gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:theater
gptkb:film
|
gptkbp:author
|
gptkb:Tahar_Ben_Jelloun
|
gptkbp:awards
|
gptkb:none
gptkb:Goya_Awards
|
gptkbp:based_on
|
gptkb:Terry's_novel_'_Tarantula'
gptkb:Terry's_Revenge
|
gptkbp:based_on_work
|
Tarantula by Thierry Jonquet
|
gptkbp:box_office
|
$8.5 million
|
gptkbp:character
|
gptkb:Dr._Robert_Ledgard
gptkb:Elena
gptkb:Vera_Cruz
Zeca
Marilia
|
gptkbp:character_arc
|
redemption
descent into madness
|
gptkbp:character_development
|
gptkb:complex
|
gptkbp:cinematography_by
|
gptkb:Javier_Aguirresarobe
|
gptkbp:color
|
gptkb:Color
|
gptkbp:conflict
|
ethical dilemmas
|
gptkbp:country
|
gptkb:Spain
|
gptkbp:critical_reception
|
positive
generally positive
|
gptkbp:cultural_aspect
|
gender issues
medical ethics
Spanish society
|
gptkbp:cultural_impact
|
gptkb:Significant
discussed in film studies
noted for its visual style
analyzed for themes of identity
examined for its horror elements
explored in feminist film theory
|
gptkbp:directed_by
|
gptkb:Pedro_Almodóvar
|
gptkbp:director
|
gptkb:Pedro_Almodóvar
|
gptkbp:distributor
|
gptkb:Lionsgate
|
gptkbp:edited_by
|
José Salcedo
|
gptkbp:film
|
gptkb:Spanish
|
gptkbp:film_awards
|
gptkb:Best_Actress
gptkb:Best_Director
|
gptkbp:film_festival
|
gptkb:London_Film_Festival_2011
gptkb:New_York_Film_Festival_2011
gptkb:San_Sebastián_International_Film_Festival_2011
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival_2011
gptkb:Cannes_Film_Festival_2011
|
gptkbp:film_length
|
120 minutes
|
gptkbp:film_score
|
85% on Rotten Tomatoes
76% on Metacritic
7.6/10 on IMDb
|
gptkbp:filming_location
|
gptkb:France
gptkb:Spain
|
gptkbp:genre
|
gptkb:drama
psychological thriller
|
gptkbp:has_sequel
|
gptkb:None
|
gptkbp:has_soundtrack
|
gptkb:Yes
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
Digital download
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Skin I Live In
|
gptkbp:influence
|
Spanish cinema
modern literature
|
gptkbp:influenced_by
|
gptkb:Frankenstein
gptkb:The_Invisible_Man
The Skin I Live In (novel)
|
gptkbp:influences
|
gptkb:Frankenstein
gptkb:The_Invisible_Man
gptkb:The_Metamorphosis
|
gptkbp:isbn
|
978-84-204-0520-0
|
gptkbp:language
|
gptkb:Spanish
|
gptkbp:literary_devices
|
gptkb:metaphor
flashbacks
foreshadowing
|
gptkbp:main_character
|
gptkb:Dr._Robert_Ledgard
|
gptkbp:motif
|
gptkb:Skin
gptkb:surgery
isolation
|
gptkbp:music_by
|
gptkb:Alberto_Iglesias
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:page_count
|
256
|
gptkbp:plot
|
A plastic surgeon's obsession with a woman leads to dark consequences.
A plastic surgeon develops a synthetic skin that withstands damage.
|
gptkbp:plot_twist
|
unexpected ending
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival_2011
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
gptkbp:produced_by
|
gptkb:Pedro_Almodóvar
gptkb:Agustín_Almodóvar
|
gptkbp:protagonist
|
gptkb:Vera_Cruz
|
gptkbp:published_year
|
gptkb:2011
|
gptkbp:publisher
|
Alfaguara
|
gptkbp:rating
|
gptkb:R
|
gptkbp:reader_demographic
|
emotional
adult
challenging
thought-provoking
|
gptkbp:release_country
|
gptkb:France
gptkb:Spain
gptkb:United_States
|
gptkbp:release_date
|
gptkb:2011
|
gptkbp:release_year
|
gptkb:2011
|
gptkbp:released_in
|
gptkb:2011
|
gptkbp:runtime
|
120 minutes
|
gptkbp:screenplay_by
|
gptkb:Pedro_Almodóvar
|
gptkbp:setting
|
gptkb:Spain
|
gptkbp:soundtrack
|
gptkb:Alberto_Iglesias
|
gptkbp:starring
|
gptkb:Marisa_Paredes
gptkb:Elena_Anaya
gptkb:Antonio_Banderas
gptkb:Jan_Cornet
|
gptkbp:symbolism
|
gptkb:power
control
feminine identity
|
gptkbp:theme
|
gptkb:revenge
gptkb:identity
gptkb:transformation
|
gptkbp:themes
|
gptkb:revenge
gptkb:identity
gptkb:surgery
gptkb:transformation
|
gptkbp:viewing_format
|
Theatrical
|
gptkbp:writing_style
|
introspective
descriptive
|
gptkbp:bfsParent
|
gptkb:Catherine
gptkb:Catherine_Deneuve
gptkb:Pedro_Almodóvar
gptkb:Carmen_Maura
gptkb:Antonio_Banderas
|
gptkbp:bfsLayer
|
4
|