|
gptkbp:instance_of
|
gptkb:television_episode
gptkb:artwork
gptkb:film
|
|
gptkbp:acquired_by
|
gptkb:The_Museum_of_Modern_Art
|
|
gptkbp:addresses
|
racial injustice
|
|
gptkbp:air_date
|
1998-05-03
|
|
gptkbp:based_on
|
original screenplay
|
|
gptkbp:box_office
|
$50 million
|
|
gptkbp:budget
|
$75 million
|
|
gptkbp:challenges
|
traditional narratives
|
|
gptkbp:character
|
gptkb:Detective_Frank_Haddad
gptkb:Dr._Elise_Landau
gptkb:General_William_Devereaux
FBI Special Agent Anthony ' Hub' Hubbard
Sharon Bridger
|
|
gptkbp:cinematography_by
|
gptkb:Phedon_Papamichael
|
|
gptkbp:collaborated_with
|
community projects
|
|
gptkbp:collection
|
private collection
|
|
gptkbp:color_palette
|
earth tones
|
|
gptkbp:created_by
|
gptkb:Titus_Kaphar
|
|
gptkbp:critical_reception
|
Positive reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
discussions on civil rights
Influenced later sci-fi series
Fandom engagement
discussions on racial profiling
Conventions and merchandise
Critical analysis in media studies
Legacy in Star Trek universe
discussions on security measures
|
|
gptkbp:depicts
|
African American history
|
|
gptkbp:dimensions
|
60 x 72 inches
|
|
gptkbp:directed_by
|
gptkb:David_Livingston
gptkb:Edward_Zwick
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Steven_Rosenblum
|
|
gptkbp:engages_in
|
audiences
|
|
gptkbp:episode_number
|
gptkb:25
|
|
gptkbp:evokes
|
emotional response
|
|
gptkbp:exhibited_at
|
gptkb:The_Museum_of_Modern_Art
international venues
|
|
gptkbp:featured_in
|
art exhibitions
|
|
gptkbp:features
|
gptkb:Gul_Dukat
gptkb:Odo
gptkb:Worf
gptkb:Kira_Nerys
gptkb:Benjamin_Sisko
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:New_York_City
|
|
gptkbp:follows
|
In the Pale Moonlight
|
|
gptkbp:genre
|
gptkb:action
gptkb:science_fiction
gptkb:drama
gptkb:thriller
|
|
gptkbp:has_influence_on
|
modern artists
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
digital download
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Siege
|
|
gptkbp:influenced_by
|
gptkb:historical_events
gptkb:space_opera
gptkb:Star_Trek
real-life events
science fiction television
political climate of the 1990s
U. S. foreign policy
|
|
gptkbp:inspired_by
|
gptkb:Art_History
|
|
gptkbp:is_acclaimed_for
|
yes
its narrative depth
|
|
gptkbp:is_analyzed_in
|
academic studies
|
|
gptkbp:is_available_for
|
public viewing
|
|
gptkbp:is_celebrated_for
|
its artistic innovation
|
|
gptkbp:is_considered_as
|
a significant work
|
|
gptkbp:is_discussed_in
|
art literature
|
|
gptkbp:is_displayed_in
|
galleries
|
|
gptkbp:is_documented_in
|
art catalogs
|
|
gptkbp:is_explored_in
|
art critiques
|
|
gptkbp:is_featured_in
|
media articles
|
|
gptkbp:is_influenced_by
|
personal experiences
|
|
gptkbp:is_part_of
|
cultural conversations
art history discussions
contemporary discourse
art movements.
|
|
gptkbp:is_promoted_by
|
art organizations
|
|
gptkbp:is_recognized_as
|
a pivotal piece
|
|
gptkbp:is_recognized_by
|
gptkb:art_critics
|
|
gptkbp:is_related_to
|
gptkb:social_movements
|
|
gptkbp:is_respected_by
|
gptkb:art_historians
|
|
gptkbp:is_supported_by
|
grants
|
|
gptkbp:is_symbolic_of
|
gptkb:historical_narratives
|
|
gptkbp:is_valued_for
|
its historical context
|
|
gptkbp:language
|
English
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:music_by
|
gptkb:James_Newton_Howard
|
|
gptkbp:narrative_style
|
gptkb:political_leaders
|
|
gptkbp:notable_guest_stars
|
gptkb:Jeffrey_Combs
gptkb:Nana_Visitor
gptkb:Avery_Brooks
gptkb:Michael_Dorn
gptkb:Marc_Alaimo
|
|
gptkbp:original_network
|
Syndication
|
|
gptkbp:part_of
|
gptkb:Star_Trek:_Deep_Space_Nine
|
|
gptkbp:part_of_series
|
gptkb:The_Redaction_Series
|
|
gptkbp:plot
|
The Federation prepares for a major battle against the Dominion.
|
|
gptkbp:precedes
|
gptkb:Tears_of_the_Prophets
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:produced_by
|
gptkb:Edward_Zwick
gptkb:Marshall_Herskovitz
gptkb:Paramount_Television
|
|
gptkbp:production_company
|
gptkb:Fox_2000_Pictures
Zwick/ Herskovitz Company
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released_on
|
November 6, 1998
|
|
gptkbp:represents
|
gptkb:cultural_identity
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Lawrence_Wright
|
|
gptkbp:season
|
gptkb:6
|
|
gptkbp:set_in
|
gptkb:New_York_City
gptkb:Alpha_Quadrant
|
|
gptkbp:starring
|
gptkb:Annette_Bening
gptkb:Denzel_Washington
gptkb:Bruce_Willis
gptkb:Tony_Shalhoub
|
|
gptkbp:story_arc
|
gptkb:Dominion_War
|
|
gptkbp:style
|
gptkb:contemporary_art
|
|
gptkbp:symbolizes
|
struggle and resilience
|
|
gptkbp:technique
|
layering
|
|
gptkbp:theme
|
gptkb:national_security
gptkb:betrayal
gptkb:loyalty
gptkb:terrorism
gptkb:historical_fiction
gptkb:sacrifice
gptkb:war
civil liberties
|
|
gptkbp:uses
|
figurative representation
|
|
gptkbp:viewership
|
4.5 million
|
|
gptkbp:written_by
|
gptkb:Ira_Steven_Behr
|
|
gptkbp:year_created
|
gptkb:2017
|
|
gptkbp:bfsParent
|
gptkb:The_Avengers
gptkb:Loki
gptkb:Jane_Foster
gptkb:Carcassonne
gptkb:Yasser_Arafat
gptkb:Wraith
gptkb:Doctor_Strange
|
|
gptkbp:bfsLayer
|
4
|