|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptations
|
gptkb:none
|
|
gptkbp:audience
|
theatergoers
intimate
|
|
gptkbp:awards
|
Tony Award nomination
|
|
gptkbp:character
|
gptkb:The_Mentor
gptkb:The_Student
gptkb:Dr._Bella_Baird
gptkb:The_Professor
Christopher
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:climax
|
revelation of secrets
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:costume_design
|
contemporary
|
|
gptkbp:critical_analysis
|
explores mental health
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
discussions on mental health
inspired new works
influenced contemporary theater
|
|
gptkbp:design
|
minimalist
|
|
gptkbp:director
|
gptkb:David_Cromer
|
|
gptkbp:first_performance
|
gptkb:2020
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Sound Inside
|
|
gptkbp:influences
|
psychological drama
|
|
gptkbp:inspiration
|
real-life experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
90 minutes
|
|
gptkbp:lighting
|
dramatic
|
|
gptkbp:main_character
|
Bella Baird
|
|
gptkbp:motif
|
gptkb:communication
gptkb:identity
solitude
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:notable_quote
|
" I am not a monster."
" We are all stories in the end."
|
|
gptkbp:performance_style
|
emotional
realistic
introspective
|
|
gptkbp:performance_venue
|
gptkb:Yale_Repertory_Theatre
|
|
gptkbp:premiered_on
|
October 2020
|
|
gptkbp:production_company
|
gptkb:Yale_Repertory_Theatre
|
|
gptkbp:resolution
|
self-acceptance
|
|
gptkbp:setting
|
gptkb:Yale_University
|
|
gptkbp:sound_design
|
subtle
|
|
gptkbp:style
|
gptkb:dialogue
|
|
gptkbp:symbolism
|
gptkb:books
gptkb:art
gptkb:letters
|
|
gptkbp:thematic_element
|
gptkb:existentialism
self-discovery
human connection
|
|
gptkbp:theme
|
gptkb:networking
isolation
|
|
gptkbp:written_by
|
gptkb:Adam_Rapp
|
|
gptkbp:bfsParent
|
gptkb:The_82nd_Tony_Awards
gptkb:Tony_Award
gptkb:Pulitzer_Prize_for_Drama
|
|
gptkbp:bfsLayer
|
4
|