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gptkbp:instance_of
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gptkb:novel
gptkb:film
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|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Hume_Cronyn
|
|
gptkbp:adaptation
|
gptkb:1944
gptkb:film
moderate success
The Seventh Cross (novel)
The Seventh Cross (novel) by Anna Seghers
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|
gptkbp:allows
|
banned in Nazi Germany
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gptkbp:art_style
|
gptkb:Eugene_Lourié
|
|
gptkbp:author
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gptkb:Anna_Seghers
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gptkbp:awards
|
none known
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|
gptkbp:based_on
|
The Seventh Cross (novel)
a novel by Anna Seghers
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|
gptkbp:box_office
|
$1.5 million
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|
gptkbp:cast
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gptkb:Mabel_Albertson
gptkb:Henry_Morgan
gptkb:William_Frawley
gptkb:Fred_Zinnemann
gptkb:Spencer_Tracy
gptkb:Raymond_Massey
gptkb:John_Qualen
gptkb:Cecil_Kellaway
gptkb:Martha_Scott
gptkb:Zoltan_Korda
gptkb:Paul_Lukas
gptkb:Hume_Cronyn
gptkb:Richard_Arlen
gptkb:Edith_Evanson
gptkb:Mildred_Dunnock
gptkb:Murray_Alper
gptkb:Evelyn_Ankers
gptkb:James_Bell
gptkb:John_Garfield
gptkb:Robert_Barrat
gptkb:Morris_Ankrum
gptkb:Signe_Hasso
gptkb:Kurt_Kreuger
gptkb:Eugene_B._Kinkead
gptkb:John_Mc_Giver
gptkb:Robert_Benchley
gptkb:John_Mc_Intire
gptkb:Edwin_Max
Richard Hale
Paul Cavanagh
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gptkbp:character
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gptkb:Dr._Karl_Heisler
gptkb:Frau_Braun
gptkb:Frau_Engel
gptkb:Kurt_Schneider
gptkb:Kurt
gptkb:Martha
gptkb:Lotte
gptkb:Friedrich
search for identity
Frau Schmidt
Frau Müller
against tyranny
Frau Schwarz
Frau Adler
Frau Becker
Frau Fischer
Frau Heisler
Frau Klein
Frau Koch
Frau Krüger
Frau Lange
Frau Roth
Frau Schneider
Frau Stein
Frau Wagner
Frau Weiss
George Heisler
Mrs. Heisler
Sister Martha
Dr. Huber
the Gestapo officer
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|
gptkbp:character_appearance
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gptkb:Gowns_by_Adrian
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gptkbp:character_arc
|
redemption
transformation through adversity
|
|
gptkbp:character_development
|
gptkb:launch_complex
Georg Heisler's journey
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gptkbp:character_relationships
|
complex relationships
friendships and alliances
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|
gptkbp:character_traits
|
gptkb:loyalty
bravery
desperation
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|
gptkbp:cinematography
|
gptkb:Karl_Freund
|
|
gptkbp:color
|
Black and white
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|
gptkbp:community_impact
|
awareness of totalitarian regimes
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|
gptkbp:conflict
|
moral dilemmas
individual vs. state
escape and survival
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|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Positive
positive
well-received
|
|
gptkbp:cultural_impact
|
gptkb:significant
studied in literature courses
adapted into stage plays
reference in popular culture
influenced other authors
inspired discussions on freedom
inspired resistance movements
Highlighted the plight of refugees.
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|
gptkbp:cultural_references
|
Nazi oppression
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gptkbp:design
|
gptkb:Cedric_Gibbons
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gptkbp:directed_by
|
gptkb:Fred_Zinnemann
|
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gptkbp:director
|
gptkb:Fred_Zinnemann
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gptkbp:edited_by
|
Robert Lawrence
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|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:Spencer_Tracy
Robert Lawrence
The Seventh Cross (1944)
|
|
gptkbp:follows
|
a group of prisoners escaping from a concentration camp.
|
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gptkbp:genre
|
gptkb:church
gptkb:High_School
gptkb:war
|
|
gptkbp:historical_context
|
gptkb:World_War_II
|
|
gptkbp:historical_impact
|
gptkb:the_Holocaust
|
|
gptkbp:historical_significance
|
depicts the human cost of war
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Seventh Cross
|
|
gptkbp:impact
|
post-war literature
|
|
gptkbp:influence
|
post-war literature
|
|
gptkbp:influenced
|
post-war literature
|
|
gptkbp:influenced_artists
|
post-war German writers
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:World_War_II
personal experiences
the author's own experiences.
|
|
gptkbp:influences
|
gptkb:existentialism
|
|
gptkbp:inspiration
|
personal experiences of the author
Seghers' own exile
|
|
gptkbp:is_evaluated_by
|
positive
|
|
gptkbp:is_motivated_by
|
freedom
|
|
gptkbp:is_symbolic_of
|
the seventh cross represents hope
|
|
gptkbp:isbn
|
978-3-423-14063-0
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|
gptkbp:language
|
gptkb:human_rights
gptkb:Native_American_tribe
English
|
|
gptkbp:legacy
|
remains relevant today
|
|
gptkbp:literary_devices
|
gptkb:mythological_figure
|
|
gptkbp:main_character
|
Georg Heisler
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:survival
gptkb:Community_Center
|
|
gptkbp:music_by
|
gptkb:Hugo_Friedhofer
|
|
gptkbp:narrative_style
|
Linear
realism
third-person
flashbacks
third-person perspective
individual struggles
|
|
gptkbp:notable_for
|
its anti-fascist themes.
|
|
gptkbp:notable_quote
|
" The world is a prison."
" The only way to live is to be free."
|
|
gptkbp:notable_work
|
gptkb:The_Seventh_Cross
gptkb:Anna_Seghers
|
|
gptkbp:performance
|
reflects real events
|
|
gptkbp:plot
|
linear narrative
A group of prisoners escape from a Nazi concentration camp.
|
|
gptkbp:produced_by
|
gptkb:Harold_Hecht
|
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:published_by
|
gptkb:Hoffmann_und_Campe
gptkb:1942
gptkb:New_York
|
|
gptkbp:publisher
|
gptkb:Vera_F._Schiller
|
|
gptkbp:reader_demographic
|
adult readers
widely studied in literature courses
|
|
gptkbp:received
|
positive reviews.
|
|
gptkbp:release_date
|
gptkb:1944
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1944
|
|
gptkbp:released
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:released_in
|
gptkb:1944
|
|
gptkbp:remake
|
The Seventh Cross (TV film)
|
|
gptkbp:runtime
|
122 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Anna_Seghers
gptkb:Paul_Jarrico
|
|
gptkbp:set_in
|
gptkb:government_agency
|
|
gptkbp:setting
|
gptkb:government_agency
|
|
gptkbp:significance
|
anti-fascist literature
explores totalitarianism
|
|
gptkbp:sound
|
Monaural
|
|
gptkbp:starring
|
gptkb:Spencer_Tracy
gptkb:Jessica_Tandy
gptkb:Raymond_Massey
gptkb:Hume_Cronyn
gptkb:Signe_Hasso
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
crosses
|
|
gptkbp:thematic_element
|
freedom vs. oppression
|
|
gptkbp:theme
|
gptkb:Hope
gptkb:Survival
gptkb:Community_Center
gptkb:watch
gptkb:Sacrifice
resistance
escape
|
|
gptkbp:themes
|
gptkb:existentialism
human spirit
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
English
Margaret Minifie
Margaret H. B. Smith
|