene
|
gptkb:The_Room
|
|
gptkbp:produced_by
|
gptkb:Andrei_Tarkovsky
gptkb:Mosfilm
|
|
gptkbp:release_date
|
April 1979
|
|
gptkbp:release_year
|
gptkb:1979
|
|
gptkbp:remake
|
gptkb:Stalker_(2010_film)
|
|
gptkbp:runtime
|
161 minutes
|
|
gptkbp:screenplay
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:screenplay_by
|
gptkb:Andrei_Tarkovsky
|
|
gptkbp:set_in
|
gptkb:The_Zone
|
|
gptkbp:setting
|
gptkb:The_Zone
|
|
gptkbp:themes
|
gptkb:Hope
gptkb:Isolation
Fear of the unknown
Search for meaning
Human desire
|
|
gptkbp:bfsParent
|
gptkb:Stalker
gptkb:The_Bodyguard
|
|
gptkbp:bfsLayer
|
4
|