|
gptkbp:instance_of
|
gptkb:art_exhibition
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:film
gptkb:stage_play
stage to screen
|
|
gptkbp:adaptations
|
gptkb:theater_productions
international performances
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:art_style
|
Contemporary abstract
|
|
gptkbp:artistic_expression
|
Emotional
Subjective
Contemporary art scene
|
|
gptkbp:artistic_influence
|
gptkb:High
Cultural significance
|
|
gptkbp:artistic_technique
|
Bold brushwork
|
|
gptkbp:aspect_ratio
|
16:9
1.85:1
|
|
gptkbp:audience
|
controversial
cult following
moral dilemmas
controversial themes
thought-provoking
60% on Rotten Tomatoes
provocative questions
67% on Rotten Tomatoes.
5.8/10 on IMDb.
|
|
gptkbp:awards
|
gptkb:none
nominated for several awards
|
|
gptkbp:based_on
|
gptkb:play_by_Neil_La_Bute
gptkb:play
The Shape of Things (play)
|
|
gptkbp:box_office
|
$2.5 million
$1.2 million
|
|
gptkbp:budget
|
$1.5 million
$1 million
|
|
gptkbp:character
|
gptkb:Evelyn
gptkb:Adam
gptkb:Philip
gptkb:Jenny
Phillip
|
|
gptkbp:character_arc
|
Adam's journey
Evelyn's transformation
Jenny's perspective
Phillip's conflict
|
|
gptkbp:character_development
|
gptkb:complex
complex characters
Adam's transformation
Evelyn's manipulation
Jenny's conflict
Phillip's jealousy
Evelyn's manipulation of Adam
|
|
gptkbp:character_relationships
|
gptkb:betrayal
gptkb:power_struggles
friendship dynamics
romantic tension
Adam and Jenny
Evelyn and Adam
Evelyn and Phillip
Phillip and Jenny
|
|
gptkbp:cinematography
|
gptkb:J._Michael_Muro
|
|
gptkbp:closing_date
|
2020-01-31
|
|
gptkbp:collection
|
Private collections
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:color_palette
|
Vibrant colors
|
|
gptkbp:conflict
|
moral dilemmas
relationship dynamics
love vs. ambition
truth vs. deception
personal vs. artistic integrity
|
|
gptkbp:costume_design
|
gptkb:Kathy_H._H._Lee
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Richard_Tuttle
|
|
gptkbp:critical_analysis
|
analyzed in academic papers
Explores themes of manipulation and authenticity.
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed
mixed reviews
|
|
gptkbp:criticism
|
Received mixed reviews from critics.
|
|
gptkbp:cultural_impact
|
exploration of love
exploration of morality
exploration of relationships
discussions on ethics
discussed in film studies
exploration of modern relationships
debates on art
debates on authenticity
discussions on ethics in art
Discussion on art ethics.
discussion on ethics in art
|
|
gptkbp:cultural_references
|
gptkb:performance_art
modern art
contemporary relationships
|
|
gptkbp:design
|
gptkb:Michael_Shaw
|
|
gptkbp:dimensions
|
Various sizes
variable
|
|
gptkbp:director
|
gptkb:Neil_La_Bute
gptkb:David_Schwimmer
gptkb:Philip_Seymour_Hoffman
gptkb:Matthew_Warchus
|
|
gptkbp:distributor
|
gptkb:IFC_Films
gptkb:Lionsgate
gptkb:Lions_Gate_Entertainment
|
|
gptkbp:editing
|
gptkb:David_H._Lawrence_XVII
gptkb:Jennifer_Lee
Catherine Haight
|
|
gptkbp:exhibited_at
|
gptkb:Los_Angeles_County_Museum_of_Art
|
|
gptkbp:exhibition_location
|
Art galleries
|
|
gptkbp:features_artist
|
Artist A
Artist B
Artist C
|
|
gptkbp:film
|
gptkb:Catherine_Keener
gptkb:Rachel_Weisz
gptkb:Freddie_Rodriguez
gptkb:Molly_Parker
gptkb:Greg_Kinnear
gptkb:Paul_Rudd
gptkb:Aaron_Eckhart
gptkb:Gretchen_Mol
|
|
gptkbp:film_awards
|
gptkb:none
Nominated for several independent film awards.
|
|
gptkbp:film_editing
|
gptkb:2003
gptkb:Jennifer_Lee
digital editing
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival_2018
gptkb:Sundance_Film_Festival
gptkb:Sundance_Film_Festival_1995
Sundance 2019
|
|
gptkbp:film_length
|
99 minutes
100 minutes.
|
|
gptkbp:film_score
|
gptkb:David_Robbins
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:film_technique
|
Independent film
digital
independent film
Digital cinematography.
