Statements (646)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
gptkb:musical gptkb:anthology gptkb:musical_composition gptkb:ballet gptkb:theatre gptkb:radio_station gptkb:novel gptkb:play gptkb:film |
| gptkbp:adaptation |
gptkb:musical
gptkb:ballet gptkb:radio_station gptkb:graphic_novel gptkb:opera gptkb:film operas and ballets various stage productions ballet adaptations operatic adaptations opera adaptations Stravinsky's music |
| gptkbp:adapted_into |
gptkb:musical
gptkb:ballet gptkb:theatre gptkb:various_languages gptkb:radio_station gptkb:opera gptkb:film various formats various artists film and television various art forms various cultural contexts various audiences various directors a play children's theater a short story children's theatre film and video productions a theatrical piece by Charles-Ferdinand Ramuz |
| gptkbp:arrangements |
arrangement by Igor Stravinsky
|
| gptkbp:art_style |
combines elements of jazz and classical music
|
| gptkbp:associated_with |
gptkb:healthcare_organization
gptkb:modernism Stravinsky's neoclassicism neoclassicism in music |
| gptkbp:audience |
appeals to both classical and modern audiences
|
| gptkbp:author |
gptkb:Charles-Ferdinand_Ramuz
|
| gptkbp:available_formats |
gptkb:DJ
streaming services CD recordings |
| gptkbp:awards |
Best Short Film at Cannes
nominations for music awards various awards for choreography |
| gptkbp:based_on |
Russian folk tale
a Russian folk tale The Soldier's Tale by Igor Stravinsky The Soldier's Tale (play) |
| gptkbp:cast |
gptkb:Bobby_Mc_Ferrin
gptkb:Kurt_Vonnegut gptkb:Mikhail_Baryshnikov gptkb:Ronald_Pickup |
| gptkbp:character |
gptkb:The_King
gptkb:The_Narrator gptkb:The_Old_Man gptkb:the_Narrator gptkb:The_Princess gptkb:The_Soldier gptkb:the_Devil gptkb:The_Devil gptkb:the_King gptkb:The_Peasant gptkb:the_Dreamers gptkb:the_Seekers the Shadows the Townspeople the Old Man the Animals the Spirits the Travelers the Princess the Parables the Dancers the Explorers the Soldier the Merchants the Ghosts the Heroes the Chronicles the Epics the Fables the Legends the Myths the Narratives the Sagas the Stories the Tales the Visionaries The Soldier's Father The Soldier's Mother the Adventurers The Soldier's Enemies The Soldier's Friends the Soldiers the Allegories the Archetypes the Characters the Devil's Assistant the Figures the Icons the Musicians the Philosophers the Poets the Singers the Soldier's Enemies the Soldier's Father the Soldier's Friends the Soldier's Mother the Symbols the Wanderers |
| gptkbp:character_arc |
the Soldier's transformation
|
| gptkbp:character_development |
focuses on the soldier's journey
the Devil's manipulation the Soldier's journey |
| gptkbp:character_relationships |
gptkb:the_Soldier_and_the_Princess
the Soldier and the Devil the Soldier and his love the Soldier's choices the Soldier's internal struggle |
| gptkbp:choreography |
gptkb:Martha_Graham
gptkb:Pina_Bausch gptkb:Georges_Balanchine gptkb:Mikhail_Baryshnikov various choreographers |
| gptkbp:cinematography |
gptkb:Robert_A._Burks
|
| gptkbp:collaborations |
gptkb:Stravinsky_and_Ramuz
gptkb:Charles-Ferdinand_Ramuz collaboration between composer and librettist |
| gptkbp:composed_of |
gptkb:Charles-Ferdinand_Ramuz
gptkb:Igor_Stravinsky |
| gptkbp:composer |
gptkb:Igor_Stravinsky
|
| gptkbp:contains |
dance elements
musical numbers spoken dialogue elements of jazz |
| gptkbp:contains_story |
the soldier, the devil, and the princess
|
| gptkbp:created_by |
gptkb:Igor_Stravinsky
|
| gptkbp:critical_reception |
generally positive
mixed reviews well-received acclaimed by critics popular with audiences received positive reviews upon release |
| gptkbp:cultural_impact |
gptkb:significant
inspired various adaptations performed worldwide inspired films and literature influenced modern ballet influenced visual arts used in educational settings inspired composers inspired various artists adapted into various languages featured in festivals influenced modern musical theatre included in educational programs considered a significant work in 20th-century music |
| gptkbp:cultural_references |
referenced in literature and art
|
| gptkbp:cultural_significance |
reflects societal issues
examines existential themes explores human condition addresses the impact of war explores themes of greed and loss |
| gptkbp:dedicated_to |
