|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Agamemnon
|
|
gptkbp:adaptation
|
gptkb:theatre
|
|
gptkbp:adapted_into
|
gptkb:theatre
|
|
gptkbp:addresses
|
themes of power and subjugation
|
|
gptkbp:author
|
gptkb:Pat_Barker
|
|
gptkbp:awards
|
shortlisted for the Women's Prize for Fiction
Shortlisted for the 2018 Costa Book Awards
|
|
gptkbp:character
|
gptkb:Achilles
gptkb:Agamemnon
gptkb:Hector
gptkb:Odysseus
gptkb:Cassandra
gptkb:Priam
gptkb:Helen_of_Troy
gptkb:Menelaus
gptkb:Patroclus
gptkb:Thetis
The Greek army
The gods
Briseis's family
Patroclus's mother
The women of Troy
|
|
gptkbp:character_development
|
Briseis and other women
Briseis and Achilles
|
|
gptkbp:conflict
|
gptkb:Transformation
gptkb:TV_series
gptkb:government_agency
gptkb:acceptance
gptkb:betrayal
gptkb:loss
gptkb:loyalty
gptkb:revenge
gptkb:survival
gptkb:Saint
love
freedom
empowerment
understanding
hope
healing
resilience
grief
redemption
forgiveness
power dynamics
gender roles
despair
personal vs. societal expectations
war and its consequences
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:depicts
|
gptkb:the_Trojan_War
|
|
gptkbp:explores
|
the experiences of women
|
|
gptkbp:features
|
gptkb:mythological_figure
|
|
gptkbp:features_character
|
gptkb:Achilles
gptkb:Agamemnon
gptkb:Patroclus
|
|
gptkbp:focus
|
women's voices
|
|
gptkbp:followed_by
|
gptkb:The_Women_of_Troy
|
|
gptkbp:follows
|
gptkb:Briseis
|
|
gptkbp:follows_character
|
captured women
|
|
gptkbp:genre
|
gptkb:church
|
|
gptkbp:historical_context
|
gptkb:Trojan_War
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Silence of the Girls
|
|
gptkbp:influenced_by
|
feminist literature
|
|
gptkbp:influences
|
gptkb:mythological_figure
|
|
gptkbp:is_available_in
|
audiobook format
|
|
gptkbp:is_chronicled_in
|
the Trojan War from women's perspective
|
|
gptkbp:is_critical_for
|
its portrayal of trauma
|
|
gptkbp:is_criticized_for
|
patriarchal society
|
|
gptkbp:is_discussed_in
|
book clubs
literary studies
|
|
gptkbp:is_evaluated_by
|
its character depth
|
|
gptkbp:is_known_for
|
its feminist themes
|
|
gptkbp:is_noted_for
|
its emotional impact
|
|
gptkbp:is_often_associated_with
|
reading lists for women's studies
|
|
gptkbp:is_often_compared_to
|
Circe by Madeline Miller
|
|
gptkbp:is_part_of
|
modern retellings of classics
|
|
gptkbp:is_recognized_for
|
its narrative innovation
|
|
gptkbp:is_reflected_in
|
the nature of war
|
|
gptkbp:isbn
|
978-0241341042
978-0241343880
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Briseis
|
|
gptkbp:motif
|
silence
|
|
gptkbp:narrative_style
|
first-person
non-linear
female perspective
survival and resilience
loss and identity
challenges traditional narratives.
|
|
gptkbp:notable_performers
|
gender roles in society
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:published_by
|
gptkb:2018
gptkb:Hamish_Hamilton
|
|
gptkbp:publisher
|
gptkb:Hamish_Hamilton
|
|
gptkbp:publishes
|
historical fiction category
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:related_to
|
gptkb:The_Iliad
|
|
gptkbp:related_works
|
gptkb:The_Iliad
|
|
gptkbp:sequel
|
The Regeneration Trilogy
|
|
gptkbp:set_in
|
the events of The Iliad
|
|
gptkbp:setting
|
gptkb:Ancient_Greece
gptkb:Trojan_War
|
|
gptkbp:significance
|
contemporary literature
reimagining classical narratives
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:suitable_for
|
readers of historical fiction
|
|
gptkbp:symbolism
|
war and trauma
|
|
gptkbp:target_audience
|
adult readers
|
|
gptkbp:theme
|
gptkb:philosopher
gptkb:war
female perspective in war
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:voice_actor
|
the voiceless women of history
|