|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Richard_Fleischer
gptkb:I’m_Gonna_Git_You_Sucka
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:allows
|
banned in some schools
|
|
gptkbp:author
|
gptkb:Sam_Greenlee
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Sam Greenlee
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character_arc
|
from complacency to activism
|
|
gptkbp:character_development
|
gptkb:Dan_Freeman's_transformation
|
|
gptkbp:character_relationships
|
personal vs societal expectations
complex dynamics among characters
|
|
gptkbp:conflict
|
internal and external struggles
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
controversial
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired discussions on race and identity
inspired activism.
|
|
gptkbp:cultural_references
|
gptkb:television_series
gptkb:literary_work
gptkb:artwork
hip hop music
|
|
gptkbp:cultural_significance
|
reflects societal issues of the time
|
|
gptkbp:depicts
|
African American activism
|
|
gptkbp:directed_by
|
gptkb:Ivan_Dixon
|
|
gptkbp:director
|
gptkb:Ivan_Dixon
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Michael_L._Smith
|
|
gptkbp:features
|
gptkb:CEO
urban guerrilla warfare
|
|
gptkbp:genre
|
gptkb:political_organization
gptkb:High_School
political fiction
|
|
gptkbp:historical_context
|
gptkb:political_movement
|
|
gptkbp:historical_impact
|
highlighted racial tensions
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Spook Who Sat by the Door
|
|
gptkbp:influence
|
gptkb:Black_Power_movement
|
|
gptkbp:influenced
|
Black cinema
subsequent works on race and politics
|
|
gptkbp:influenced_by
|
gptkb:political_movement
gptkb:Black_Power_Movement
African American literature
Vietnam War protests
social upheaval of the 1960s
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:inspired
|
gptkb:documentaries
academic studies
film analysis
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:is_critical_for
|
examined for its social commentary
|
|
gptkbp:is_motivated_by
|
desire for change
|
|
gptkbp:isbn
|
978-0-8032-9420-0
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic in African American literature
|
|
gptkbp:main_character
|
gptkb:Dan_Freeman
gptkb:Native_American_tribe
|
|
gptkbp:motif
|
gptkb:military_operation
|
|
gptkbp:music_by
|
gptkb:Herbie_Hancock
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:narrative_theme
|
struggle against oppression
|
|
gptkbp:notable_appearance
|
gptkb:organization
strategic planning
final confrontation
community mobilization
training montage
|
|
gptkbp:notable_for
|
gptkb:historical_event
cultural impact
controversial subject matter
|
|
gptkbp:notable_quote
|
“ The only way to change the system is to become part of it.”
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
CIA agent becomes a revolutionary.
|
|
gptkbp:produced_by
|
gptkb:Ivan_Dixon
|
|
gptkbp:published_year
|
gptkb:1969
|
|
gptkbp:publisher
|
gptkb:Holt,_Rinehart_and_Winston
|
|
gptkbp:reader_demographic
|
polarizing opinions
|
|
gptkbp:release_date
|
April 1973
|
|
gptkbp:release_year
|
gptkb:1973
|
|
gptkbp:released
|
gptkb:1973
|
|
gptkbp:role
|
agent and revolutionary
|
|
gptkbp:runtime
|
102 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Sam_Greenlee
|
|
gptkbp:setting
|
gptkb:Chicago
|
|
gptkbp:significance
|
explores themes of empowerment
|
|
gptkbp:starring
|
gptkb:Rudy_Challenger
gptkb:Paul_Butler
gptkb:Lawrence_Hilton-Jacobs
gptkb:J._A._Preston
|
|
gptkbp:stations
|
mixed reviews
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
the door
|
|
gptkbp:thematic_element
|
identity and resistance
|
|
gptkbp:theme
|
race relations
|
|
gptkbp:themes
|
gptkb:political_movement
gptkb:battle
race relations
|
|
gptkbp:writer
|
gptkb:Sam_Greenlee
|