the Swiss conductor Ernest Ansermet
|
| gptkbp:died_in |
various productions
|
| gptkbp:directed_by |
gptkb:John_Hancock
|
| gptkbp:director |
gptkb:Jean-Pierre_Ponnelle
gptkb:Robert_Wilson gptkb:Peter_Brook various directors |
| gptkbp:distributor |
gptkb:New_World_Pictures
|
| gptkbp:duration |
approximately 70 minutes
|
| gptkbp:edited_by |
gptkb:Richard_Halsey
|
| gptkbp:explores |
moral dilemmas
the consequences of choices the struggle between good and evil the human condition human condition the cost of war the nature of temptation |
| gptkbp:features |
gptkb:military_unit
gptkb:the_Devil gptkb:Author gptkb:David_Bowie gptkb:Monarch a princess a soldier devil a violin, clarinet, trumpet, trombone, and percussion |
| gptkbp:features_character |
gptkb:the_Devil
the Princess the Soldier |
| gptkbp:filming_location |
gptkb:United_States
gptkb:Lausanne |
| gptkbp:filmography |
gptkb:The_Royal_Ballet
gptkb:The_National_Theatre gptkb:The_Comédie-Française |
| gptkbp:final_score |
gptkb:Igor_Stravinsky
|
| gptkbp:first_performance |
gptkb:Lausanne,_Switzerland
gptkb:Switzerland gptkb:Theater_de_la_Ville 1918 theater companies the Ballets Suédois |
| gptkbp:first_published |
1918
|
| gptkbp:focus |
the consequences of choices
|
| gptkbp:focuses_on |
used in music education programs
|
| gptkbp:form |
gptkb:orchestra
gptkb:theatre |
| gptkbp:format |
gptkb:theatre
gptkb:play |
| gptkbp:genre |
gptkb:theatre
gptkb:High_School classical music dance theatre theatre piece |
| gptkbp:has_character |
gptkb:the_Devil
the Princess the Soldier |
| gptkbp:has_influence_on |
gptkb:theatre
modern theater contemporary composers modern theatre |
| gptkbp:has_method |
gptkb:Charles-Ferdinand_Ramuz
|
| gptkbp:has_song |
gptkb:Igor_Stravinsky
|
| gptkbp:has_theme |
gptkb:greed
gptkb:Saint gptkb:Order gptkb:war the consequences of choices the supernatural |
| gptkbp:has_written |
seven instruments
|
| gptkbp:historical_context |
post-World War I era
created during World War I reimagined in contemporary settings |
| gptkbp:historical_significance |
reflects the socio-political climate of its time
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Soldier's Tale
|
| gptkbp:includes |
gptkb:musical
gptkb:ballet gptkb:Author dance elements spoken dialogue |
| gptkbp:influence |
gptkb:theatre
modern music influenced contemporary music neoclassicism in music |
| gptkbp:influenced |
gptkb:theatre
gptkb:film dance performances film scores modern dance modern classical music theatre productions 20th-century composers choreographers modern musical theatre modern theater contemporary composers theatre directors subsequent musical theatre works ballet adaptations of other stories |
| gptkbp:influenced_artists |
gptkb:theatre
20th-century composers inspired various composers and musicians |
| gptkbp:influenced_by |
gptkb:World_War_I
European literature Russian folklore World War I experiences Stravinsky's music European theatre traditions |
| gptkbp:influences |
gptkb:orchestra
gptkb:healthcare_organization gptkb:mythological_figure |
| gptkbp:inspired |
gptkb:various_adaptations
gptkb:literary_work various artworks theatre productions various artistic interpretations theater adaptations |
| gptkbp:inspired_by |
gptkb:the_Russian_Revolution
gptkb:A_Soldier's_Story Russian folklore the story of Faust Stravinsky's earlier works Stravinsky's own experiences The Soldier's Tale (novella) |
| gptkbp:instrument |
gptkb:orchestra
gptkb:musician gptkb:Author percussion bassoon narrator, violin, double bass, clarinet, trumpet, trombone, and percussion |
| gptkbp:instrumentation |
gptkb:orchestra
narrator, violin, double bass, clarinet, trumpet, trombone, and percussion |
| gptkbp:is_associated_with |
the Ballets Russes
Stravinsky's neoclassicism Igor Stravinsky's legacy Igor Stravinsky's neoclassicism |
| gptkbp:is_available_in |
various formats
sheet music digital formats recorded performances recorded formats recorded format |
| gptkbp:is_available_on |
gptkb:streaming_platforms
sheet music various streaming platforms various media formats C Ds |
| gptkbp:is_celebrated_in |
gptkb:theater_festivals
its artistic merit |
| gptkbp:is_cited_in |
music history texts
|
| gptkbp:is_considered |
a cautionary tale
