gptkbp:instance_of
|
gptkb:novel
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Lee_Ufan
gptkb:Jussi_Adler-Olsen
gptkb:Ralph_Hotere
gptkb:Michele_Oka_Doner
gptkb:Yannis_Ritsos
gptkb:2005_Venice_Biennale
gptkb:Isaach_De_Bankolé
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:radio_station
gptkb:film
|
gptkbp:art_movement
|
post-war literature
|
gptkbp:author
|
gptkb:Vercors
|
gptkbp:character
|
the narrator
the German officer
|
gptkbp:character_development
|
the niece's perspective
the uncle's transformation
|
gptkbp:character_relationships
|
German officer and the family
uncle and niece
|
gptkbp:conflict
|
occupier vs. occupied
|
gptkbp:critical_reception
|
well-received
|
gptkbp:cultural_impact
|
anti-fascist sentiment
|
gptkbp:cultural_references
|
gptkb:government_agency
gptkb:watch
collaborationism
|
gptkbp:director
|
gptkb:Jean-Pierre_Melville
|
gptkbp:genre
|
gptkb:novel
|
gptkbp:historical_context
|
gptkb:French_occupation
collaboration and resistance dynamics
World War II impact on France
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Silence of the Sea
|
gptkbp:influence
|
gptkb:Politician
|
gptkbp:influenced_by
|
gptkb:existentialism
surrealism
|
gptkbp:inspiration
|
personal experiences of war
|
gptkbp:isbn
|
978-2-07-036823-0
|
gptkbp:literary_devices
|
gptkb:literary_work
symbolism
irony
|
gptkbp:main_character
|
the uncle
the niece
|
gptkbp:mood
|
somber
|
gptkbp:motif
|
gptkb:beach
silence
isolation
|
gptkbp:narrative_style
|
first-person
stream of consciousness
subjective
internal monologue
dialogue-less scenes
|
gptkbp:notable_quote
|
" Silence is the only response."
|
gptkbp:official_language
|
gptkb:French
|
gptkbp:page_count
|
128
|
gptkbp:published_by
|
gptkb:Éditions_de_Minuit
|
gptkbp:published_year
|
gptkb:1942
|
gptkbp:release_year
|
gptkb:1949
|
gptkbp:setting
|
gptkb:World_War_II
1940s
|
gptkbp:style
|
minimalist
|
gptkbp:symbol
|
the sea
the house
the silence
|
gptkbp:theme
|
resistance
|
gptkbp:translated_into
|
gptkb:Spanish
gptkb:Native_American_tribe
English
|