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:historical_significance
|
Contemporary relevance
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
DVD and Blu-ray
DVD and Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Shape of Things
|
|
gptkbp:influenced_by
|
The Shape of Things (play)
|
|
gptkbp:influences
|
gptkb:The_Talented_Mr._Ripley
gptkb:The_Graduate
gptkb:Postmodernism
gptkb:philosophy
Modern art
Existentialism
modern art
contemporary theater
artistic expression
social commentary
modern theater
modern relationships
contemporary drama
The Shape of Things (play)
|
|
gptkbp:inspiration
|
gptkb:Nature
real-life events
art movements
philosophical ideas
Neil La Bute's experiences
|
|
gptkbp:is_part_of
|
LACMA's exhibition series
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
sharp and witty
|
|
gptkbp:location
|
gptkb:San_Francisco_Museum_of_Modern_Art
gptkb:Tate_Modern
gptkb:Guggenheim_Museum
|
|
gptkbp:main_character
|
gptkb:Evelyn
gptkb:Adam
gptkb:Jenny
Phillip
|
|
gptkbp:medium
|
mixed media
Acrylic on canvas
|
|
gptkbp:metacritic_score
|
55% on Rotten Tomatoes
|
|
gptkbp:music
|
gptkb:David_H._Lawrence_XVII
|
|
gptkbp:music_composer
|
gptkb:David_Robbins
|
|
gptkbp:narrative
|
Visual storytelling
Engagement with viewers
|
|
gptkbp:narrative_style
|
Non-linear
non-linear
dialogue-driven
|
|
gptkbp:notable_actor
|
gptkb:Freddie_Highmore
gptkb:Rachel_Weisz
gptkb:Paul_Rudd
gptkb:Gretchen_Mol
|
|
gptkbp:notable_awards
|
gptkb:N/_A
Tony Award nomination
Olivier Award nomination
|
|
gptkbp:notable_production
|
gptkb:2001_Off-Broadway
gptkb:West_End
gptkb:Broadway
international tours
West End production
Broadway debut
2003 film adaptation
|
|
gptkbp:notable_quote
|
" You have to be willing to take risks."
" Art is a lie that tells the truth."
" What you see is what you get."
" I want to make something beautiful."
" You can't change the world, but you can change yourself."
|
|
gptkbp:opened
|
gptkb:2020
2023-01-01
|
|
gptkbp:opening_date
|
2020-01-01
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance_style
|
gptkb:theatrical_performances
minimalist
realism
realistic
minimalism
|
|
gptkbp:plot
|
A college student falls in love with an art student.
A love story that explores the nature of art and relationships.
|
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:premiere_location
|
gptkb:Park_City,_Utah
|
|
gptkbp:premiered_on
|
gptkb:2001
|
|
gptkbp:production_company
|
gptkb:Lions_Gate_Films
gptkb:Lionsgate
|
|
gptkbp:production_years
|
gptkb:2018
performed internationally
2017.
|
|
gptkbp:public_reaction
|
engaged
challenged
entertained
|
|
gptkbp:published_by
|
gptkb:Faber_and_Faber
gptkb:The_Dramatists_Play_Service
|
|
gptkbp:published_year
|
gptkb:2001
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_country
|
gptkb:USA
|
|
gptkbp:release_date
|
gptkb:1993
gptkb:1995
April 11, 2015
January
March 20, 2019
March 19, 2018
|
|
gptkbp:release_format
|
Digital
theatrical
|
|
gptkbp:release_region
|
gptkb:North_America
North America.
|
|
gptkbp:release_year
|
gptkb:2003
gptkb:2015
gptkb:2018
gptkb:2019
|
|
gptkbp:runtime
|
99 minutes
100 minutes
|
|
gptkbp:screenings
|
Limited release
Sundance 1993
|
|
gptkbp:screenplay
|
gptkb:Neil_La_Bute
|
|
gptkbp:setting
|
gptkb:University
gptkb:art_gallery
|
|
gptkbp:sound
|
gptkb:Dolby_Digital
|
|
gptkbp:soundtrack
|
gptkb:original_score
Original score by David H. Lawrence XVII.
|
|
gptkbp:starring
|
gptkb:Rachel_Weisz
gptkb:Freddie_Stroma
gptkb:Paul_Rudd
gptkb:Frederick_Weller
gptkb:Gretchen_Mol
|
|
gptkbp:streaming_platforms
|
available on various platforms
|
|
gptkbp:style
|
dialogue-driven
|
|
gptkbp:subject_matter
|
Abstract forms
|
|
gptkbp:symbolism
|
gptkb:art
gptkb:sculpture
relationships
|
|
gptkbp:technique
|
Layering
|
|
gptkbp:thematic_element
|
gptkb:deception
perception
reality
truth
|
|
gptkbp:theme
|
gptkb:deception
gptkb:identity
relationships
art and manipulation
art and morality
art and relationships
Art and relationships
|
|
gptkbp:themes
|
gptkb:art
gptkb:deception
gptkb:identity
relationships
artistic expression
manipulation
|
|
gptkbp:type
|
gptkb:painting
gptkb:art_exhibition
gptkb:artwork
|
|
gptkbp:video_output
|
35mm
|
|
gptkbp:viewing_platform
|
streaming services
Streaming services.
|
|
gptkbp:visual_effects
|
gptkb:Strong
|
|
gptkbp:writer
|
gptkb:Neil_La_Bute
|
|
gptkbp:written_by
|
gptkb:Neil_La_Bute
|
|
gptkbp:year_created
|
gptkb:1970
gptkb:2005
|
|
gptkbp:bfsParent
|
gptkb:theater
|
|
gptkbp:bfsLayer
|
3
|