a reflection on human nature a significant work in modern theatre a significant work in the repertoire a classic of the repertoire a classic of 20th-century music theatre a landmark in musical theatre. a landmark in theatrical music a multi-disciplinary work a pivotal work in the 20th century. a synthesis of music and drama a pioneering work in the genre of music theatre a significant work in Stravinsky's career a pioneering work in music theater. |
| gptkbp:is_considered_as |
a classic
a work of art a significant work in 20th-century music a moral tale a timeless story a classic of 20th-century theatre a significant work in the repertoire a classic of 20th-century theater a significant work in music history a classic of 20th-century music a significant work in modern music a classic of 20th-century music theatre a landmark in musical theatre a theatrical work a precursor to modern musical theatre a significant work in Stravinsky's career |
| gptkbp:is_criticized_for |
various music critics
|
| gptkbp:is_divided_into |
two parts
three parts |
| gptkbp:is_explored_in |
academic studies
cultural studies musicology studies performance studies theater studies theatrical workshops theatre studies |
| gptkbp:is_influenced_by |
Russian folklore
European traditions Russian music traditions |
| gptkbp:is_influential_in |
gptkb:theatre
20th-century music Igor Stravinsky as a pivotal figure in music history neoclassicism in music the development of modern musical theatre |
| gptkbp:is_known_for |
its moral lessons
|
| gptkbp:is_noted_for |
its rhythmic complexity
its cultural impact its dramatic storytelling its innovative structure its unique storytelling its innovative use of rhythm its unique instrumentation |
| gptkbp:is_part_of |
Stravinsky's works
the 20th-century repertoire Stravinsky's oeuvre the Stravinsky canon the Stravinsky repertoire the educational curriculum in performing arts the modern classical music canon the repertoire of contemporary ensembles Stravinsky's theatrical works |
| gptkbp:is_recognized_by |
gptkb:award
theater critics a classic of 20th-century music theatre |
| gptkbp:is_recognized_for |
its unique storytelling approach
|
| gptkbp:is_reviewed_by |
theatrical journals
|
| gptkbp:is_studied_in |
music conservatories
musicology courses music and theatre programs |
| gptkbp:language |
gptkb:French
English |
| gptkbp:legacy |
remains a staple in contemporary repertoire
remains a staple in modern repertoire continues to influence modern storytelling in music. inspired new works in theatre |
| gptkbp:length |
approximately 70 minutes
|
| gptkbp:librettist |
gptkb:Charles-Ferdinand_Ramuz
|
| gptkbp:main_character |
gptkb:the_Devil
the Soldier |
| gptkbp:major_city |
various theaters worldwide
|
| gptkbp:movement |
three
|
| gptkbp:music_by |
gptkb:Igor_Stravinsky
|
| gptkbp:music_style |
gptkb:Author
jazz influences divided into sections spoken dialogue dance sequences features distinct musical themes for characters includes dance and acting integrates spoken word and music |
| gptkbp:narrative_style |
storytelling through music
non-linear allegorical a soldier and the devil |
| gptkbp:narrative_theme |
war and sacrifice
a soldier's pact with the devil |
| gptkbp:notable_character |
gptkb:the_Devil
the Princess the Soldier |
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_event |
gptkb:festival
gptkb:Glyndebourne_Festival gptkb:Bregenz_Festival performed at major music festivals |
| gptkbp:notable_for |
its storytelling
its narrative style its music its moral lessons its cultural impact its narrative structure its storytelling style its choreography its innovative style its innovative structure its unique storytelling approach its minimalist staging its innovative use of instruments its use of narration its unique instrumentation its innovative use of music its blend of music and storytelling its commentary on human nature its narration style its chamber music format its integration of music and drama small ensemble performance its use of narration and music its integration of spoken word and music its blend of music and theater |
| gptkbp:notable_performance |
gptkb:The_Paris_Opera
gptkb:Royal_Concertgebouw_Orchestra gptkb:New_York_Philharmonic gptkb:New_York_City_Ballet gptkb:Royal_Ballet gptkb:Ballets_Russes gptkb:London_Symphony_Orchestra gptkb:The_Royal_Opera_House gptkb:The_National_Ballet_of_Canada performed by various orchestras worldwide by the New York Philharmonic performed in various languages performed at major festivals 1980 revival 2000 adaptation Stravinsky conducting performed by renowned companies 1949 recording 2018 centenary performance |
