Statements (25)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:poetry
|
| gptkbp:author |
gptkb:W._B._Yeats
|
| gptkbp:collectionIncludes |
gptkb:Michael_Robartes_and_the_Dancer
|
| gptkbp:countryOfOrigin |
gptkb:Ireland
|
| gptkbp:firstPublished |
1920
|
| gptkbp:form |
free verse
|
| gptkbp:genre |
Modernist poetry
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Second Coming (poem)
|
| gptkbp:influenced |
gptkb:literature
popular culture |
| gptkbp:inspiredBy |
gptkb:World_War_I
Yeats's theory of history |
| gptkbp:language |
English
|
| gptkbp:line |
22
|
| gptkbp:notableFor |
Things fall apart; the centre cannot hold
The best lack all conviction, while the worst are full of passionate intensity. |
| gptkbp:publishedIn |
gptkb:The_Dial
|
| gptkbp:subject |
history
apocalypse chaos |
| gptkbp:theme |
gptkb:murder
gptkb:transformation revelation |
| gptkbp:bfsParent |
gptkb:Slouching_Towards_Bethlehem
|
| gptkbp:bfsLayer |
5
|