Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:political_movement
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:acid_house
gptkb:The_KLF gptkb:3_a.m._Eternal |
| gptkbp:associated_with |
gptkb:painting
gptkb:collaboration gptkb:philosopher gptkb:political_movement gptkb:community_building gptkb:community_gatherings gptkb:cultural_exchange gptkb:Community_Center gptkb:studio gptkb:archaeological_site gptkb:artwork gptkb:organization DIY ethos cultural diversity cultural festivals cultural movements social change social gatherings dance music nightlife social networks youth empowerment DJ performances fashion trends global influence music genres DJ culture youth culture sound engineering warehouse parties youth movements art collectives rave culture cultural innovation cultural transformation underground scene sound systems non-conformity acid house music cultural phenomena psychedelic visuals drug culture peace and love ethos cultural activism rave safety |
| gptkbp:climax |
gptkb:1988
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Second Summer of Love
|
| gptkbp:influenced |
modern electronic music
|
| gptkbp:influenced_by |
1960s counterculture
|
| gptkbp:inspired |
subsequent music festivals
|
| gptkbp:is_characterized_by |
ecstasy use
free parties |
| gptkbp:notable_event |
gptkb:Castlemorton_Common_Festival
|
| gptkbp:origin |
gptkb:United_Kingdom
|