| gptkbp:notable_performers |
performed at major festivals
Igor Stravinsky himself conducted some performances |
| gptkbp:notable_recordings |
gptkb:Deutsche_Grammophon
gptkb:Naxos_Records gptkb:Sony_Classical gptkb:EMI_Classics gptkb:Chandos_Records gptkb:Naxos conducted by Leonard Bernstein conducted by Pierre Boulez multiple recordings available available on various labels conducted by Valery Gergiev conducted by Esa-Pekka Salonen multiple interpretations available recorded by various orchestras and ensembles conducted by John Adams |
| gptkbp:notable_work |
gptkb:Igor_Stravinsky
gptkb:The_Soldier's_Tale_Suite |
| gptkbp:official_language |
gptkb:French
|
| gptkbp:performance |
gptkb:theatre
gptkb:concert_tour dramatic narration narrative ballet live theatre and concert settings performed in various arrangements and formats |
| gptkbp:performed_by |
gptkb:orchestra
gptkb:festival gptkb:theatre gptkb:Africa gptkb:Europe gptkb:theater_festivals gptkb:Asia gptkb:Australia gptkb:South_America gptkb:the_United_States gptkb:film multiple languages costumes live music schools educational settings internationally music festivals visual elements concert halls various orchestras schools and universities orchestras multimedia elements soloists theatrical festivals theater companies theatre companies chamber ensembles small ensemble community theaters student productions chamber groups theatre festivals various theater companies international venues student ensembles professional companies chamber orchestras major festivals professional theater companies a narrator professional ensembles theater venues worldwide theater companies worldwide theater seasons student theater groups actors and musicians theatrical seasons student theatre groups a small ensemble by many international companies in concert halls and theatres |
| gptkbp:premiere |
1918
|
| gptkbp:premiere_date |
September 28, 1918
|
| gptkbp:premiered_on |
gptkb:film_festival
gptkb:Switzerland 1918 September 28, 1918 |
| gptkbp:produced_by |
gptkb:The_American_Film_Institute
|
| gptkbp:published_by |
gptkb:Editions_Salabert
gptkb:Editions_de_la_Nouvelle_Revue_Française gptkb:Schott_Music gptkb:Paris 1918 1939 book form |
| gptkbp:publishes |
1919
|
| gptkbp:recorded_by |
gptkb:television_series
numerous artists numerous times |
| gptkbp:related_to |
gptkb:The_Firebird
gptkb:Petrushka |
| gptkbp:related_works |
gptkb:The_Soldier's_Tale_orchestral_suite
gptkb:The_Firebird gptkb:L'_Histoire_du_soldat The Soldier's Tale film adaptation The Soldier's Tale radio play |
| gptkbp:release_format |
gptkb:DJ
gptkb:collection gptkb:film |
| gptkbp:released_in |
gptkb:1984
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenplay_by |
gptkb:John_Hancock
|
| gptkbp:set_in |
gptkb:Eastern_Europe
gptkb:World_War_I a mythical land a libretto a mythical landscape |
| gptkbp:setting |
gptkb:World_War_I
a soldier's journey a war-torn landscape |
| gptkbp:social_structure |
three acts
|
| gptkbp:soundtrack |
gptkb:The_Soldier's_Tale_(soundtrack_album)
|
| gptkbp:style |
gptkb:healthcare_organization
expressionism neoclassical modern classical theatre piece |
| gptkbp:symbolism |
the struggle between good and evil
the journey home the pact the fiddle |
| gptkbp:thematic_element |
gptkb:greed
gptkb:Saint gptkb:Order gptkb:war love war and peace the consequences of choices love and loss examines morality and ethics greed and sacrifice |
| gptkbp:theme |
gptkb:greed
gptkb:Saint gptkb:Order the consequences of choices the conflict between good and evil the nature of happiness |
| gptkbp:themes |
gptkb:greed
gptkb:loss gptkb:Saint gptkb:Order gptkb:war the human condition the supernatural human condition war and sacrifice war, fate, and the human condition greed and temptation |
| gptkbp:translated_into |
gptkb:Italian
gptkb:Spanish gptkb:Native_American_tribe English multiple languages |
| gptkbp:type |
gptkb:theatre
|
| gptkbp:written_by |
gptkb:Charles-Ferdinand_Ramuz
gptkb:Igor_Stravinsky |
| gptkbp:written_in |
gptkb:French
|
| gptkbp:year |
1918
|
| gptkbp:bfsParent |
gptkb:Stravinsky
gptkb:The_Rite_of_Spring gptkb:Igor_Stravinsky |
| gptkbp:bfsLayer |
4
|