|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Catherine_Deneuve
gptkb:Pedro_Almodóvar
gptkb:Carmen_Maura
gptkb:Antonio_Banderas
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
|
|
gptkbp:author
|
gptkb:Tahar_Ben_Jelloun
|
|
gptkbp:awards
|
gptkb:Best_Actress
gptkb:Best_Director
gptkb:none
gptkb:Goya_Awards
|
|
gptkbp:based_on
|
gptkb:Terry's_novel_'_Tarantula'
gptkb:Terry's_Revenge
Tarantula by Thierry Jonquet
|
|
gptkbp:box_office
|
$8.5 million
|
|
gptkbp:character
|
gptkb:Dr._Robert_Ledgard
gptkb:Elena
gptkb:Vera_Cruz
Zeca
Marilia
|
|
gptkbp:character_arc
|
redemption
descent into madness
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
gptkb:Javier_Aguirresarobe
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:conflict
|
ethical dilemmas
|
|
gptkbp:country
|
gptkb:Spain
|
|
gptkbp:critical_reception
|
positive
generally positive
|
|
gptkbp:cultural_impact
|
gptkb:Significant
gender issues
medical ethics
Spanish society
discussed in film studies
noted for its visual style
analyzed for themes of identity
examined for its horror elements
explored in feminist film theory
|
|
gptkbp:directed_by
|
gptkb:Pedro_Almodóvar
|
|
gptkbp:director
|
gptkb:Pedro_Almodóvar
|
|
gptkbp:distributor
|
gptkb:football_club
|
|
gptkbp:edited_by
|
José Salcedo
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:London_Film_Festival_2011
gptkb:New_York_Film_Festival_2011
gptkb:San_Sebastián_International_Film_Festival_2011
gptkb:Toronto_International_Film_Festival_2011
gptkb:Cannes_Film_Festival_2011
|
|
gptkbp:film_score
|
85% on Rotten Tomatoes
76% on Metacritic
7.6/10 on IM Db
|
|
gptkbp:filming_location
|
gptkb:Monarch
gptkb:Spain
|
|
gptkbp:filmography
|
gptkb:Spanish
120 minutes
|
|
gptkbp:genre
|
gptkb:High_School
psychological thriller
|
|
gptkbp:has_sequel
|
gptkb:None
|
|
gptkbp:has_song
|
gptkb:battle
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
Digital download
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Skin I Live In
|
|
gptkbp:influence
|
Spanish cinema
modern literature
|
|
gptkbp:influenced_by
|
gptkb:Frankenstein
gptkb:The_Invisible_Man
The Skin I Live In (novel)
|
|
gptkbp:influences
|
gptkb:Frankenstein
gptkb:The_Invisible_Man
gptkb:The_Metamorphosis
|
|
gptkbp:isbn
|
978-84-204-0520-0
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:literary_devices
|
gptkb:literary_work
flashbacks
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Dr._Robert_Ledgard
gptkb:Vera_Cruz
|
|
gptkbp:motif
|
gptkb:hospital
gptkb:skincare_product
isolation
|
|
gptkbp:music_by
|
gptkb:Alberto_Iglesias
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
A plastic surgeon's obsession with a woman leads to dark consequences.
A plastic surgeon develops a synthetic skin that withstands damage.
|
|
gptkbp:plot_twist
|
unexpected ending
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival_2011
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Pedro_Almodóvar
gptkb:Agustín_Almodóvar
|
|
gptkbp:published_year
|
gptkb:2011
|
|
gptkbp:publisher
|
Alfaguara
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
emotional
adult
challenging
thought-provoking
|
|
gptkbp:release_date
|
gptkb:2011
|
|
gptkbp:release_region
|
gptkb:Monarch
gptkb:Spain
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:2011
|
|
gptkbp:released_in
|
gptkb:2011
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Pedro_Almodóvar
|
|
gptkbp:setting
|
gptkb:Spain
|
|
gptkbp:soundtrack
|
gptkb:Alberto_Iglesias
|
|
gptkbp:starring
|
gptkb:Marisa_Paredes
gptkb:Elena_Anaya
gptkb:Antonio_Banderas
gptkb:Jan_Cornet
|
|
gptkbp:style
|
introspective
descriptive
|
|
gptkbp:symbolism
|
gptkb:superhero
control
feminine identity
|
|
gptkbp:theme
|
gptkb:Transformation
gptkb:TV_series
gptkb:revenge
|
|
gptkbp:themes
|
gptkb:Transformation
gptkb:TV_series
gptkb:hospital
gptkb:revenge
|
|
gptkbp:viewing_platform
|
Theatrical
|