|
gptkbp:instanceOf
|
gptkb:play
|
|
gptkbp:author
|
gptkb:Anton_Chekhov
|
|
gptkbp:countryOfOrigin
|
gptkb:Russia
|
|
gptkbp:dateWritten
|
1895
|
|
gptkbp:firstPerformanceFailure
|
true
|
|
gptkbp:genre
|
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Seagull
|
|
gptkbp:influenced
|
modern theatre
|
|
gptkbp:laterSuccess
|
true
|
|
gptkbp:literaryPeriod
|
gptkb:Russian_realism
|
|
gptkbp:mainCharacter
|
gptkb:Boris_Trigorin
gptkb:Irina_Arkadina
gptkb:Konstantin_Treplev
gptkb:Nina_Zarechnaya
|
|
gptkbp:notableAdaptation
|
gptkb:The_Seagull_(1972_film)
gptkb:The_Seagull_(2018_film)
|
|
gptkbp:notableDirector
|
gptkb:Konstantin_Stanislavski
|
|
gptkbp:notableProduction
|
gptkb:Moscow_Art_Theatre_1898
|
|
gptkbp:notableQuote
|
"I am in mourning for my life."
"What we need is new forms."
|
|
gptkbp:openToPublic
|
true
|
|
gptkbp:originalLanguage
|
gptkb:Russian
|
|
gptkbp:premiereDate
|
1896
|
|
gptkbp:premiereLocation
|
gptkb:Alexandrinsky_Theatre
|
|
gptkbp:setting
|
country estate in late 19th-century Russia
|
|
gptkbp:structure
|
four acts
|
|
gptkbp:subject
|
gptkb:art
gptkb:family
failure
fame
unrequited love
|
|
gptkbp:theme
|
gptkb:theatre
disillusionment
search for meaning
jealousy
generational conflict
artistic ambition
romantic disappointment
|
|
gptkbp:translatedInto
|
gptkb:Chinese
gptkb:French
gptkb:German
gptkb:Italian
gptkb:Spanish
English
Japanese
many other languages
|
|
gptkbp:bfsParent
|
gptkb:Glenn_Close
|
|
gptkbp:bfsLayer
|
4
|