Statements (118)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:art_style |
Symbolic imagery
|
| gptkbp:artistic_expression |
A blend of visual and narrative artistry.
|
| gptkbp:artistic_influence |
Influenced visual storytelling in cinema.
|
| gptkbp:artistic_vision |
Bergman's unique perspective on human struggles.
|
| gptkbp:audience |
Cult following.
Gained recognition over the years. |
| gptkbp:awards |
Best Director nomination at Cannes
Nominated for Best Foreign Language Film |
| gptkbp:box_office |
$1.5 million
$1 million |
| gptkbp:character |
gptkb:Abel_Rosenberg
gptkb:Miriam_Rosenberg gptkb:The_Nazi_Officer gptkb:Miriam Dr. Joseph The Circus Performer Abel's transformation throughout the film. Dr. Joseph K. The Nazi officer |
| gptkbp:character_arc |
Abel's journey of survival.
|
| gptkbp:character_development |
Complex characters facing moral dilemmas.
|
| gptkbp:character_motivation |
Survival against oppressive forces.
|
| gptkbp:character_relationships |
Complex dynamics between characters.
Internal and external conflicts faced by Abel. Interactions between characters reveal deeper themes. |
| gptkbp:characteristic |
Deep psychological exploration of characters.
|
| gptkbp:characterized_by |
Richly developed characters.
|
| gptkbp:cinematography |
gptkb:Sven_Nykvist
|
| gptkbp:color |
gptkb:Color
black and white |
| gptkbp:country |
gptkb:Sweden
|
| gptkbp:critical_analysis |
Examined for its historical context.
|
| gptkbp:critical_reception |
Mixed reviews
mixed reviews |
| gptkbp:criticism |
Analyzed for its artistic merit.
Subject of various critical essays. |
| gptkbp:cultural_impact |
referenced in literature
discussed in film studies Explores themes of fear and paranoia. Influenced discussions on morality and ethics. analyzed for its themes of fear and survival influenced later films about totalitarianism inspired discussions on morality in cinema |
| gptkbp:cultural_references |
Referenced in discussions of totalitarianism.
|
| gptkbp:cultural_significance |
Reflects the anxieties of the 1970s.
|
| gptkbp:design |
Bergman's vision of 1920s Berlin
|
| gptkbp:director |
gptkb:Ingmar_Bergman
Influenced filmmakers exploring similar themes. |
| gptkbp:distributor |
gptkb:20th_Century_Fox
|
| gptkbp:editor |
gptkb:Sven_Nykvist
|
| gptkbp:film_editing |
gptkb:Sven_Nykvist
|
| gptkbp:film_festival |
Featured in various international film festivals.
|
| gptkbp:film_interpretation |
Open to various interpretations.
|
| gptkbp:film_technique |
Innovative use of lighting.
Use of long takes. Artistic and avant-garde. |
| gptkbp:filming_location |
gptkb:Germany
|
| gptkbp:filmography |
Studied in film schools.
|
| gptkbp:focus |
Rich in philosophical inquiry.
|
| gptkbp:follows |
gptkb:The_Magic_Flute
|
| gptkbp:genre |
gptkb:drama
|
| gptkbp:has_culture |
Engages with contemporary societal issues.
|
| gptkbp:historical_context |
Set during the rise of the Nazi party.
|
| gptkbp:historical_legacy |
Continues to resonate with audiences.
|
| gptkbp:historical_significance |
Portrays a critical period in history.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Serpent's Egg
|
| gptkbp:influenced |
Later films about totalitarianism.
|
| gptkbp:influenced_artists |
Influenced by visual arts of the time.
Inspired by existentialist literature. |
| gptkbp:influenced_by |
gptkb:The_Holocaust
|
| gptkbp:influences |
gptkb:German_Expressionism
gptkb:Film_Noir gptkb:Surrealism Existentialism |
| gptkbp:inspiration |
Bergman's experiences in Berlin
|
| gptkbp:language |
English
|
| gptkbp:language_spoken |
Philosophical discussions
|
| gptkbp:legacy |
Part of the canon of world cinema.
Considered a significant work in Bergman's filmography. |
| gptkbp:motif |
Recurring themes in character arcs.
|
| gptkbp:music_by |
gptkb:Bach
|
| gptkbp:music_composer |
gptkb:Björk
|
| gptkbp:narrative |
Non-linear storytelling.
Complex and layered storytelling. |
| gptkbp:narrative_style |
gptkb:Surrealism
non-linear |
| gptkbp:plot |
A man struggles to survive in Berlin during the rise of the Nazi regime.
|
| gptkbp:precedes |
gptkb:Autumn_Sonata
|
| gptkbp:premiere |
gptkb:Cannes_Film_Festival
|
| gptkbp:production_company |
gptkb:Cinematografica_Associati
|
| gptkbp:release_date |
1977-05-20
December 1977 |
| gptkbp:release_year |
gptkb:1977
|
| gptkbp:runtime |
120 minutes
101 minutes |
| gptkbp:screenings |
Screened in retrospectives of Bergman's work.
|
| gptkbp:screenplay |
gptkb:Ingmar_Bergman
|
| gptkbp:set_in |
gptkb:Berlin
|
| gptkbp:setting |
gptkb:Berlin
|
| gptkbp:soundtrack |
Original score by Björk
|
| gptkbp:starring |
gptkb:David_Carradine
gptkb:Liv_Ullmann |
| gptkbp:style |
Art film
|
| gptkbp:symbolism |
Characters symbolize broader societal issues.
Represents the fragility of human existence. |
| gptkbp:thematic_element |
Explores the human condition.
Isolation and despair. |
| gptkbp:theme |
gptkb:betrayal
gptkb:survival gptkb:identity gptkb:oppression Existentialism fear |
| gptkbp:themes |
Themes of fear, survival, and morality.
|
| gptkbp:viewing_format |
Available on DVD and Blu-ray.
|
| gptkbp:bfsParent |
gptkb:Ingmar_Bergman
|
| gptkbp:bfsLayer |
4
|