|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Alan_Bates
|
|
gptkbp:adaptation
|
gptkb:1976
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
intense
thought-provoking
|
|
gptkbp:awards
|
gptkb:none
nominated for BAFTA
won Best Director at Cannes
Best Feature Film at the Australian Film Festival
|
|
gptkbp:based_on
|
gptkb:anthology
|
|
gptkbp:box_office
|
$500,000
$1 million
|
|
gptkbp:cast
|
gptkb:Emma_Lung
gptkb:John_Jarratt
gptkb:Damon_Herriman
gptkb:Kerry_Armstrong
gptkb:Timothy_Spall
gptkb:Katherine_Langford
Megan Drury
|
|
gptkbp:character
|
gptkb:The_Narrator
gptkb:The_Woman
The Shouter
|
|
gptkbp:character_arc
|
gptkb:Transformation
gptkb:revelation
|
|
gptkbp:character_development
|
psychological complexity
|
|
gptkbp:character_relationships
|
man vs. nature
tense
man vs. self
power struggle
man vs. man
interpersonal conflict
|
|
gptkbp:cinematography
|
gptkb:Tony_Richmond
Jesse O' Brien
|
|
gptkbp:country
|
gptkb:Australia
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
cult following
influenced modern drama
|
|
gptkbp:directed_by
|
gptkb:Jerzy_Skolimowski
|
|
gptkbp:director
|
Jesse O' Brien
|
|
gptkbp:distributor
|
gptkb:Umbrella_Entertainment
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:John_Glen
|
|
gptkbp:editor
|
Jesse O' Brien
|
|
gptkbp:explores
|
fear and isolation
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1978
|
|
gptkbp:filming_location
|
gptkb:Australia
|
|
gptkbp:filmography
|
gptkb:1976
gptkb:Alan_Bates
gptkb:Jerzy_Skolimowski
|
|
gptkbp:first_performance
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:focus
|
human psyche
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
psychological horror
|
|
gptkbp:has_backstory
|
ambiguous.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Shout
|
|
gptkbp:influence
|
gptkb:absurdism
|
|
gptkbp:influenced
|
gptkb:film
subsequent playwrights
|
|
gptkbp:influenced_artists
|
existential literature
|
|
gptkbp:influenced_by
|
gptkb:theatre_of_the_absurd
surrealism
|
|
gptkbp:influences
|
gptkb:film
|
|
gptkbp:inspiration
|
The Shout (play)
|
|
gptkbp:inspired_by
|
gptkb:anthology
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:is_characterized_by
|
complex characters
|
|
gptkbp:is_motivated_by
|
gptkb:survival
|
|
gptkbp:language
|
English
sparse
|
|
gptkbp:motif
|
isolation
fear
desperation
|
|
gptkbp:music
|
gptkb:Michael_Yezerski
|
|
gptkbp:music_by
|
gptkb:Basil_Poledouris
|
|
gptkbp:music_style
|
gptkb:theatre
present
high
British theatre
|
|
gptkbp:notable_character
|
gptkb:The_Man
gptkb:The_Narrator
gptkb:The_Woman
The Shouter
|
|
gptkbp:notable_quote
|
" The shout is a powerful thing."
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performance
|
minimalist
approximately 90 minutes
|
|
gptkbp:performed_by
|
various theatres
|
|
gptkbp:plot
|
A man is haunted by a traumatic event from his past.
|
|
gptkbp:portrayed_by
|
subjective
|
|
gptkbp:premiered_on
|
gptkb:film_festival
gptkb:1966
|
|
gptkbp:produced_by
|
gptkb:Peter_O'_Toole
|
|
gptkbp:producer
|
Jesse O' Brien
|
|
gptkbp:production_location
|
minimal set
|
|
gptkbp:published_by
|
gptkb:1966
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
gptkb:2020
1978-05-10
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
digital
|
|
gptkbp:released_in
|
gptkb:1978
|
|
gptkbp:remake
|
The Shout (2020)
|
|
gptkbp:runtime
|
100 minutes
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jerzy_Skolimowski
Jesse O' Brien
|
|
gptkbp:setting
|
a remote location
rural England
|
|
gptkbp:starring
|
gptkb:Alan_Bates
gptkb:John_Hurt
gptkb:Susannah_York
|
|
gptkbp:symbolism
|
the shout itself
|
|
gptkbp:thematic_element
|
gptkb:existentialism
fear of the unknown
|
|
gptkbp:themes
|
gptkb:TV_series
isolation
fear
psychological tension
|
|
gptkbp:written_by
|
gptkb:David_Campton
|