|
gptkbp:instance_of
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gptkb:film
|
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
|
gptkb:Shanghai_Express
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|
gptkbp:based_on
|
play by John Colton
play by Sidney Howard
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|
gptkbp:box_office
|
$2.5 million
$1.5 million
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|
gptkbp:budget
|
$1.5 million
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|
gptkbp:character
|
gptkb:Mr._Wong
gptkb:The_Dancer
gptkb:The_Friend
gptkb:The_Girl
gptkb:The_Police_Officer
gptkb:The_Stranger
gptkb:The_Mentor
gptkb:The_Servant
gptkb:The_Businessman
gptkb:The_Outsider
gptkb:The_Gambler
gptkb:The_Lover
gptkb:The_Enemy
gptkb:The_Authority
gptkb:The_Boy
gptkb:The_Fallen
gptkb:The_Protector
gptkb:The_Survivor
gptkb:The_Informant
gptkb:The_Spy
gptkb:The_Witness
gptkb:Madame_Gin_Sling
gptkb:musical_group
gptkb:The_Dreamer
gptkb:currency
gptkb:The_Victorious
The Victim
The Rival
The Manipulator
The Schemer
Dr. Omar
Mr. Schuman
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|
gptkbp:cinematography
|
gptkb:Lee_Garmes
gptkb:James_Wong_Howe
|
|
gptkbp:color
|
black and white
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|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:directed_by
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gptkb:Josef_von_Sternberg
|
|
gptkbp:director
|
gptkb:Josef_von_Sternberg
gptkb:Joseph_von_Sternberg
|
|
gptkbp:edited_by
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gptkb:Dorothy_Spencer
|
|
gptkbp:features
|
love triangle
opium trade
themes of revenge
themes of betrayal
themes of power dynamics
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|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Cesar_Franck's_symphonic_poem
|
|
gptkbp:follows
|
a gambling den owner
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
romance
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:historical_event
gptkb:betrayal
gptkb:greed
gptkb:loss
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:revenge
gptkb:survival
gptkb:Monarch
gptkb:Saint
gptkb:Order
gptkb:mythological_figure
gptkb:military_conflict
gptkb:military_operation
gptkb:organization
class struggle
cynicism
social commentary
female empowerment
redemption
manipulation
surveillance
ambition
disillusionment
power dynamics
emotional turmoil
seduction
moral conflict
existential crisis
desperation
desire
personal struggle
exoticism
psychological tension
intrigue
cultural clash
betrayal of trust
betrayal of ideals
betrayal of love
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Shanghai Gesture
|
|
gptkbp:influenced
|
subsequent films
later films
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Expressionism
film noir
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Cesar_Franck
gptkb:Cyril_J._Mockridge
|
|
gptkbp:notable_appearance
|
climactic confrontation
gambling den scene
|
|
gptkbp:notable_feature
|
gptkb:artwork
cinematography
performances
|
|
gptkbp:notable_for
|
performances
visual style
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
December 1941
December 1951
|
|
gptkbp:release_year
|
1941
1951
|
|
gptkbp:released_in
|
1941
|
|
gptkbp:remake
|
gptkb:none
The Shanghai Gesture (1951)
|
|
gptkbp:runtime
|
100 minutes
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:T._S._Eliot
gptkb:John_Colton
|
|
gptkbp:set_in
|
gptkb:Shanghai
|
|
gptkbp:starring
|
gptkb:Gene_Tierney
gptkb:Victor_Mature
gptkb:Walter_Huston
gptkb:Phyllis_Thaxter
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:greed
gptkb:military_operation
love
|